Denise Burse as Claretha Jenkins in House of Payne’s “Payneful Visit”

Photo by Lia Chang

Photo by Lia Chang

Denise Burse is most familiar to television audiences as Claretha Jenkins on Tyler Perry’s House of Payne, the 2011 NAACP Award recipient for Outstanding Comedy Series. In the current season of House of Payne, Claretha reveals she has leukemia.

Ms. Burse can be seen in Bruce Beresford’s Peace, Love, and Misunderstanding, a new film starring Jane Fonda, Elizabeth Olsen, Jeffrey Dean Morgan, Catherine Keener, Chase Crawford and Kyle MacLachlan, scheduled for release this year.

Production still of Charles Randolph Wright's Preaching to the Choir (l-r) Kia (Janine Green), Miss Nettie (Eartha Kitt), Butter (Roger Robinson), Willie (Jonathan Lopez), Sister Marcie (Denise Burse), Sister Emma (Adriane Lenox) Photo by Robert Barocci/Preaching to the Choir

Production still of Charles Randolph Wright's Preaching to the Choir (l-r) Kia (Janine Green), Miss Nettie (Eartha Kitt), Butter (Roger Robinson), Willie (Jonathan Lopez), Sister Marcie (Denise Burse), Sister Emma (Adriane Lenox) Photo by Robert Barocci/Preaching to the Choir


Her favorite film roles include her co-starring turns as Martin Luther King, Jr.’s mother opposite Howard Rollins in The Boy King (WSB); as Buster Marshall, Thurgood Marshall’s wife in Simple Justice (PBS American Experience); as Sister Marcie in Preaching to the Choir, directed by Charles Randolph Wright, as Sergeant Martin in A Time to Triumph (CBS) starring Patty Duke; and as Eleanor Clark in Resting Place (CBS, Hallmark Hall of Fame), starring John Lithgow and Morgan Freeman. Other film and TV credits include the BET/STARZ movie Funny Valentines, with Alfre Woodard and Loretta Devine, Angel, Basquiat, The Juror, Law & Order, Law & Order: Special Victims Unit, Law & Order: Criminal Intent, Third Watch, 100 Centre Street, The Sopranos, The Cosby Show, New York Undercover and One Life to Live.
Denise Burse as Harriet Tubman in Harriet's Return. Photo by Lia Chang

Denise Burse as Harriet Tubman in Harriet's Return. Photo by Lia Chang


Ms. Burse appeared on Broadway in Wendy Wasserstein’s An American Daughter, directed by Daniel Sullivan. Her Off-Broadway credits include Eisa Davis’ Angela’s Mixtape (Ohio Theatre), Don Juan of Seville (Classical Stage Company), Ground People (American Place Theatre), Harriet’s Return (Cherry Lane Theatre), Hannah Davis (Negro Ensemble Company) and Bill Harris’ Robert Johnson: Trick the Devil (New Federal Theatre). Her regional credits include Pearl Cleage’s Flyin’ West with Ruby Dee at The Kennedy Center; Charles Randolph Wright’s Blue (Cincinnati Playhouse, Geva); Miss Evers’ Boys (Illusion Theater); African Company Presents Richard III (Cleveland Playhouse); Fences (CENTERSTAGE); The Piano Lesson (Seattle Repertory Theatre, director Lloyd Richards) and James Baldwin’s The Amen Corner (True Colors Theatre Company/Alliance Theatre). Helmer Kenny Leon has directed her in August Wilson’s Fences (Alliance Theatre), Radio Golf (CENTERSTAGE, Mark Taper Forum, Seattle Repertory Theatre), The Piano Lesson and Seven Guitars (Alliance Theatre). Ms. Burse garnered a Theatre World Award for her Off-Broadway debut in Ground People and an AUDELCO Award for Robert Johnson: Trick The Devil.
(l-r) Denise Burse, Navaina Rhodes, Margo Moorer and Chandra Currelley in True Colors Theatre's production of The Amen Corner  by James Baldwin at The Alliance Theatre in Atlanta.  Photo by Tom Meyer

(l-r) Denise Burse, Navaina Rhodes, Margo Moorer and Chandra Currelley in True Colors Theatre's production of The Amen Corner by James Baldwin at The Alliance Theatre in Atlanta. Photo by Tom Meyer


A native of Atlanta, Ms. Burse honed her craft performing at the Just Us Theatre, The Alliance Theatre and The Atlanta Children’s Theater.

Here is the link – http://wp.me/pla1d-3hJ – to post this article on Facebook.

On October 16, 2005, fourteen days after American playwright August Wilson's death, the theatre was renamed in his honor. (l-r) August Wilson's niece Kimberly Ellis with Radio Golf castmembers Denise Burse, John Earl Jelks and Anthony Chisholm in front of the August Wilson Theatre on October 16, 2005.  Photos by Lia Chang

On October 16, 2005, fourteen days after American playwright August Wilson's death, the theatre was renamed in his honor. (l-r) August Wilson's niece Kimberly Ellis with Radio Golf castmembers Denise Burse, John Earl Jelks and Anthony Chisholm in front of the August Wilson Theatre on October 16, 2005. Photos by Lia Chang

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Slideshow – On October 16, 2005, The Virginia Theatre was renamed the August Wilson Theatre
Peter Jay Fernandez in Theatre for a New Audience’s Macbeth at The Duke through April 22
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Multimedia: The 52nd Street Project Benefit Photos: Michael Cerveris, James Monroe Inglehart, Rebecca Naomi Jones, Matthew Morrison, Greg Naughton and Kelli O’Hara
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Click here for the Lia Chang Articles Archive.

Lia Chang, Peter Jay Fernandez, Denise Burse and Marva Hicks after the concert presentation of Pat Holley's Me and Caesar Lee at The Triad Theatre in New York on April 3, 2011.

Lia Chang, Peter Jay Fernandez, Denise Burse and Marva Hicks after the concert presentation of Pat Holley's Me and Caesar Lee at The Triad Theatre in New York on April 3, 2011.


Lia Chang is an actor, a performance and fine art botanical photographer, and an award-winning multi-platform journalist.

As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden. Lia currently plays Nurse Lia on “One Life to Live”. She has appeared in Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and “New York Undercover”.

Selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space are now in the newly created LIA CHANG THEATER PHOTOGRAPHY PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.

Geffen Playhouse Production Photos of Neil LaBute’s The Break of Noon starring Kevin Anderson, Tracee Chimo, Catherine Dent and John Earl Jelks, 1/25-3/6/11

Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney.  Photo by Michael Lamont

Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

Broadway veteran Kevin Anderson leads the cast of the Los Angeles run of the world premiere production of Neil LaBute’s The Break of Noon, helmed by Jo Bonney, which is currently in previews at the Geffen Playhouse, located on 10886 Le Conte Avenue. A co-production with MCC in New York, The Break of Noon cast includes Catherine Dent as well as Tracee Chimo and John Earl Jelks, who performed their roles in the New York portion of the run. Opening night for The Break of Noon is February 2, with performances continuing through March 6, 2011.
Kevin Anderson and John Earl Jelks in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

Kevin Anderson and John Earl Jelks in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

Kevin Anderson, who was recently nominated for a Tony Award for his role in Death of a Salesman, portrays the play’s central character, John Smith, a man who hears the voice of God during a tragic office shooting. Smith is a selfish, philandering liar – or at least he was. After the incident, this imperfect man reforms himself and goes on a mission to spread the word about a better way of life to everyone surrounding him: his wife and his wife’s cousin, both portrayed by Catherine Dent, known for her longtime role on The Shield; a morning talk show host and a call girl, both played by Tracee Chimo, who recently received the Eugene O’Neil Award for her role in Irena’s Vow; and his lawyer and the detective on the case, both played by Tony Award nominee John Earl Jelks (Radio Golf). But is Joe’s divine encounter merely a ploy for celebrity, a chance to escape his rocky past, or is it part of an infinite and almighty plan? In The Break of Noon, LaBute explores the trials and tribulations of a modern day prophet – and what he signifies in a jaded world that is thousands of years removed from burning bushes and stone tablets.
Kevin Anderson and Catherine Dent in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney.  Photo by Michael Lamont

Kevin Anderson and Catherine Dent in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

The production team includes set design by Neil Patel, costume design by Emilio Sosa, lighting design by David Wiener, sound design by, Darron L. West, with Christina Lowe as production stage manager.
Tracee Chimo and Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney.  Photo by Michael Lamont

Tracee Chimo and Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

The Break of Noon marks the fourth time LaBute’s work has been at the Geffen Playhouse; his past works at the theater include Fat Pig (also directed by Bonney), Some Girl(s) and Wrecks, all of which ran in the Audrey Skirball Kenis Theater.

The performance schedule for The Break of Noon is Tuesday – Friday 8:00pm, Saturday at 3:00pm and 8:00pm and Sunday at 2:00pm and 7:00pm. Ticket prices range from $37 – $57 for preview performances and from $47 – $77 for the regular run. Tickets are available at the Geffen Playhouse box office at 310-208-5454 or online at www.geffenplayhouse.com.

Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont


KEVIN ANDERSON (John Smith)
Kevin just returned from London’s West End and Dublin as Andy Dufresne in the new stage adaptation of The Shawshank Redemption. An ensemble member since 1984, other plays at Steppenwolf include I Never Sang for My Father, Our Town, Three Sisters, Earthly Possessions and Orphans, which took him to New York (Theatre World Award), London’s West End and eventually the movie with Albert Finney. Other Chicago credits include A Guide for the Perplexed (Victory Gardens); Pal Joey and Death of a Salesman (The Goodman); among others. Broadway and off-Broadway include Death of a Salesman (Outer Critics and Drama Desk awards, Tony® nomination), the musical Brooklyn, Orpheus Descending, Moonchildren, Brilliant Traces, The Red Address, Speaking in Tongues and Summer and Smoke. Other London theatre credits include the original Joe Gillis in Sunset Boulevard and Dinner with Friends. Some of his films include Charlotte’s Web, Miles from Home, In Country, Sleeping with the Enemy, Liebestraum, Hoffa, The Night We Never Met, Rising Sun, Firelight, A Thousand Acres, Eye of God, Doe Boy and the new Al Pacino docu-drama Wilde Salome. Cable films include Orpheus Descending, The Wrong Man, Hunt for the Unicorn Killer, Ruby’s Bucket of Blood, Monday Night Mayhem and Power and Beauty. He starred in the TV series Nothing Sacred, which earned him a Golden Globe nomination.

JO BONNEY (Director)
Neil LaBute’s Fat Pig (MCC/Geffen Playhouse) and Some Girl(s) (MCC); Culture Clash’s American Night (Oregon Shakespeare Festival); Darci Picoult’s Lil’s 90th (Long Wharf Theatre); Suzan-Lori Parks’ Father Comes Home from the Wars (Public LAB); Naomi Wallace’s The Hard Weather Boating Party and The Fever Chart; Michael Weller’s Beast (New York TheatreWorkshop); Alan Ball’s All that I Will Ever Be (NYTW); Eric Bogosian’s subUrbia, Charles Fuller’s A Soldier’s Play and Lisa Loomer’s Living Out (Second Stage); Will Power’s The Seven (NYTW & La Jolla Playhouse; Lortel Award, Best Musical); Christopher Shinn’s On the Mountain (Playwrights Horizons); Universes’ Slanguage (NYTW/Mark Taper Forum); Lanford Wilson’s Fifth of July (Signature Theatre; Lortel Award, Best Revival); José Rivera’s References to Salvador Dali Make Me Hot (The Public Theater); Diana Son’s Stop Kiss (The Public Theater); Jessica Goldberg’s Good Thing (The New Group); John Osborne’s Look Back in Anger (CSC); Danny Hoch’s Some People and Jails, Hospitals & Hip-Hop (USA/Britain); numerous solos by Eric Bogosian (USA/Britain). Recipient of a 1998 Obie Award for Sustained Excellence of Direction and editor of Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century (TCG). Upcoming: Lynn Nottage’s By the Way, Meet Vera Stark (Second Stage).

Tracee Chimo and Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

Tracee Chimo and Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont


TRACEE CHIMO (TV Host, Gigi)
Tracee was last seen as Regan in The Bachelorette. Broadway: Irena’s Vow. Off Broadway: Circle Mirror Transformation (Lucille Lortel nom, Drama Desk award for Outstanding Ensemble Performance), Vendetta Chrome, Guilty, Bushwhackin’, Vamp. Regional: Sundance ’08, Humana Festival/Actor’s Theatre of Louisville, The Cleveland Playhouse and Philadelphia Theatre Company. TV: Guest-star in the FX series Louie, Guiding Light. Film: Evening, What Would Jesus Do?, Daughters of Liberty and Wasted Time. Last year Tracee was honored by actress Marian Seldes and The O’Neill Studio, where she studied, with the Eugene O’Neill Award for her work in Irena’s Vow.
Kevin Anderson and Catherine Dent in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

Kevin Anderson and Catherine Dent in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont


CATHERINE DENT (Ginger, Jesse)
Theater: (Broadway) Uncle Vanya (Off-Broadway) Amoeba Concerto (Regional) The Country, The Street of the Sun. TV: N.C.I.S., Law and Order: Los Angeles, The Closer, Rockford Files, Ghost Whisperer, Day One, Lie to Me, Natalee Holloway, The Shield, Law & Order: SVU, Criminal Minds, Sarah Connor Chronicles, Without A Trace, Numbers, Grey’s Anatomy, Seattle Serial Killer, Law and Order, Judging Amy, CSI, Taken, The Sopranos, Dharma and Greg, Third Watch, The X-Files, Frasier, L.A. Doctors, Chicago Hope, New York Under Cover. Film: Duress, 21 Grams, Auto Focus, The Majestic, Someone Like You, The Replicant, March 29 1997, Nobody’s Fool, Jaded.
Kevin Anderson and John Earl Jelks in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney.  Photo by Michael Lamont

Kevin Anderson and John Earl Jelks in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont


JOHN EARL JELKS (Lawyer, Detective)
John was nominated for a Tony Award for his performance as “Sterling” in August Wilson’s Radio Golf, which he also toured to the McCarter, Goodman, Center Stage, Seattle Rep., Mark Taper and Yale Repertory theaters. Jelks also appeared with Phylicia Rashad on Broadway in August Wilson’s Gem of the Ocean as “Citizen” (after runs at the Goodman, Huntington, and Mark Taper theaters, where he won an NAACP Theater Award and an L.A. Ovation Award).
John Earl Jelks Photo by Lia Chang

John Earl Jelks Photo by Lia Chang

In 2008, Jelks won an AUDELCO Award for his work in the Off-Broadway revival of The First Breeze of Summer. Regional theater credits include Fetch Clay, Make Man at the McCarter Theatre, the world stage premiere of The Shawshank Redemption at the Gaiety Theatre in Ireland, Magnolia at the Goodman Theater, Joe Turner’s Come and Gone at the Penumbra Theatre Company and the Missouri Repertory Theatre, The Piano Lesson at the Lorraine Hansberry Theatre and Diary of a Black Man at the Union Square Theatre and the Shaw Theatre in London, England. Recently, Jelks appeared in Spike Lee’s film Miracle at St. Anna.

NEIL LaBUTE (Playwright)
Neil LaBute received his Master of Fine Arts degree in dramatic writing from New York University and was the recipient of a literary fellowship to study at the Royal Court Theatre, London and also attended the Sundance Institute’s Playwrights Lab. His films include In the Company of Men (New York Critics’ Circle Award for Best First Feature and the Filmmaker Trophy at the Sundance Film Festival), Your Friends and Neighbors, Nurse Betty, Possession, The Shape of Things (a film adaptation of his play by the same title), The Wicker Man, Lakeview Terrace and Death at a Funeral. LaBute’s plays include bash: latter-day plays, The Shape of Things, The Mercy Seat, The Distance From Here, Autobahn, Fat Pig (Olivier nomination for Best Comedy), Some Girls, This Is How It Goes, Wrecks, Filthy Talk for Troubled Times, In a Dark Dark House and reasons to be pretty (Tony Award nomination for Best Play). LaBute is also the author of Seconds of Pleasure, a collection of short fiction which was published by Grove Atlantic. His new play, In a Forest Dark and Deep, will open on London’s West End in 2011.

ABOUT THE GEFFEN PLAYHOUSE
The Geffen Playhouse has been a hub of the Los Angeles theater scene since opening its doors in 1995. Noted for its intimacy and celebrated for its world-renowned mix of classic and contemporary plays, provocative new works and musicals, the Geffen Playhouse continues to present a body of work that has garnered national recognition. Named in honor of entertainment mogul and philanthropist David Geffen, who made the initial donation to the theater, the company is helmed by Producing Director and President of the Board Gilbert Cates, Artistic Director Randall Arney, Managing Director Ken Novice and Chairman of the Board Frank Mancuso. Proudly associated with UCLA, the Geffen Playhouse welcomes an audience of more than 130,000 each year, and maintains an extensive education and outreach program, designed to engage young people and the community at large in the arts. For more information, visit www.geffenplayhouse.com.

ABOUT MCC THEATER
MCC Theater is one of New York City’s leading Off Broadway theater companies, committed to presenting New York and world premieres each season. When MCC Theater was founded in 1986, its mission was simple: to bring new theatrical voices to theater-going audiences. MCC Theater continues to accomplish this yearly through presentation of its mainstage works; its Literary Program, which actively seeks and develops new and emerging writers and its Education & Outreach Program, allowing more than 1,200 students yearly to experience theater, increase literacy and discover their own voices in the arts. Notable MCC Theater highlights include: the 2008 Tony Award-nominated Reasons to be Pretty by Neil LaBute, last season’s Fifty Words, the 2004 Tony-winning production of Bryony Lavery’s Frozen; Neil LaBute’s Fat Pig; Rebecca Gilman’s The Glory of Living; Marsha Norman’s Trudy Blue; Margaret Edson’s Pulitzer Prize-winning Wit; Tim Blake Nelson’s The Grey Zone and Alan Bowne’s Beirut. Over the years, the dedication to the work of new and emerging artists has earned MCC Theater a variety of awards. For a complete production history, visit www.mcctheater.org.

Other Articles by Lia Chang:
Kevin Anderson, Catherine Dent, Tracee Chimo, John Earl Jelks in Neil La Bute’s The Break of Noon at the Geffen 1/25-3/6
Photos: David Duchovny, John Earl Jelks, Amanda Peet,Tracee Chimo opening night of Neil LaBute’s The Break of Noon
Photos: Chinese New Year Festival at The Huntington in San Marino
Up Close and Personal with Darren Pettie, Star of The Milk Train Doesn’t Stop Here Anymore
A.B. Cruz III of Scripps Networks Interactive, Inc., Lillian Kimura To Receive 2011 Justice in Action Awards
Photos:The Working Theater’s Off-Broadway production of HONEY BROWN EYES by Stefanie Zadravec at The Clurman -2/6/11
Jarlath Conroy Leads Cast of Pinter’s The Homecoming at CENTERSTAGE in Baltimore, 1/26-2/20/11
Click here for the Lia Chang Articles Archive.


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All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com.

Lia Chang Photos: The Working Theater’s HONEY BROWN EYES by Stefanie Zadravec at The Clurman

Edoardo Ballerini Photo by Lia Chang

Edoardo Ballerini Photo by Lia Chang

The New York premiere of The Working Theater’s Off-Broadway production of HONEY BROWN EYES by Stefanie Zadravec – winner of the Helen Hayes Award for Best New Play in 2009 at Theater J in Washington, DC, has performances January 9 – February 6, 2011, at the Clurman Theatre (410 W. 42 St.) on Theater Row in Manhattan.

Erica Schmidt – whose numerous credits include directing the musical The Burnt Part Boys at the Vineyard Theatre and New York Stage and Film, as well as Lorenzo Pisoni’s multiple award-winning Humor Abuse at Manhattan Theatre Club – directs HONEY BROWN EYES.

Daniel Serafini-Sauli and Kate Skinner Photo by Lia Chang

Daniel Serafini-Sauli and Kate Skinner Photo by Lia Chang

The cast of HONEY BROWN EYES features Edoardo Ballerini (Corky Corporale on “The Sopranos,” “Dinner Rush,” “Romeo Must Die,” “Boardwalk Empire”), Daniel Serafini-Sauli (“You Belong to Me,” “United 93″), Sue Cremin (“Killing the Boss”), Gene Gillette (“Lieutenant of Inishmore”), Beatrice Miller (Ridley Scott’s “Tell Tale,” “Toy Story 3″), and Kate Skinner.

HONEY BROWN EYES kicks off the 26th season of the Working Theater – dedicated to developing and producing plays Off-Broadway for and about working people. Past productions – earning numerous Drama Desk Award nominations and one Drama Desk Award, along with three Audelco Awards – include Exit Cuckoo by Lisa Ramirez and directed by Colman Domingo, the award-winning Tabletop, King of Shadows and Hold Please.

Sue Cremin and Edoardo Ballerini Photo by Lia Chang

Sue Cremin and Edoardo Ballerini Photo by Lia Chang


HONEY BROWN EYES is Ms. Zadravec’s play about how the lives of two friends – both members of a rock and roll band when they were young – are intertwined anew as they find themselves on opposite sides of the war in Bosnia, one a militiaman, the other a Muslim resister. With the lives of loved ones at stake, HONEY BROWN EYES – set in two kitchens during the notorious 20th-century conflict in the former Yugoslavia — depicts not only the day-to-day toll war takes on families and communities, but the far-reaching effect of American pop culture on people half a world away.
Edoardo Ballerini and Gene Gillette Photo by Lia Chang

Edoardo Ballerini and Gene Gillette Photo by Lia Chang


In addition to HONEY BROWN EYES - which has been published by “American Theatre” magazine – Ms. Zadravec’s other plays include the Baltimore Playwrights Festival Award-winning Save Me, along with The Fear Project (The Barrow Group) and 167 Tongues (Theater 167). She is a Dramatists Guild Fellow, a member of the Women’s Project Lab and has been awarded a Playwrights Realm Fellowship for 2010-11.

HONEY BROWN EYES has set design by Laura Jellinek, lighting design by Jeff Croiter, sound design by Bart Fasbender, and costume design by Emily Rebholz.

Kate Skinner and Daniel Serafini-Sauli Photo by Lia Chang

Kate Skinner and Daniel Serafini-Sauli Photo by Lia Chang

The performance schedule for HONEY BROWN EYES is Tuesdays at 7 pm, Wednesdays through Saturdays at 8 pm, with matinees Saturdays at 2 pm and Sundays at 3 pm. Tickets are $25 – in keeping with Working Theater’s policy of keeping Off-Broadway admissions more affordable for working class people and their families. Reservations can be made by calling Tele-charge at 212 239 6200 or online at www.telecharge.com.

Working Theater has two “pay what you can” matinees at 2 p.m., on Saturdays January 15 and 22. Tickets are available day of performance, subject to availability, at the Theatre Row box office, open daily noon to 8 p.m. at 410 W. 42 St. in New York. Click here the meet the cast of HONEY BROWN EYES.

About WORKING THEATER
Founded in 1985, the Working Theater’s mission is to produce plays for and about working people. Working Theater believes that theater should not be a privilege or a luxury, but a staple, striving to make play-going a regular part of the cultural activities of working people who may not be able to afford commercial theater or who feel that it does not resonate with their lives and experience. Toward that goal, the company offers stories that reflect a diverse population of the working majority, acknowledging their complexity and often-denied power in an increasingly complex world. By creating theater of interest to working people and by bringing this constituency to its productions, Working Theater aims to change the composition of New York’s theater audience to reflect a full range of socio-economic diversity.. In a nation that is frequently divided by cultural and class distinctions and where economic disparity continues to widen, Working Theater is committed to making theater that can bridge those divisions, expanding the reach of theater’s impact to all people, uniting us in our common humanity. Over the years The Working Theater has commissioned and produced more than 70 world premieres of culturally diverse new plays.

Related HONEY BROWN EYES Articles:
Timeoutny.com Review: Honey Brown Eyes
New York Times Review: Honey Brown Eyes
Nytheatre.com review: Honey Brown Eyes
backstage.com review: Honey Brown Eyes
theatermania.com review: Honey Brown Eyes
citysbest.com: Honey Brown Eyes Review
newjerseynewsroom.com review: Honey Brown Eyes looks at Bosnian Horrors
New York TheatreGuide.com Off –Broadway Photo Feature: HONEY BROWN EYES
broadwayworld.com: Photo Flash: Honey Brown Eyes
The Theater J Blog: Honey Brown Eyes

Other Articles by this Author:
Lia Chang Photo Slideshows of Productions in the Working Theater’s 25th Anniversary Season
Multimedia: Photos of Ed Cardona, Jr.’s American Jornalero at the Dorothy Strelsin Theatre
Multimedia: Photos of André De Shields in Mine Eyes Have Seen The Glory: From Douglass to Deliverance
Click here for the Lia Chang Articles Archive.


Bookmark and Share

All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachang@hotmail.com.

Lia Chang

Lia Chang

Lia Chang is an actor, a performance and fine art botanical photographer, and an award-winning multi-platform journalist.

As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden.

This year, selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space will become part of newly created LIA CHANG THEATER PHOTOGRAPHY PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, VIBE, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Timesand Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.

Lia Chang: Kevin Anderson and Catherine Dent Join Tracee Chimo and John Earl Jelks in Neil La Bute’s The Break of Noon for LA Run at the Geffen Playhouse, 1/25-3/6

John Earl Jelks and Tracee Chimo at the opening night afterparty at 49 Grove for MCC's production of Neil LaBute's The Break of Noon in New York on November 22, 2010 Photo by Lia Chang

John Earl Jelks and Tracee Chimo at the opening night afterparty at 49 Grove for MCC's production of Neil LaBute's The Break of Noon in New York on November 22, 2010 Photo by Lia Chang


Broadway veteran Kevin Anderson leads the cast in the Los Angeles run of the world premiere production of Neil LaBute’s The Break of Noon. The Break of Noon, which is a co-production with MCC in New York, will feature Catherine Dent as well as Tracee Chimo and John Earl Jelks, who performed their roles in the New York portion of the run. Helmed by director Jo Bonney, The Break of Noon begins in previews on January 25, 2011 and officially opens February 2, 2011.

Kevin Anderson, who was recently nominated for a Tony Award for his role in Death of a Salesman, portrays the play’s central character, John Smith, a man who hears the voice of God during a tragic office shooting. Smith is a selfish, philandering liar – or at least he was. After the incident, this imperfect man reforms himself and goes on a mission to spread the word about a better way of life to everyone surrounding him: his wife and his wife’s cousin, both portrayed by Catherine Dent, known for her longtime role on The Shield; a morning talk show host and a call girl, both played by Tracee Chimo, who recently received the Eugene O’Neil Award for her role in Irena’s Vow; and his lawyer and the detective on the case, both played by Tony Award nominee John Earl Jelks (Radio Golf). But is Joe’s divine encounter merely a ploy for celebrity, a chance to escape his rocky past, or is it part of an infinite and almighty plan? In The Break of Noon, LaBute explores the trials and tribulations of a modern day prophet – and what he signifies in a jaded world that is thousands of years removed from burning bushes and stone tablets.

The production team includes set design by Neil Patel, costume design by Emilio Sosa, lighting design by David Wiener, sound design by, Darron L. West, with Christina Lowe as production stage manager.

The Break of Noon marks the fourth time LaBute’s work has been at the Geffen Playhouse; his past works at the theater include Fat Pig (also directed by Bonney), Some Girl(s) and Wrecks, all of which ran in the Audrey Skirball Kenis Theater. The Break of Noon runs from January 25 to March 6, 2011.

The performance schedule is Tuesday – Friday 8:00pm, Saturday at 3:00pm and 8:00pm and Sunday at 2:00pm and 7:00pm. Ticket prices range from $37 – $57 for preview performances and from $47 – $77 for the regular run. Tickets are on sale now at the Geffen Playhouse box office at 310-208-5454 or online at www.geffenplayhouse.com.

Tracee Chimo, David Duchovny, Amanda Peet and John Earl Jelks at the opening night curtain call of MCC Theater's world premiere of Neil LaBute's The Break of Noon at the Lucille Lortel in New York on November 22, 2010. Photo by Lia Chang

Tracee Chimo, David Duchovny, Amanda Peet and John Earl Jelks at the opening night curtain call of MCC Theater's world premiere of Neil LaBute's The Break of Noon at the Lucille Lortel in New York on November 22, 2010. Photo by Lia Chang


The New York production of The Break of Noon, starring David Duchovny, Amanda Peet, Tracee Chimo and John Earl Jelks has been extended through December 22, 2010 at the Lucille Lortel Theatre (121 Christopher Street, NYC). The show is playing the following schedule for the extension due to the holiday:
Thursday, December 16 at 8:00 p.m.
Friday, December 17 at 8:00 p.m.
Saturday, December 18 at 2:00 & 8:00 p.m.
Sunday. December 19 at 3:00 p.m.
Monday, December 20 at 7:00 p.m.
Tuesday, December 21 at 7:00 p.m.
Wednesday, December 22 at 2:00 & 7:00 p.m.

Subscriptions for MCC’s 2010-2011 season are on-sale now and priced as low as $99 for the 3-play season. For more information visit www.mcctheater.org or to purchase packages, contact TicketCentral directly at www.ticketcentral.com or call 212-279-4200.

KEVIN ANDERSON (John Smith)
Kevin just returned from London’s West End and Dublin as Andy Dufresne in the new stage adaptation of The Shawshank Redemption. An ensemble member since 1984, other plays at Steppenwolf include I Never Sang for My Father, Our Town, Three Sisters, Earthly Possessions and Orphans, which took him to New York (Theatre World Award), London’s West End and eventually the movie with Albert Finney. Other Chicago credits include A Guide for the Perplexed (Victory Gardens); Pal Joey and Death of a Salesman (The Goodman); among others. Broadway and off-Broadway include Death of a Salesman (Outer Critics and Drama Desk awards, Tony® nomination), the musical Brooklyn, Orpheus Descending, Moonchildren, Brilliant Traces, The Red Address, Speaking in Tongues and Summer and Smoke. Other London theatre credits include the original Joe Gillis in Sunset Boulevard and Dinner with Friends. Some of his films include Charlotte’s Web, Miles from Home, In Country, Sleeping with the Enemy, Liebestraum, Hoffa, The Night We Never Met, Rising Sun, Firelight, A Thousand Acres, Eye of God, Doe Boy and the new Al Pacino docu-drama Wilde Salome. Cable films include Orpheus Descending, The Wrong Man, Hunt for the Unicorn Killer, Ruby’s Bucket of Blood, Monday Night Mayhem and Power and Beauty. He starred in the TV series Nothing Sacred, which earned him a Golden Globe nomination.

JO BONNEY (Director)
Neil LaBute’s Fat Pig (MCC/Geffen Playhouse) and Some Girl(s) (MCC); Culture Clash’s American Night (Oregon Shakespeare Festival); Darci Picoult’s Lil’s 90th (Long Wharf Theatre); Suzan-Lori Parks’ Father Comes Home from the Wars (Public LAB); Naomi Wallace’s The Hard Weather Boating Party and The Fever Chart; Michael Weller’s Beast (New York TheatreWorkshop); Alan Ball’s All that I Will Ever Be (NYTW); Eric Bogosian’s subUrbia, Charles Fuller’s A Soldier’s Play and Lisa Loomer’s Living Out (Second Stage); Will Power’s The Seven (NYTW & La Jolla Playhouse; Lortel Award, Best Musical); Christopher Shinn’s On the Mountain (Playwrights Horizons); Universes’ Slanguage (NYTW/Mark Taper Forum); Lanford Wilson’s Fifth of July (Signature Theatre; Lortel Award, Best Revival); José Rivera’s References to Salvador Dali Make Me Hot (The Public Theater); Diana Son’s Stop Kiss (The Public Theater); Jessica Goldberg’s Good Thing (The New Group); John Osborne’s Look Back in Anger (CSC); Danny Hoch’s Some People and Jails, Hospitals & Hip-Hop (USA/Britain); numerous solos by Eric Bogosian (USA/Britain). Recipient of a 1998 Obie Award for Sustained Excellence of Direction and editor of Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century (TCG). Upcoming: Lynn Nottage’s By the Way, Meet Vera Stark (Second Stage).

TRACEE CHIMO (TV Host, Gigi)
Tracee was last seen as Regan in The Bachelorette. Broadway: Irena’s Vow. Off Broadway: Circle Mirror Transformation (Lucille Lortel nom, Drama Desk award for Outstanding Ensemble Performance), Vendetta Chrome, Guilty, Bushwhackin’, Vamp. Regional: Sundance ’08, Humana Festival/Actor’s Theatre of Louisville, The Cleveland Playhouse and Philadelphia Theatre Company. TV: Guest-star in the FX series Louie, Guiding Light. Film: Evening, What Would Jesus Do?, Daughters of Liberty and Wasted Time. Last year Tracee was honored by actress Marian Seldes and The O’Neill Studio, where she studied, with the Eugene O’Neill Award for her work in Irena’s Vow.

CATHERINE DENT (Ginger, Jesse)
Theater: (Broadway) Uncle Vanya (Off-Broadway) Amoeba Concerto (Regional) The Country, The Street of the Sun. TV: N.C.I.S., Law and Order: Los Angeles, The Closer, Rockford Files, Ghost Whisperer, Day One, Lie to Me, Natalee Holloway, The Shield, Law & Order: SVU, Criminal Minds, Sarah Connor Chronicles, Without A Trace, Numbers, Grey’s Anatomy, Seattle Serial Killer, Law and Order, Judging Amy, CSI, Taken, The Sopranos, Dharma and Greg, Third Watch, The X-Files, Frasier, L.A. Doctors, Chicago Hope, New York Under Cover. Film: Duress, 21 Grams, Auto Focus, The Majestic, Someone Like You, The Replicant, March 29 1997, Nobody’s Fool, Jaded.

John Earl Jelks Photo by Lia Chang

John Earl Jelks Photo by Lia Chang


JOHN EARL JELKS (Lawyer, Detective)
John was nominated for a Tony Award for his performance as “Sterling” in August Wilson’s Radio Golf, which he also toured to the McCarter, Goodman, Center Stage, Seattle Rep., Mark Taper and Yale Repertory theaters. Jelks also appeared with Phylicia Rashad on Broadway in August Wilson’s Gem of the Ocean as “Citizen” (after runs at the Goodman, Huntington, and Mark Taper theaters, where he won an NAACP Theater Award and an L.A. Ovation Award). In 2008, Jelks won an AUDELCO Award for his work in the Off-Broadway revival of The First Breeze of Summer. Regional theater credits include Fetch Clay, Make Man at the McCarter Theatre, the world stage premiere of The Shawshank Redemption at the Gaiety Theatre in Ireland, Magnolia at the Goodman Theater, Joe Turner’s Come and Gone at the Penumbra Theatre Company and the Missouri Repertory Theatre, The Piano Lesson at the Lorraine Hansberry Theatre and Diary of a Black Man at the Union Square Theatre and the Shaw Theatre in London, England. Recently, Jelks appeared in Spike Lee’s film Miracle at St. Anna.

NEIL LaBUTE (Playwright)
Neil LaBute received his Master of Fine Arts degree in dramatic writing from New York University and was the recipient of a literary fellowship to study at the Royal Court Theatre, London and also attended the Sundance Institute’s Playwrights Lab. His films include In the Company of Men (New York Critics’ Circle Award for Best First Feature and the Filmmaker Trophy at the Sundance Film Festival), Your Friends and Neighbors, Nurse Betty, Possession, The Shape of Things (a film adaptation of his play by the same title), The Wicker Man, Lakeview Terrace and Death at a Funeral. LaBute’s plays include bash: latter-day plays, The Shape of Things, The Mercy Seat, The Distance From Here, Autobahn, Fat Pig (Olivier nomination for Best Comedy), Some Girls, This Is How It Goes, Wrecks, Filthy Talk for Troubled Times, In a Dark Dark House and reasons to be pretty (Tony Award nomination for Best Play). LaBute is also the author of Seconds of Pleasure, a collection of short fiction which was published by Grove Atlantic. His new play, In a Forest Dark and Deep, will open on London’s West End in 2011.

ABOUT THE GEFFEN PLAYHOUSE
The Geffen Playhouse has been a hub of the Los Angeles theater scene since opening its doors in 1995. Noted for its intimacy and celebrated for its world-renowned mix of classic and contemporary plays, provocative new works and musicals, the Geffen Playhouse continues to present a body of work that has garnered national recognition. Named in honor of entertainment mogul and philanthropist David Geffen, who made the initial donation to the theater, the company is helmed by Producing Director and President of the Board Gilbert Cates, Artistic Director Randall Arney, Managing Director Ken Novice and Chairman of the Board Frank Mancuso. Proudly associated with UCLA, the Geffen Playhouse welcomes an audience of more than 130,000 each year, and maintains an extensive education and outreach program, designed to engage young people and the community at large in the arts. For more information, visit www.geffenplayhouse.com.

Other Articles by Lia Chang
Photos: David Duchovny, John Earl Jelks, Amanda Peet,Tracee Chimo opening night of Neil LaBute’s The Break of Noon
John Earl Jelks is featured in MCC Theater’s world premiere of Neil LaBute’s The Break of Noon at the Lucille Lortel
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Lia Chang

Lia Chang


Lia Chang is an actor, performance and fine art photographer and an award-winning multimedia journalist.

Lia Chang is an actor, performance and fine art botanical photographer, an award-winning multimedia journalist.

As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden.

This year, selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space will become part of newly created LIA CHANG THEATER PHOTOGRAPHY PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, VIBE, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.

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