In reviews of The Lady From Dubuque, Erik Haagensen of BACKSTAGE writes, “C.J. Wilson’s Fred is the epitome of testosterone-fueled misogyny, gleefully common and palpably sexual,” and Suzanna Bowling of Times Square Chronicles writes, “C.J. Wilson is perfect as the self obsessed soulless midlife man obsessed with youth.”
“Being a part of the cast of The Lady from Dubuque was my first time working with Signature,” said Wilson. It’s an honor to have performed in the inaugural production for the space. I’m very lucky.”
Little did Wilson know at the time that he would be cast in the world premiere of Kenneth Lonergan’s new comedy Medieval Play, which Lonergan is also directing. Against the classic comic background of late 14th century ecclesiastical politics, Lonergan’s Medieval Play follows the story of two French mercenary knights who set out on a quest for relative moral redemption.
It is a story of friendship, love, noble feats of arms, indiscriminate brutality, the progressive refinement of medieval table manners and the general decline of the chivalric ideal at the onset of the Great Papal Schism of 1378. When I met up with Wilson in the Café of the Center during his dinner break, he was in the throes of tech – navigating swords, shields, suits of armor and endless costume changes.
In addition to Wilson, the cast includes Anthony Arkin (I’m Not Rappaport, The Waverly Gallery), Heather Burns (Middletown, Lobby Hero), Tate Donovan (Good People, Lobby Hero), Kevin Geer (Unconditional, Twelve Angry Men), Halley Feiffer (The House of Blue Leaves, Tigers Be Still), Josh Hamilton (The Coast of Utopia, The Cherry Orchard) and John Pankow.
Wilson caught the acting bug when he attended Troy State University in Alabama.
A graduate of Juilliard, Wilson has worked steadily in theater, film and TV, making his Broadway debut in the 2000 revival of Gore Vidal’s The Best Man. His other Broadway credits include A Steady Rain, Festen, Henry IV and Long Day’s Journey Into Night. Off-Broadway, he appeared in All-American at LCT 3; The Bear at HERE; Offices and Voysey Inheritance at Atlantic Theater; Race at Jewish Rep; Stop Kiss, The Cripple of Inishmaan and The Merry Wives of Windsor at The Public.
In 2010, Wilson received a Lucille Lortel nomination for his role as Michael, in Primary Stages’ production of Lucinda Coxon’s Happy Now?.
“I played this British ne’er-do-well,” said Wilson. “He was funny, charming and genuinely loved women. It made it easier for women to like him. It was a lot more joyful to play.
Charles Isherwood, of The New York Times writes, “This jolly lout, played to perfection by C. J. Wilson, exudes the friendly neediness of a tail-wagging golden retriever. He practices a patented form of seduction, lavishing sympathy and flattery on hard-driven professional women looking for a steam valve to release some pressure.”A staff writer for the New York Daily News writes, “And Wilson delivers an especially potent performance as the sad-sack serial seducer who sets out to pick up a woman and ends up helping her to wake up to her life.”
Regionally, he has worked with the Berkshire Theatre Group, Wilma, Shakespeare Theatre, Old Globe, Williamstown, ACT in Seattle, Fulton Opera House, McCarter, Syracuse Stage, Acting Company. On TV, he has guest starred on “Blue Bloods,” “Pan Am,” “Onion Sportsdome,” “Brotherhood,” “Without a Trace,” “Third Watch,” “Law & Order,” “Law & Order:SVU,” Law & Order: CI,” “Ed,” “New Amsterdam,” and “All My Children.” Wilson can be seen as a fireman in the summer release of Rob Reiner’s The Magic of Belle Isle, which stars Morgan Freeman and Virginia Madsen, and he has also appeared in the film Ghoul.
The design team for Medieval Play includes Walt Spangler (Scenic Design), Michael Krass (Costume Design), Jason Lyons (Lighting Design), David Van Tiegham (Sound Design) and J. David Brimmer (Fight Direction). The production stage manager is David H. Lurie.
Tickets to the initial runs of all productions of Signature’s Inaugural Season at The Pershing Square Signature Center are $25, part of the groundbreaking Signature Ticket Initiative: A Generation of Access, a program that guarantees affordable and accessible tickets to every Signature production for the next 20 years. Serving as a model for theatres and performing arts organizations across the country, the Initiative was founded in 2005 and is made possible by lead partner The Pershing Square Foundation and founding sponsor Time Warner, Inc., with additional seed support provided by the Ford Foundation, Margot Adams, the Rockefeller Brothers Fund, and the New York City Department of Cultural Affairs.
Other Articles by Lia Chang
Performing Arts Images from the Asian American Pacific Islander Collection on Display at the Library of Congress to Celebrate APA Heritage Month
Thom Sesma is the keynote speaker for the Library of Congress celebration of Asian Pacific American Heritage Month (APAHM) at the Mary Pickford Theater on May 17
BD Wong Creates Kickstarter Campaign for his Live Concert Recording of HERRINGBONE, to be performed May 21-22 as a Benefit for Dixon Place
Epic Theatre Presents Jeanne Sakata’s Hold These Truths, starring Joel de la Fuente, May 20-21, 2012
David Henry Hwang, Oskar Eustis, BD Wong, Brian d’Arcy James, Francis Jue, Jennifer Lim and Leigh Silverman at WNYC’s The Greene Space
Christine Toy Johnson helms Concert Reading of Jason Ma’s Gold Mountain starring Raymond J. Lee & Ali Ewoldt on 5/21
André De Shields in BLACK BY POPULAR DEMAND at the Laurie Beechman, 5/4, 5/11 & 5/18
David Henry Hwang Set as Signature Theatre’s Residency One Playwright for the 2012-2013 Season
Photos: Laila Robins, Sean Dugan, C.J. Wilson, Peter Francis James, Bill Irwin and Tricia Paoluccio at Signature Theatre Company’s revival of Edward Albee’s The Lady From Dubuque
Athol Fugard’s Blood Knot, starring Colman Domingo & Scott Shepherd in The Alice Griffith Jewel Box at The Pershing Square Signature Center through March 11, 2012
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