On Sunday afternoon, I stood in line for over an hour for the Alexander McQueen: Savage Beauty exhibition, the hottest ticket in town, in The Costume Institute at the Metropolitan Museum of Art. The breathtaking exhibition, on view in the Metropolitan Museum’s second-floor Cantor Galleries, features approximately 100 ensembles and 70 accessories from the late Mr. McQueen’s prolific 19-year career, and is a celebration of the fashion designer’s extraordinary contributions to fashion.Since opening on May 4, Alexander McQueen: Savage Beauty has been drawing crowds, with the highest attendance of any public opening day for a Costume Institute exhibition; that attendance was second at the Met only to that of Vincent van Gogh: The Drawings in 2005. More than 180,000 people have seen the show. Set to close on July 31, the Alexander McQueen: Savage Beauty exhibition has been extended until August 7.
Starting Monday, June 6, you can take advantage of Met Mondays with McQueen, with additional hours that the exhibition galleries will be open. Tickets for special viewings to see the exhibition on upcoming Mondays (when the Museum is closed to the public) between 9:30 am and 2:30pm are $50 per person, with entries on the half hour, and includes a free Audio Guide to the exhibition. Tickets are available on-site at the Met as well as on the Museum’s website at www.metmuseum.org/alexandermcqueen. (Met Mondays with McQueen is not offered on Monday, July 4, because it is a Met Holiday Monday, one of the annual series of Monday holidays when the Museum’s galleries are open to the public.) On Tuesdays through Sundays, through the run of the exhibition, Museum Members are provided express entry to the exhibition, allowing them to skip the lines to enter the exhibition.
A brilliant and comprehensive survey of his designs, Alexander McQueen: Savage Beauty begins with his Central Saint Martins postgraduate collection in 1992 and continues through to his final runway presentation, which took place after his death in February 2010. Drawn primarily from the Alexander McQueen Archive in London, with some pieces from the Givenchy Archive in Paris as well as private collections, signature designs including the bumster trouser, the kimono jacket, and the three-point “origami” frock coat are on view. McQueen’s fashions often referenced the exaggerated silhouettes of the 1860s, 1880s, 1890s, and 1950s, but his technical ingenuity always imbued his designs with an innovative sensibility that kept him at the vanguard.
“Alexander McQueen’s iconic designs constitute the work of an artist whose medium of expression was fashion,” said Thomas P. Campbell, Director of The Metropolitan Museum of Art. “This landmark exhibition continues the Museum’s tradition of celebrating designers who changed the course of history and culture by creating new possibilities.”
“Alexander McQueen was best known for his astonishing and extravagant runway presentations, which were given dramatic scenarios and narrative structures that suggested avant-garde installation and performance art,” said Andrew Bolton, Curator, The Costume Institute. “His fashions were an outlet for his emotions, an expression of the deepest, often darkest, aspects of his imagination. He was a true romantic in the Byronic sense of the word – he channeled the sublime.”
Six McQueen collections that explore his engagement with the Romantic sublime and the dialectics of beauty and horror are featured as groupings in the galleries – Highland Rape (autumn/winter 1995-96), Number 13 (spring/ summer 1999), VOSS (spring/summer 2001), Irere (spring/summer 2003), Plato’s Atlantis (spring/summer 2010), and Angels and Demons (autumn/winter 2010-11). “Cabinet of Curiosities” includes various atavistic and fetishized accessories produced in collaboration with the milliners Dai Rees and Philip Treacy, and the jewelers Shaun Leane, Erik Halley, and Sarah Harmarnee. The Cabinet also displays video highlights from ten of McQueen’s renowned runway presentations, including Joan (autumn/winter 1998–99), What a Merry-Go-Round (autumn/winter 2001–02), and They Shoot Horses Don’t They? (spring/summer 2004).
“Romantic Exoticism” explores the influence of other cultures on the designer’s imagination, especially China and Japan.
The exhibition is organized by Andrew Bolton, Curator, with the support of Harold Koda, Curator in Charge, both of the Met’s Costume Institute. Sam Gainsbury and Joseph Bennett, the production designers for Alexander McQueen’s fashion shows, serve as the exhibition’s creative director and production designer, respectively. All head treatments and masks are designed by Guido. The graphic design of the exhibition is by Sue Koch of the Museum’s Design Department.
A book, Alexander McQueen: Savage Beauty by Andrew Bolton, accompanies the exhibition. It features a thematic overview of Mr. McQueen’s career, with an introduction by Susannah Frankel, fashion editor of The Independent, and an interview by Tim Blanks with Sarah Burton, creative director for Alexander McQueen, who worked closely with the designer for 14 years. It features new photography by Sølve Sundsbø, who shot ensembles from the McQueen archive on live models, then retouched the images to make them look like mannequins. The images combine the movement of an editorial shoot with the authority of a museum catalogue. Quotes from Alexander McQueen, exhaustively researched by Bolton, are paired with the images to enhance understanding of the designer’s viewpoint. A lenticular cover image was designed by McQueen for the invitation to his spring/summer 2009 fashion show. The book ($45 for a hardcover) is published by The Metropolitan Museum of Art and distributed worldwide by Yale University Press.
An audio tour, narrated by Andrew Bolton, provides additional insight into the exhibition via interviews with 16 of McQueen’s collaborators and friends including Sarah Burton, Naomi Campbell, Shalom Harlow, Shaun Leane, Annabelle Neilson, Sarah Jessica Parker, and Philip Treacy. It is available for rental ($7, $6 for members, and $5 for children under 12).
A series of gallery talks explore the art and literature that inspired McQueen’s designs. On June 19, Harold Koda and Aimee Mullins, the athlete and model who appeared in McQueen runway shows, discuss art, beauty, and the unique body. Fashion blogger Tavi Gevinson speaks and teens create wearable art inspired by the exhibition on June 11.
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Click here for the Lia Chang Articles Archive.
As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden. Lia currently plays Nurse Lia on “One Life to Live”. She has appeared in Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and “New York Undercover”.
Selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space are now in the newly created LIA CHANG THEATER PHOTOGRAPHY PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.
Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.