Backstage Pass with Lia Chang

Stephen Adly Guirgis’ BETWEEN RIVERSIDE AND CRAZY at Second Stage Theatre’s Tony Kiser Theatre Beginning January 16, 2015

(Updated: 12/3/14)

Second Stage Theatre (Carole Rothman, Artistic Director, Casey Reitz Executive Director) will present the Atlantic Theater Company’s (Neil Pepe, Artistic Director, Jeffory Lawson, Managing Director) sold out production of Stephen Adly Guirgis’ acclaimed play, BETWEEN RIVERSIDE AND CRAZY, for a limited engagement this winter. Directed by Austin Pendleton, the production will begin previews on Friday, January 16, 2015 and will officially open on Wednesday, February 11, 2015 at Second Stage Theatre’s Tony Kiser Theatre (305 West 43rd street).

Stephen McKinley Henderson as Pops, Elizabeth Canavan as Detective Audrey O’Connor & Michael Rispoli as Lieutenant Caro in Between Riverside and Crazy. Photo by Kevin Thomas Garcia

Stephen McKinley Henderson as Pops, Elizabeth Canavan as Detective Audrey O’Connor & Michael Rispoli as Lieutenant Caro in Between Riverside and Crazy. Photo by Kevin Thomas Garcia

Stephen McKinley Henderson, who received rave reviews for his lead performance as Walter “Pops” Washington, will return with the production. He was previously seen at Second Stage in August Wilson’s Jitney. Ron Cephas Jones joins other original cast members returning with the production include Victor Almanzar (Repertorio Espanol, LAByrinth Theater), Elizabeth Canavan (The Little Flower of East Orange), Rosal Colón (The Motherf*cker with the Hat) and Liza Colón-Zayas (Second Stage Theatre’s Water by the Spoonful and Living Out) and Michael Rispoli.

Stephen McKinley Henderson as Pops, Rosal Colon as Lulu & Victor Almanzar as Oswaldo in Between Riverside and Crazy. Photo by Kevin Thomas Garcia

Stephen McKinley Henderson as Pops, Rosal Colon as Lulu & Victor Almanzar as Oswaldo in Between Riverside and Crazy. Photo by Kevin Thomas Garcia

City Hall is demanding more than his signature, the Landlord wants him out, the liquor store is closed – and the Church won’t leave him alone. For ex-cop and recent widower Walter “Pops” Washington and his recently paroled son Junior, the struggle to hold on to one of the last great rent stabilized apartments on Riverside Drive collides with old wounds, sketchy new houseguests, and a final ultimatum in this dark comedy from the Tony nominated author of The Motherf*ucker with the Hat and Jesus Hopped the A Train. For Pops and Junior, it seems the Old Days are dead and gone – after a lifetime living Between Riverside and Crazy.

“Part of Second Stage’s founding mission is to give deserving American plays a second chance to reach a wider audience. I was lucky enough to see Stephen’s remarkable play this summer and now I’m thrilled to bring it back and share it with theatregoers who couldn’t get a ticket during its sold out run,” says Artistic Director Carole Rothman. “An extraordinary combination of events have occurred to make this production a part of our season: an unexpected immediate opening in our line up and a brilliant play that was ready to be – and deserved to be – remounted for a larger audience. I couldn’t be happier bringing Stephen’s brilliant characters to life again and I know our audiences will be as knocked out by this play as I was.”

BETWEEN RIVERSIDE AND CRAZY features scenic design by Walt Spangler; costume design byAlexis Forte; lighting design by Keith Parham; and sound design and original music by Ryan Rumery.

Tickets are $75 (orchestra), $60 (Balcony), $67.50 (Senior), $125 premium*, $55 (subscription). Save 35% on $75 tickets with code BRACDM on performances, January 16- February 11, 2015. Rush tickets are available one hour prior to curtain to full time high school or college students. $30 Under 30 tickets available in advance for patrons ages 30 and under. One valid ID required for each ticket purchased, based on availability.  For tickets: call the box office at 212-246-4422 or 2ST.com. *A limited number of Premium Seats are available. Please call the box office at 212-246-4422 to reserve.

2014 Steinberg Distinguished Playwright recipient Stephen Adly Guirgis at the 2014 Steinberg Playwright Awards hosted by the Harold and Mimi Steinberg Charitable Trust on November 17, 2014 in New York City. Photo by Lia Chang

2014 Steinberg Distinguished Playwright recipient Stephen Adly Guirgis at the 2014 Steinberg Playwright Awards hosted by the Harold and Mimi Steinberg Charitable Trust on November 17, 2014 in New York City. Photo by Lia Chang

STEPHEN ADLY GUIRGIS (Playwright) is a member and former co-artistic director of LAByrinth Theater Company. His plays have been produced on five continents and throughout the United States. They include Our Lady of 121st Street (Drama Desk, Lucille Lortel, Outer Critics Circle Best Play Nominations), Jesus Hopped the ‘A’ Train (Edinburgh Festival Fringe First Award, Barrymore Award, Olivier Nomination for London’s Best New Play), In Arabia, We’d All Be Kings (2007 LA Drama Critics Best Play, Best Writing Award), The Last Days of Judas Iscariot (10 best Time Magazine & Entertainment Weekly), and The Little Flower of East Orange (with Ellen Burstyn & Michael Shannon). All five plays were directed by Philip Seymour Hoffman and were originally produced by LAByrinth. His most recent play, The Motherf***er with the Hat (6 Tony nominations, including Best Play), was directed by Anna D. Shapiro and marked his third consecutive world premiere co-production with The Public Theater and LAByrinth. In London, his plays have premiered at The Donmar Warehouse, The Almeida (dir: Rupert Goold), The Hampstead (Robert Delamere), and at The Arts Theater in the West End. Other plays include Den of Thieves (Labyrinth, HERE, HAI, Black Dahlia) and Dominica The Fat Ugly Ho (dir: Adam Rapp) for the 2006 E.S.T. Marathon. He has received the Yale Wyndham-Campbell Prize, a PEN/Laura Pels Award, a Whiting Award,  a TCG fellowship and the prestigious 2014 Steinberg Distinguished Playwright Award. He is also a New Dramatists Alumnae and a member of MCC’s Playwright’s Coalition, The Ojai Playwrights Festival, New River Dramatists, and Labyrinth Theater Company. As an actor, he has appeared in theater, film and television, including roles in Kenneth Lonergan’s film Margaret, Todd Solondz’s Palindromes, and Brett C Leonard’s Jailbait opposite Michael Pitt. A former violence prevention specialist and H.I.V. educator, he lives in New York City.

AUSTIN PENDLETON (Director) returns to Second Stage Theatre where he staged the critically acclaimed production of Spoils of War.  He has been most recently represented as a director by his productions in New York, of Gidion’s Knot (by Johnna Adams) at 59E59; Seagull69 (adapted from The Sea Gull) at Mississippi Mud; IvanovThree Sisters, and Uncle Vanya (all at CSC); and Look Homeward, Angel for Mother of Invention, among many other productions.  Other credits include: in Chicago, works at Steppenwolf (where he is a member of the Ensemble) most recently by Tribes; in London at the National Theatre by Detroit by Lisa D’Amour; and in Little Rock by A Loss of Roses by William Inge, at Arkansas Rep. He is also an actor (Broadway, off- and off-off-Broadway, regional theatre, and many movies and TV appearances), playwright (his plays include Orson’s ShadowUncle Bob, and Booth), and (at HB Studio in New York) teacher of acting.

Other Articles by Lia Chang:
Photos: Ellen Burstyn, Baz Luhrmann, John Leguizamo, Elizabeth Rodriguez, Stephen McKinley Henderson, John Patrick Shanley, David Henry Hwang, Liza Colón-Zayas, Kenneth Lonergan and More Celebrate Stephen Adly Guirgis at The Mimi Awards
Stephen Adly Guirgis to Receive the Steinberg Distinguished Playwright Award at the Seventh Annual Steinberg Playwright “Mimi” Awards on November 17
Ann Harada Ends Run on Broadway in Rodgers and Hammerstein’s ‘Cinderella’ on December 14; Set for World Premiere of ‘Brooklynite’ at The Vineyard in January 2015
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Q & A with Danny Ramm, Co-writer of Joe Mantegna Helmed ‘Criminal Minds’ Season 10 Episode to Honor the late Meshach Taylor; Airs January 21, 2015
Yellow Sound Label to Release BD Wong’s Debut CD HERRINGBONE on December 2, 2014
NYU Theatrical Production Presents the World Premiere of Rajiv Joseph’s Describe the Night in the Shubert Theatre at Tisch School of the Arts
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Q & A with Playwright Camille Darby, 2014-15 Dramatists Guild Playwrighting Fellow
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Costume Institute’s Spring 2015 Exhibition at Metropolitan Museum to Focus on Chinese Imagery in Art, Film, and Fashion, May 7–August 16, 2015
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Photos: Art Salon with Artist Yang Chihung and Dr. Agnes Hsu-Tang at New-York Historical Society
Photos: Chinese American: Exclusion/Inclusion on View through April 19, 2015 at New York Historical Society
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Photos & Video: The Wiz’s André De Shields Sang “So You Wanted to Meet the Wizard” in The Black Stars of The Great White Way Broadway Reunion: Live The Dream at Carnegie Hall 
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Photos and Video: Obba Babatunde and cast members from the original cast of Dreamgirls perform at Carnegie Hall in The Black Stars of The Great White Way Broadway Reunion: Live The Dream
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Photos: Maxine Hong Kingston, Billie Tsien, Bill T. Jones, Linda Ronstadt, John Kander, Julia Alvarez, Jeffrey Katzenberg Receive 2013 National Medal of Arts from President Barack Obama 
Photos: Artist Arlan Huang, One Brush Stroke at a Time
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Crafting a Career
Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang Photo by GK

Lia Chang Photo by GK

Lia Chang is an actor, a performance and fine art botanical photographer, and an award-winning multi-platform journalist. Lia starred as Carole Barbara in Lorey Hayes’ Power Play at the 2013 National Black Theatre Festival in Winston-Salem, N.C., with Pauletta Pearson Washington, Roscoe Orman, and made her jazz vocalist debut in Rome Neal’s Banana Puddin’ Jazz “LADY” at the Nuyorican Poets Cafe in New York. She is profiled in Jade Magazine.

All text, graphics, articles & photographs: © 2000-2014 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com

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