It’s your final chance to see The Public Theater’s NYT Critics’ Pick FATHER COMES HOME FROM THE WARS (PARTS 1, 2 & 3), a world premiere play written by Public Theater Master Writer Chair Suzan-Lori Parks. Directed by Jo Bonney, FATHER COMES HOME FROM THE WARS (PARTS 1, 2 & 3) , began previews on Tuesday, October 14 in the Anspacher Theater and was originally scheduled to close on Sunday, November 16, was extended through November 30th and will now close on December 7th.
“EXTRAORDINARY! THE BEST NEW PLAY I’VE SEEN ALL YEAR. By turns philosophical and playful, lyrical and earthy, SUZAN LORI-PARKS’S new play SWOOPS, LEAPS, DIVES and SOARS. THE FINEST WORK YET FROM THIS GIFTED WRITER, and A HIGH-WATER MARK in the career of director JO BONNEY.”
The New York Times
“THRILLING! A MASTERPIECE. A story that engages the DEEPEST POSSIBLE ISSUES in the MOST GRIPPING POSSIBLE WAY.”
New York Magazine
“GRADE A: SUZAN-LORI PARKS brings the FULL FORCE of her DRAMATIC POWER. She elevates her themes with echoes of classic literature while at the same time DOUBLING DOWN ON COMEDY.”
“PROVOCATIVE, RICH and IRREVERENTLY FUNNY.”
New York Post
“This HAUNTING work is FUNNY and TRAGIC, WHIMSICAL and LACERATING, POETIC and POIGNANT, navigating its radical tonal shifts with FLUIDITY and GRACE.”
The Hollywood Reporter
“INSIGHTFUL, POETIC & HEARTBREAKING. DELIVERS A GUT-PUNCH.”
“TRIUMPHANT! Overloaded with SOARING LANUGAGE and PROVOCATIVE DEBATE.”
Check out the review roundup at Broadwayworld.com.
Member tickets, priced at $45, and single tickets, starting at $65, are available now by calling (212) 967-7555, www.publictheater.org, or in person at the Taub Box Office at The Public Theater at 425 Lafayette Street.
Pulitzer Prize winner Suzan-Lori Parks (Topdog/Underdog, The Book of Grace) continues her longstanding relationship with The Public Theater with FATHER COMES HOME FROM THE WARS (PARTS 1, 2 & 3), a devastatingly beautiful, dramatic work set over the course of the Civil War. Jo Bonney directs this moving and haunting drama comprised of three plays presented in a single performance. In Part 1, “A Measure of A Man,” Hero, a slave who is accustomed to his master’s lies, must now decide whether to join him on the Confederate battlefield in exchange for a promise of freedom. Part 2, “A Battle in the Wilderness” follows Hero and the Colonel as they lead a captured Union solider toward the Confederate lines as the cannons approach. Finally, in Part 3, “The Union of My Confederate Parts,” the loved ones Hero left behind question whether to escape or wait for his return – only to discover that for Hero, freedom may have come at a great spiritual cost. A masterful new work from one of our most lyrical and powerful writers which was a part of the 2013-14 Public Lab season, FATHER COMES HOME FROM THE WARS is a deeply personal epic about love and hope in a world of impossible choices. Presented in association with American Repertory Theater.
The complete cast for FATHER COMES HOME FROM THE WARS (PARTS 1, 2 & 3) features Sterling K. Brown (Hero); Louis Cancelmi (Smith); Peter Jay Fernandez (Oldest Old Man); Jeremie Harris (Homer); Russell G. Jones (Leader, Runaway); Jenny Jules (Penny); Ken Marks (Colonel);Jacob Ming-Trent (Fourth, Odyssey Dog); Tonye Patano (Third, Runaway); and Julian Rozzell Jr. (Second, Runaway).
FATHER COMES HOME FROM THE WARS (PARTS 1, 2 & 3) features scenic design by Neil Patel, costume design by ESOSA, lighting design by Lap Chi Chu, and sound design and music supervision by Dan Moses Schreier.
SUZAN-LORI PARKS (Playwright) is The Public Theater’s Master Writer Chair. Her plays include Topdog/Underdog, which moved to Broadway and won the Pulitzer Prize, making her the first African- American woman to do so; The Book of Grace; Fucking A; In The Blood; Venus; and The America Play. In 2003, Parks wrote a play a day and her project 365 Days/365 Plays was produced in over 700 theaters worldwide. Her additional plays include The Death of the Last Black Man in the Whole Entire World, and Imperceptible Mutabilities in the Third Kingdom. Her additional Broadway credits include The Gershwins’ Porgy and Bess, for which she received a Tony Award. She has written screenplays for Brad Pitt, Spike Lee, Oprah Winfrey, and her novel Getting Mother’s Body was published by Random House. She is a recipient of the MacArthur “Genius” Award, and one of Time Magazine’s “100 Innovators for the Next New Wave.”
JO BONNEY (Director) previously directed the Public Lab production of Father Comes Home From the Wars (Parts 1, 2 & 3), as well as Danny Hoch’s Some People, Diana Son’s Stop Kiss, Anna Deveare Smith’s House Arrest, Jose Rivera’s References to Salvador Dalí Make Me Hot, and Naomi Wallace’s Fever Chart at The Public. She has directed premieres of plays by Alan Ball, Eric Bogosian, Culture Clash, Eve Ensler, Jessica Goldberg, Neil LaBute, Warren Leight, Lynn Nottage, Dael Orlandersmith, Darci Picoult, Will Power, David Rabe, Universes, and Michael Weller. She has also directed productions of plays by Caryl Churchhill, Nilo Cruz, Charles Fuller, Lisa Loomer, John Osborne, John Pollono, and Lanford Wilson. She is the recipient of the 1998 Obie Award for Sustained Excellence of Direction; and is the editor of Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century.
Other articles by Lia Chang:
New York Times Critics’ Pick OUR LADY OF KIBEHO by Katori Hall, extends through December 14
The Public Theater Extends Suzan-Lori Parks’s FATHER COMES HOME FROM THE WARS through December 7
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Lia Chang is an actor, a performance and fine art botanical photographer, and an award-winning multi-platform journalist. Lia starred as Carole Barbara in Lorey Hayes’ Power Play at the 2013 National Black Theatre Festival in Winston-Salem, N.C., with Pauletta Pearson Washington, Roscoe Orman, and made her jazz vocalist debut in Rome Neal’s Banana Puddin’ Jazz “LADY” at the Nuyorican Poets Cafe in New York. She is profiled in Jade Magazine.
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