Lia Chang Theater Portfolio at Library of Congress
For Immediate Release:
Lia Chang Theater Portfolio at Library of Congress Features Photos of Thom Sesma’s Makeup Transformation as Scar in Disney’s The Lion King Las Vegas, Robert Lee and Leon Ko’s Heading East Starring BD Wong, David Henry Hwang’s Chinglish, and Samrat Chakrabarti and Sanjiv Jhaveri’s Bakwas Bumbug! on View Through August 23
Extended through 8/23- “In Rehearsal” Lia Chang Theater Portfolio at Library of Congress Featuring Robert Lee and Leon Ko’s Heading East Starring BD Wong, Thom Sesma as Scar in The Lion King Las Vegas
Photo #49 BD Wong in rehearsal for a staged concert of Heading East, a Richard Rodgers Development Award-winning musical by Robert Lee and Leon Ko on May 22, 2010, at the Lila Acheson Wallace Auditorium at Asia Society in New York. Helmed by Darren Lee, Heading East features a cast lead by Wong, Cindy Cheung, Fay Ann Lee, Manu Narayan, Lydia Gaston, MaryAnn Hu, Ming Chan Lee, Angela Lin, Kelvin Moon Loh, Hazel Anne Raymundo, Jon Norman Schneider and Rodney To. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection
From July 20 through August 2, “In Rehearsal”, a display of photographs drawn from the Lia Chang Theater Portfolio in the Library of Congress’ Asian American Pacific Islander Collection, is on view in the Library of Congress’ Asian Division Reading Room, located in Room 150 of the Thomas Jefferson Building, 10 First Street S.E., Washington, D.C. The hours of the Library of Congress’ Asian Division Reading Room are 8:30 a.m. – 4:30 p.m.
Photo #83 (1st Row)Rodney To, MaryAnn Hu, Cindy Cheung, Fay Ann Lee, Angela Lin, Hazel Anne Raymundo,(2nd Row) Jon Norman Schneider, Ming Chan Lee, Manu Narayan and Kelvin Moon Loh in rehearsal for a staged concert of Heading East, a Richard Rodgers Development Award-winning musical by Robert Lee and Leon Ko on May 22, 2010, at the Lila Acheson Wallace Auditorium at Asia Society in New York. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection
The 36 photographs on display feature Thom Sesma’s Makeup Transformation as Scar in Disney’s “The Lion King Las Vegas”; rehearsals of a staged concert of Robert Lee and Leon Ko’s musical “Heading East” starring BD Wong at the Asia Society in New York; of David Henry Hwang’s play, “ChingLish,” which premiered at the Goodman Theatre in Chicago this summer and is bound for Broadway this fall; and of “Bakwas Bumbug!,” a pop opera by Samrat Chakrabarti and Sanjiv Jhaveri, which recently made its off-Broadway debut.
“The historical importance of these rehearsal photographs is in its documentation of Asian American theater in a working and evolving environment. The camera captures the spontaneous interactions among actors, playwright, stage director, choreographer, producer, and musicians before opening night,” said Reme Grefalda, curator of the AAPI Collection at the Library of Congress.
Photo #166 Thom Sesma in makeup on August 23, 2010, at the Mandalay Bay Theatre, where he is currently starring as Scar in Disney's The Lion King Las Vegas. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection
Select materials from the Playwrights’ Archives (AAPI Collection) are also on view, including original scripts by Velina Hasu Houston, Christine Toy Johnson, Jeanne Sakata and Lani Montreal.
Photo #281 Thom Sesma with his dresser Craig West in his dressing room at the Mandalay Bay Theatre, where he is currently starring as Scar in Disney's The Lion King Las Vegas. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection
Sponsored by the Library of Congress’ Asian Division, the display of Lia Chang Theater Portfolio photographs and select scripts from the Playwrights’ Archives (AAPI Collection) is being held in conjunction with the “Asian American Plays for a New Generation” book event on July 27 at noon in the Mary Pickford Theater, located on the third floor of the Library of Congress James Madison Building, 101 Independence Ave. S.E., Washington, D.C.
David Henry Hwang at the Virginia Theatre in New York during the run of his revisal of Rogers and Hammerstein’s Flower Drum Song in March, 2003. Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection
Editor Rick Shiomi, on behalf of co-editors Josephine Lee and Don Eitel, will discuss their new anthology “Asian American Plays for a New Generation” (Temple University Press, June 2011). A panel discussion will follow with Rick Shiomi and Lia Chang, moderated by Terry Hong.
Playwright David Henry Hwang and director Leigh Silverman discussing script changes during a rehearsal for Chinglish in the Healy Room of the Goodman Theatre in Chicago on June 5, 2011. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection
“Asian American Plays for a New Generation” features seven plays. Six of those were developed and produced by Mu Performing Arts, the Midwest’s foremost pan-Asian performing arts organization, founded in Minneapolis in 1992.
(L-R) Stephen Pucci (Peter), Jennifer Lim (Xu Yan), and James Waterston (Daniel) rehearsing a scene for Chinglish in the Healy Room of the Goodman Theatre in Chicago on June 5, 2011. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection
“Bahala Na” by Clarence Coo is about the relationship between a grandmother and her grandson who is gay. “Happy Valley,” by Aurorae Khoo, focuses on the plight of the Chinese in Hong Kong when the former British colony comes under Communist Chinese rule. “Asiamnesia,” by Sun Mee Chomet examines the issues facing Asian American women in theater and society. “Sia(b),” by May Lee Yang, is about a young Hmong woman understanding her own identity. “Walleye Kid, The Musical,” by Sundraya Kase, R.A. Shiomi and Kurt Miyashiro is based on the Japanese folktale, “The Peach Boy.” “Ching Chong Chinaman,” by Lauren Yee, is a comedy that explores the stereotype of Asians as “the model minority.” “Indian Cowboy,” by Zaraawar Mistry, focuses on pre- and post-9/11 life in America’s South Asian communities.
Sanjiv Jhaveri and Samrat Chakrabarti, co-creators and co-directors of Bakwas Bumbug at The Wild Project in the East Village after the opening night performance on June 22, 2011. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection
The Library of Congress is a central repository for all types of Asian publications that are not broadly available at other locations in the United States. Initiated in 1869 with a gift of 10 works in 934 volumes offered to the United States by the Emperor of China, the Library’s Asian collection of more than 2 million items is the largest and most comprehensive outside of Asia. For more information about the division and its holdings, go to www.loc.gov/rr/asian/
Bakwas Bumbug cast with co-creator and co-director Sanjiv Jhaveri in rehearsal at DANY Studios in New York on 6/16/11. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection
Founded in 1800, the Library of Congress is the nation’s oldest federal cultural institution. The Library seeks to spark imagination and creativity and to further human understanding and wisdom by providing access to knowledge through its magnificent collections, programs and exhibitions. Many of the Library’s rich resources can be accessed through its website at www.loc.gov
and via interactive exhibitions on a personalized website at myLOC.gov
The cast of Bakwas Bumbug with co-creator, co-director and composer Samrat Chakrabarti in rehearsal at DANY Studios in New York on 6/16/11. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection
July 20-August 2, 2011
Library of Congress
Asian Division Reading Room
Thomas Jefferson Building
10 First Street S.E., Room 150
On Wednesday, July 27, 2011, Lia Chang will be at the Asian Division Reading Room at 11am and at 1:30pm.
Wednesday, July 27, 2011
“Asian American Plays for a New Generation” Book Talk
Mary Pickford Theater
Library of Congress
James Madison Building
101 Independence Ave. S.E., Third Floor
Thom Sesma’s Makeup Transformation as Scar in Disney’s The Lion King Las Vegas
Click below for link to photos
All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at firstname.lastname@example.org.
AAPI Collection/Library of Congress
Other Articles on “In Rehearsal”
Broadwayworld.com Photo Flash: Library of Congress’ IN REHEARSAL Exhibit
broadwayworld.com: Chinglish in Rehearsal
Photos: Playwright David Henry Hwang in rehearsal at the Goodman Theatre for World Premiere of Chinglish
David Henry Hwang’s Chinglish is Broadway Bound this Fall; Goodman Theatre Photo Feature
Photos: Christmas in June w/ Samrat Chakrabarti and Sanjiv Jhaveri’s “Bakwas Bumbug” at The Wild Project in NY
My portrait of “Thom Sesma’s Makeup Transformation into Scar in The Lion King” on view in HHC’s New York City: IN FOCUS, Vol. 2
Multimedia: Exclusive photos and video of Disney’s The Lion King Las Vegas -In the Makeup Chair with Thom Sesma
Photo Call: BD Wong and the Cast of Heading East at the Asia Society
Other Articles by Lia Chang:
Celebrating my mom – AN ACTIVE VISION: BEVERLY UMEHARA…LABOR ACTIVIST…1945-1999
Coming to America through The Angel Island Immigration Station
Andy Warhol, Romare Bearden, Alexander Calder, Lia Chang in Art & Healing Exhibit at Snug Harbor on SI
My Empire State Building at Dusk on view in HHC’s “Art and Healing-Healthy for the Holidays” Art Exhibit
Lia Chang’s Botanical Beauties Portrait Commission at School of Nursing at Kings County Hospital Center
RED opening reception at Gouverneur Healthcare Services
<Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.
Lia Chang is an actor, performance and fine art botanical photographer, and an award-winning multimedia journalist. As a photographer and videographer, Chang has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden. Chang was featured as Joy in the Signature Theater Company’s revival of Sam Shepard’s 1965 Obie award winning play, Chicago directed by Joseph Chaikin at the Public Theater. Off Broadway credits include: Jeff Weiss’ Obie Award winning Hot Keys (Naked Angels), Raunchy Asian Women (Ohio Theatre), The Confirmation (The Vineyard), Behind Closed Doors (MCC), Power Play (Billie Holiday Theatre), Two Gentlemen of Verona, Underground Soap, and Famine Plays (Cucaracha Theatre). She has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon and Taxman. Chang currently plays Nurse Lia on “One Life to Live”.
Lia Chang Photo by Brianne Michelle Photography
Chang’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, The Wall Street Journal, USA Today, The Boston Globe, New York Times and Washington Post.
Selections of Chang’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space are now in the newly created LIA CHANG THEATER PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection. Photographs by Lia Chang are in the permanent collections of the Angel Island Immigration Station, Asian American Federation of New York (AAFNY), the Chinese Historical Society of America (CHSA) in San Francisco, Edna McConnell Clark Foundation, the Japanese American National Museum in Los Angeles, the Museum of Chinese in America (MOCA), the New York City Health and Hospital Corporation Art Collection and the New York Historical Society.
A former syndicated arts and entertainment columnist for KYODO News, Chang is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.
She is a National Tropical Botanical Garden Environmental Journalism Fellow, a Scripps Howard New Media Fellow at Columbia’s Graduate School of Journalism, a Visual Journalism Fellow at the Poynter Institute for New Media and a Western Knight Fellow at USC’s Annenberg College of Communications for Specialized Journalism on Entertainment Journalism in the Digital Age. She is the recipient of the Asian American Journalists Association 2001 National Award for New Media and the Organization of Chinese Americans 2000 Chinese American Journalist Award. Avenue Magazine named her one of the “One Hundred Most Influential Asian Americans” in 1997. She is featured in Joann Faung Jean Lee’s book “Asian American actors: oral histories from stage, screen, and television”.