Backstage Pass with Lia Chang

Lia Chang: Soham Mehta, Award-winning Filmmaker of Fatakra

Soham Mehta Photo by Lia Chang

Soham Mehta Photo by Lia Chang

The American dream collides against immigrant reality in this month’s Take Two, with Soham Mehta’s Academy Award winning short film Fatakra and Mia McCullough’s acclaimed drama Since Africa. Take Two, presented by Direct Arts and Horse Trade Theater Group, is the popular monthly double bill that pairs theater and film, past and present, across cultures, in the Red Room, 85 E. 4th Street, 3rd Fl. in New York, on Tuesday, April 10, 2012 from 7-10pm. Admission is $10. For tickets, click here. For more information on TAKE TWO, click here.

7:00 Social (Half) Hour
Artists and activists meet, talk and get slightly tipsy together.

7:30 Fatakra written and directed by Soham Mehta
In Soham Mehta’s Fatakra starring Samrat Chakrabarti, Meena Serendib, Ritik Goyal, Raj Vats and Conrad Gonzales, Chakrabarti gives a soulful performance as Naveen, a tailor who left his wife and son in India to chase his dreams in America. During Naveen’s reunion with his family after a much belated homecoming, he realizes he has a lot to make up for. Now he must learn from his son’s favorite hero, Arjuna, if he hopes to reconcile with his estranged family. Chakrabarti also composed the score for Fatakra, Mehta’s haunting and powerful meditation on longing, loss and family.

8:00 Since Africa by Mia McCullough, directed by Nancy Robillard

A Sudanese refugee attempts to adjust to his new life in Chicago, with the help of a wealthy socialite and an African-American pastor, whose opposing ideas on how best to help him may not really help him at all. A look at American culture through the eyes of an African, this play explores the tensions between blacks and whites, Africans and African-Americans, the devout and the non-religious. Since Africa was a finalist for the Susan Smith Blackburn Award and nominated for a Joseph Jefferson Award for Best New Work.
With Jenny Vallancourt, Vladimir Versailles and Jennifer Dorr White.

Born in India and raised since the age of four in Texas, South Asian American theater and film artist Soham Mehta was bitten by the acting bug, performing in his first play when he was eight years old.

As Mehta continued collecting stage credits over the next twenty years, his interest gravitated towards writing and directing. Mehta studied theater and computer science as an undergraduate at the University of Texas at Austin. No stranger to multi-tasking, Mehta founded Shunya, a Houston-based theater troupe dedicated to providing a voice to the South Asian American experience, and spent the early part of his professional life working in technology by day and directing plays by night. After leading the troupe for four years, Mehta returned to Austin to pursue his MFA in film production as a Warren Skaaren Fellow.

As the founder of Shunya, Mehta was at the helm and facilitated the production of numerous plays, forging partnerships with leading arts organizations in Houston including Diverse Works, Barnevelder Movement, the Ensemble Theatre, and Stages Repertory Theatre.

Survivors, Mehta’s take on the horror genre, is available on iTunes from Shorts International. Mehta co-wrote the feature film Where’s the Party, Yaar? which starred Kal Penn and is available on DVD from Lions Gate.

Soham Mehta Photo by Lia Chang

Soham Mehta Photo by Lia Chang

It’s been quite a whirlwind since Fatakra, Mehta’s MFA thesis film was awarded a Student Academy Award, the Directors Guild of America Student Award, and over a dozen jury awards while playing at over fifty film festivals. In the Fall of 2011, Mehta received a special invitation from the Library of Congress Asian American Association, and the film was screened at the Mary Pickford Theater.

LC: How has your life changed since receiving a Student Academy Award for your short film Fatakra?
SM: It’s hard to say because it’s rare that someone calls and says that they’re interested specifically because of the award. However, I’m sure the award has played a role in many of the things that have come my way since. I’ve working on several interesting projects in the past year and am attached to several more — the award has probably been a part of that. Creativity feeds creativity and work begets work.

LC: What did you take away from the experience?
SM: The Academy hosted all of the student winners for a week of events. My experience interacting with other filmmakers had been mostly limited to film school, low-budget sets, and film festivals — for the most part, other up and coming filmmakers. So it was eye-opening to spend time with so many established filmmakers, people who have had long and successful careers in the industry. It helped me to think of filmmaking as a lifelong profession. Winning an award like that also encouraged me to push myself and dream a little bigger. They treated us like big shots for a week and then sent us back home to reality. I left wanting to work my way back.

LC: How did you come up with the storyline for Fatakra?
SM: My wife and I were about to get married after spending the previous four years in a long-distance relationship. The idea of finally living together came with both excitement and anxiety. So I began searching for stories that would allow me to explore the notion of a family being reunited. I went through many different ideas before finally settling on telling an immigrant story — which considering that I am the son of immigrants, should have been the obvious choice from the beginning! Even once I decided on the characters and themes, it still took many drafts to construct the actual story. How do you show the gradual changes that happen in a relationship in a short film? I finally decided to limit the entire story to the very first day that Naveen’s wife and son join him in America. He has spent months dreaming of this day, but unfortunately for him, his wife and son have other plans. Fatakra allowed me to pay tribute to the experiences of my parents and many other immigrants like them, while still exploring the emotions I was facing in my own life.

LC: Who are your cinematic influences?
SM: I first saw Satyajit Ray’s Apu Trilogy when I was a high school senior just as I was getting ready to leave home for college. I was already very involved with theater and was considering a career as a filmmaker so I routinely watched award-winning and critically-acclaimed films, but never before did a film speak so directly to me. Watching those three films — in a theater by the way — was like watching a treatise on the purpose of life just as I was about to start my own. I understand that to some Ray’s films may be too nostalgic or sentimental, but I found them poetic and beautiful and they led me to contemplate my own life. Art should do that. And I’d be happy to follow in that tradition. On the opposite end of the spectrum, I’ve always been inspired by Spike Lee’s unabashed agenda in his filmmaking. When his films strike the right balance between story and message, I think they represent some of the best of modern American cinema.

LC: What projects are you currently working on?
As a director, I am currently in development on Flamenco Academy – a flamenco dance film – adapted by Sarah Bird from her novel of the same name and produced by Anne Walker-McBay, and Run the Tide – a film about two brothers from the dessert who take a road trip to the coast – written by Rajiv Shah. I am also collaborating with producer/actor Amit Patel and co-writer Charles Bowe on Preventive Measures, a feature narrative inspired by a short film I made several years ago.

It takes a very long time to get feature films made, so to stay engaged with storytelling, I also work as an editor to help other directors bring their visions to the screen. Most recently, I co-edited Now, Forager for directors Jason Cortlund and Julia Halperin. Now, Forager just made its North American premiere last week at the New Filmmakers/New Films Festival here in New York. I also co-edited Stones in the Sun for director Patricia Benoit which will be making its world premiere at this year’s Tribeca Film Festival. But I’m most busy these days editing Sushrut Jain’s feature documentary set in India during the 2011 World Cup called Beyond all Boundaries.

LC: What are you most passionate about?
SM: I want to make films that touch people the same way watching the Apu Trilogy back in high school touched me. It’s about the right story at the right time.

LC: What do you love most about the medium of filmmaking?
SM: The reach and the permanence. Every art has its value. I grew up acting, writing, and directing for the theater, and still love it. But nothing compares to the reach of film. Fatakra has now traveled to parts of the country and the world that I will never see and been seen by people I will never meet. That’s amazing to me.

LC: What inspires you?
SM: A good story. Some people are inspired by a photograph or a painting, others a location or a character. Whether it comes from a personal experience, a book, or a news story, for me it always starts with a story.

Meet award-winning filmmaker Soham Mehta after the screening of Fatakra.
Other Articles by Lia Chang:
David Henry Hwang Set as Signature Theatre’s Residency One Playwright for the 2012-2013 Season
Photos: BD Wong, Brian Stokes Mitchell, Brandon Victor Dixon, Tom Viola at “Passing It On: An Evening of Mentorship to Benefit Rosie’s Theater Kids”
Photos: BD Wong in Rehearsal for “Passing It On: An Evening of Mentorship to Benefit Rosie’s Theater Kids”
Photos: Alan Cumming, Sutton Foster, David Pittu, Jarlath Conroy and Gordana Rashovich at Charles Busch’s Judith of Bethulia
Mark Bennett Receives Lucille Lortel Nomination for Outstanding Sound Design for An Iliad
Photos: Highlights of Shinsai: Theaters for Japan (3pm) with Andre Bishop, Mary Beth Hurt, Jennifer Lim, Angela Lin, Philip Kan Gotanda, Thom Sesma, Sab Shimono, Richard Thomas, Jay O. Sanders, and more
Photos: Highlights of Shinsai: Theaters for Japan (8pm) with Oskar Eustis, Patti LuPone, Lisa Emery, Ann Harada, Paolo Montalban, Thom Sesma, Sab Shimono, Henry Stram, Richard Thomas, John Weidman and more
Photos: Yellow Fever Playwright Rick Shiomi Explores New Territory with An All-Female Cast
The SFIAAFF30 Kicks Off with World Premiere of White Frog Featuring Booboo Stewart, Harry Shum, Jr., Joan Chen, Kelly Hu and BD Wong, at the Castro Theater on March 8
Photos: “How To Succeed” stars Daniel Radcliffe, Rose Hemingway and John Larroquette at Lord & Taylor for Windows Unveiling
Multimedia: Promises, Promises’ Stars Kristin Chenoweth and Sean Hayes at Lord & Taylor Fifth Ave Photo Flash: Library of Congress’ IN REHEARSAL Exhibit
Photos: David Duchovny, John Earl Jelks, Amanda Peet, Tracee Chimo at Opening Night Party of Neil LaBute’s Break of Noon
Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang. Photo by Brianne Michelle Photography

Lia Chang. Photo by Brianne Michelle Photography

Lia Chang is an actor, a performance and fine art botanical photographer, and an award-winning multi-platform journalist.
All text, graphics, articles & photographs: © 2000-2012 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at

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