Backstage Pass with Lia Chang

New Works by David McQueen, Matthew Friday and Michelle Stuart featured in Field Notes at Wave Hill through November 29

David McQueen …the flooding sunshine, the fire of big logs, the white expanse of cushioned snow and the incomparable river., 2015 Vintage chandelier and sconces, re-purposed Underwood typewriter, momentary switches, brass, wood, wire 14’ x 4’ x 6’ Courtesy of the artist and Kim Foster Gallery

David McQueen
…the flooding sunshine, the fire of big logs, the white expanse of cushioned snow and the incomparable river., 2015
Vintage chandelier and sconces, re-purposed Underwood typewriter, momentary switches, brass, wood, wire
14’ x 4’ x 6’
Courtesy of the artist and Kim Foster Gallery

New works by David McQueen, Matthew Friday and Michelle Stuart are featured in Field Notes at Wave Hill, September 15-November 29, 2015. The opening reception is Saturday, September 19, 2-4:30PM. Wave Hill is located at West 249th St and Independence Ave Bronx, NY 10471-2899. For more information call 718-549-3200 or click here.

A garden oasis located in the Bronx overlooking the Hudson River and Palisades, Wave Hill has a distinguished history as a landscape that has inspired, and shown, the work of visual artists since the late 1970s. Noting that observation and notation are central to the practice of many artists, Wave Hill’s fall exhibition focuses on this aspect of the creative process.  Field Notes brings together the work of three artists whose projects, in Glyndor Gallery and on the grounds, will encourage visitors to discover connections of their own.

Whatever the medium used—sketching, photography or video—notations from travels serve as inspiration for each of the artists in this exhibition. Matthew Friday presents a field station of sorts, documenting the changing ecologies of the lower Hudson Valley Watershed. David McQueen constructs an imagined narrative between Samuel Clemens (Mark Twain) and his wife Olivia during their two-year sojourn in Wave Hill House (1901–1903). Michelle Stuart ’s drawings and photographs draw on her extensive travels in Morocco in the early 1980s.

Matthew Friday Hydrographic Apparatus, 2010-present Mobile water testing and painting studio Dimensions variable Courtesy of the artist

Matthew Friday Hydrographic Apparatus, 2010-present Mobile water testing and painting studio Dimensions variable Courtesy of the artist

Matthew Friday: Modular Research Station Notes Changes to Ecology of the Hudson River

With Hydrographic Apparatus, Matthew Friday relocates a mobile and modular research station that contains a variety of cartographic and scientific instruments. Operating as a provisional laboratory, camping platform, library and exhibition installation, the piece will include a portable, pigment-processing mill powered by the prototype for a 19th-century solar engine. Set up as a diorama, the research station’s equipment will be demonstrated at two Wave Hill art projects—one for families, the other for adults—this fall.  Friday will also use locally sourced dyes to create a diagrammatic wall map of the lower Hudson Valley, indicating sources of pollution, species  migration, geological and meteorological transformation as well as ongoing and potential responses to these issues. He will present an archive of documentation from groups that are confronting the changes happening along the Hudson River. It will include preserved flora, fauna and man-made artifacts gathered from the watershed, as well as blackboards to solicit interaction with visitors, allowing them to share their perspectives and experiences.

David McQueen Double Wired Chandelier (work in progress) for Wave Hill installation, 2015 Dimensions variable Courtesy of the artist

David McQueen Double Wired Chandelier (work in progress) for Wave Hill installation, 2015 Dimensions variable Courtesy of the artist

David McQueen: Field Notes to an Imagined Narrative, Bridging Isolation

During the time that Samuel Clemens (Mark Twain) and his wife Olivia lived at Wave Hill House more than a century ago, Olivia was ill and required “quiet seclusion” to regain her health. This is the starting point for David McQueen ’s investigation into the relationship between Samuel and Olivia. The objects and drawings McQueen is presenting as “field notes” belong to an imagined narrative in which husband and wife construct elaborate mechanisms to communicate, thereby maintaining their intimacy despite Olivia’s prescribed isolation.

Among the unlikely components McQueen imagines are gramophone horns installed into a favorite chestnut tree, so that writing outdoors, in the afternoons, Clemens would still be able to hear his beloved’s daily singing. He envisions telescopes and mirrors installed at angles so that husband and wife might catch glimpses of one another throughout the day. In McQueen’s narrative, the use of a double-wired chandelier and sconces in Olivia’s sickroom would enable Samuel to know exactly where he was on the property. The artist’s narrative will unfold inside Glyndor Gallery, while gramophone horns will be installed around the property to transmit the sounds heard in the gardens. The installation includes a rewired chandelier and sconces, as well as “recovered” telescopes and mirrors. Visitors can explore this story by walking the same grounds the Clemens’ so loved and discovering fragments of their long-ago story.

Michelle Stuart: Reflecting on Meditative Spaces

Michelle Stuart Agdal I, 1982 Graphite, muslin-mounted rag paper 24 x 36" Courtesy of the artist and Leslie Tonkonow

Michelle Stuart Agdal I, 1982 Graphite, muslin-mounted rag paper 24 x 36″ Courtesy of the artist and Leslie Tonkonow

Throughout Michelle Stuart ’s expansive career, travel and observation have fueled her intense interest in history, archaeology, astronomy, botany and other ways to relate to the world. For Field Notes , she will exhibit seven drawings from a series created in 1982, following a trip to Morocco. On that trip she visited madrasas, secluded, sacred spaces for prayer and meditation where photography was not permitted.  On her return, she embarked on these drawings from memory. Using graphite, and in some cases silver leaf or watercolor, she encompasses the experience of the geometric, sparse spaces. This body of work has never been shown in New York. For the exhibition, she has also created a new work titled Yasmine: Maroc Notebook , which consists of 11 framed photographs taken from her travels and her notebooks. Stuart’s installation calls to mind distant spaces that act as a counterpart to Wave Hill’s garden landscape.

About the Artists

Matthew Friday works across a variety of media, contexts and institutions, focusing on organized labor, community agriculture and watershed remediation. Friday has exhibited in a number of venues, including Exit Art, New York, NY; the University of Buffalo Art Department Gallery; the Cambridge Art Association, Cambridge, MA; 1708 Gallery, Richmond, VA; the University of Rochester Art Gallery; the Pittsburgh Center for the Arts; the Center for Contemporary Arts in St. Louis; and Spaces, Cleveland, OH. Friday studied at the Slade School of Art, the University of New Mexico and the Whitney Independent Study Program. He has an MFA from Indiana State University. A committed educator, he is the graduate coordinator and associate professor of critical studies for the Art Department at the State University of New York at New Paltz.

David McQueen is a sculptor and installation artist living and working in Brooklyn, New York. He is represented by Kim Foster Gallery in New York. His work has been shown at Wayfarers, DUMBO Arts Center and at Parker’s Box in Brooklyn, NY; Delaware Center for Contemporary Art, Wilmington, DE; and The Bronx Museum of the Arts, Bronx, NY. He is a 2011 NYFA Fellow in sculpture, and received an MFA in sculpture from Virginia Commonwealth University and a BA from Oberlin College. He is also the Arts director for Advancement for Rural Kids (ARK), an impact organization that provides feeding programs, scholarships and arts education for children in rural provinces of the Philippines.

Michelle Stuart studied in Mexico, France and in New York at The New School for Social Research. Since the 1960s, she has engaged the landscape through large-scale earth works and earth drawings, multi-media installation, encaustic paintings, sculptural objects, drawings and prints. Photography has been a constant and is currently her primary medium. Always a pioneer in the use of natural materials and processes, she has long been interested in extinction and genetics. A selection of work from her series on genetic variation was exhibited at Wave Hill in 2000. Her work can be seen in the Whitney Museum of Art’s opening exhibition, America is Hard to See , and is represented in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Art Institute of Chicago, the Museum of Contemporary Art (Los Angeles), the San Francisco Museum of Modern Art and the Walker Art Center (Minneapolis). Stuart lives and works in New York City and Amagansett, NY.

Filed Notes is organized by Wave Hill’s curatorial team: Jennifer McGregor, Senior Curator; Gabriel de Guzman, Curator of Visual Arts; and Danni Shen, Curatorial Fellow.

Exhibition-Related Public Programs

Unless stated otherwise, all public programs listed here are free with admission to the grounds and do not require pre-registration. Related public programs include:

Family Art Project: Field Notes; An Edible Plant Insurrection:  Saturday and Sunday, September 26 and 27, 10AM-1PM

Follow the lead of visiting artist Matthew Friday on a hunt for dandelion, curly dock, wood sorrel, plantain and clover plants among the grasses of Wave Hill. Sketch these hearty, edible plants with naturally sourced dyes in your very own field book. Visit Friday’s moveable field station, part of the fall exhibition in Glyndor Gallery, and join the rebellion against prescribed labeling of weeds by designing an edible plant seed packet to plant seeds at home.

Art Workshop: Beyond the Scenic Hudson—Plein-Air Painting with Hand-Made Pigments:  Sunday, October 11, 1‒4PM

View  Matthew Friday ‘s Hudson River-inspired installation in the fall gallery exhibition, then join Friday outdoors to paint the glorious autumn landscape using hand-made pigments. Participate in a lively conversation about how global warming and other environmental challenges are changing this resilient ecosystem. $40/$30 Wave Hill Member.

Exhibiting Artists and Curator Talk : Saturday, November 7,  2PM.

Gallery Tours:  Wave Hill’s Curatorial Fellow leads guided tours take place Tuesdays and Saturdays at 2PM.

Support for the Visual Arts Program is provided by Lily Auchincloss Foundation, Inc., the Milton & Sally Avery Arts Foundation, The New York Community Trust, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and by the Cathy and Stephen Weinroth Commissioning Fund for the Arts. The family art project is generously sponsored by Target, with additional support provided by Cleveland H. Dodge Foundation and the National Endowment for the Arts. Sustaining support is provided by the Sally and Gilbert Kerlin Endowment for Environmental Science and Nature Education. Support for Public Programs is provided by the William Froelich Foundation. Support for Garden Programs is provided by the Hagedorn Fund. The Institution’s operations are made possible in part by public funds provided through the New York City Department of Cultural Affairs.

Lia Chang

Lia Chang

Lia Chang is an award-winning filmmaker, a Best Actress nominee, a photographer, and an award-winning multi-platform journalist. Lia has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and Hide and Seek. She is profiled in FebOne1960.com Blog, Jade Magazine and Playbill.com.

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All text, graphics, articles & photographs: © 2000-2015 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com

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