On Wednesday, July 27, I reconnected with Rick Shiomi, the author of one of my favorite plays, “Yellow Fever,” when we were both in Washington D.C. at the Asian Reading Room of the Library of Congress in the Thomas Jefferson Building. The groundbreaking Asian-North American playwright, taiko troupe leader, and artistic director of Mu Performing Arts, was on a week long book tour to promote “Asian American Plays for a New Generation” (Temple University Press, June 2011), which he co-edited with Josephine Lee and Don Eitel.
Reme Grefalda, the curator of the Asian Pacific Islander Collection, had put together a marvelous program which included his talk about the Anthology, and a week-long display in the Asian Reading Room of the Library of Congress.
The display featured 37 photographs drawn from the Lia Chang Theater Portfolio including Thom Sesma’s Makeup Transformation as Scar in Disney’s “The Lion King Las Vegas”; rehearsals of a staged concert of Robert Lee and Leon Ko’s musical “Heading East” starring BD Wong at the Asia Society in New York; of David Henry Hwang’s play, “ChingLish,” which premiered at the Goodman Theatre in Chicago this summer and is bound for Broadway this fall; and of “Bakwas Bumbug!,” a pop opera by Samrat Chakrabarti and Sanjiv Jhaveri, which recently made its off-Broadway debut.
The Library of Congress’ goal is to establish a national Asian Pacific American holdings, with a nationwide outreach, and the focus of the display was in celebration of works by Asian American playwrights.
Drawn from the Performing Arts Playwrights Series in the Asian American Pacific Islander Collection, original scripts by Carlene Sobrino Bonnivier, Velina Hasu Houston, Christine Toy Johnson, Lani Montreal, Edgar Mendoza and Jeanne Sakata are on view. The display also highlights works by Frank Chin, Philip Kan Gotanda, Jessica Hagedorn, David Henry Hwang, Genny Lim, Chay Yew and others.
Two days later, I joined Rick at Julie Azuma and Tamio Spiegel’s apartment in New York, where they hosted a swell book party for him.
The Asian American Arts scene turned out in this reunion of sorts, including Tisa Chang, Artistic Producing Director of Pan Asian Repertory Theatre, Carla Ching, Artistic Director of Second Generation, and Jorge Ortoll, Executive Director of Ma-Yi Theater; authors Henry Chang and Ed Lin; actors Raul Aranas and Henry Yuk; artist Tomie Arai, director Stann Nakazono; and Kentaro Ando and Masakazu Kigure, from the Consulate General of Japan. Cathie Hartnett of My Talk Radio in St Paul, Carol Connolly, the poet Laureate of St. Paul and Phil Nash from Washington D.C., stopped in as well.
Playwright Aurorae Khoo, whose play “Happy Valley” is in the anthology, talked about the process of developing her play with Mu Performing Arts, while actors Cindy Cheung, Fay Ann Lee, Amy Chang and Sean Tarjoto read excerpts from plays featured in the book.
Rick took the time to answer some questions about “Asian American Plays for a New Generation”.
How does this anthology live up to its title?
Rick: The plays in this anthology were all written and produced after 2004 and reflect a larger horizon of Asian American issues and communities while still dealing with existing challenges in playful and different ways. There is a play about the Hmong American community and experience which is just now receiving attention within Asian American theater world. There’s a play about Korean adoption which has been a major focus of attention in Minnesota but only now coming to wider national attention (including an upcoming forum on this
issue at the Library of Congress). But there are also plays about LGBTQI issues in Asian American families, transnational events such as the transfer of Hong Kong to China and the history of women in the media and performance. So I feel the anthology truly addresses the issues and conversational framework for Asian Americans in the 21st century.
How was Mu Performing Arts involved in the book?
Rick: Mu Performing Arts helped to develop and produce the world premiere of six of the seven plays in this anthology. Through programs funded by the Jerome and Ford Foundations, we have been able to focus on developing new work by emerging Asian American writers. With two of the three book editors on staff at Mu, we were able to look at over a dozen new plays produced by Mu in the past decade and other plays we felt were in the same realm, before we selected the ones in this anthology.
What’s your favorite story in regards to the plays in this book?
Rick: I have two stories and both reflect how initial problems in the development of plays can be deceiving and ultimately overcome. The first is about “Asiamnesia” by Sun Mee Chomet. It started as a group writing effort in our Jerome New Performance Program. Sun Mee had gathered a group of Asian American women writers to create the play but through several drafts we never thought it worked well because the writing was too disparate. Finally, we asked Sun Mee to write the play herself and she did with great success as the play was recognized by the Minneapolis Star Tribune critic, Rohan Preston, as the “best new script” of 2008, So in a way I feel Sun Mee failed her way to success, through talent and determination. The second story is about “Bahala Na,” by Clarence Coo. When we first read it, we felt it was too poetic to work on stage but when we actually did a reading of it, we all loved the style because it fit the epic nature of play. So we decided to work on it as part of our Ford Foundation, Emerging Writers of Color Program and eventually produced the world premiere of the play in 2007.
“Asian American Plays for a New Generation” is available online at Amazon.com. http://www.amazon.com/Asian-American-Plays-New-Generation/dp/1439905169
Mu Performing Arts Website
For more information about the division and its holdings, go to www.loc.gov/rr/asian/.
Other Articles on “Asian American Plays for a New Generation” & “In Rehearsal”
Temple Press: Rick Shiomi recounts his tour for “Asian American Plays for a New Generation”
Mu Blog: Rick Shiomi’s Book Tour Logbook
knightarts.org: Reading on the road inside the book tour
Broadwayworld.com Photo Flash: Library of Congress’ IN REHEARSAL Exhibit
Lia Chang Theater Portfolio at Library of Congress Features Photos of Thom Sesma’s Makeup Transformation as Scar in Disney’s The Lion King Las Vegas, Robert Lee and Leon Ko’s Heading East Starring BD Wong, David Henry Hwang’s Chinglish, and Samrat Chakrabarti and Sanjiv Jhaveri’s Bakwas Bumbug! on View Through August 2
Photos: Rick Shiomi Checks out Performing Arts Playwrights Series in the Asian American Pacific Islander Collection of Library of Congress; Attends “Asian American Plays for a New Generation” Book Signing in NY on 7/29
“Asian American Plays for a New Generation”, A New Anthology of Asian American Plays Is Subject of Book Talk
broadwayworld.com: Chinglish in Rehearsal
asiancemagazine.com: New Anthology of Asian American Plays Book Talk
Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.
As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden. Lia currently plays Nurse Lia on “One Life to Live”. She has appeared in Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and “New York Undercover”.
Selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space are now in the newly created LIA CHANG THEATER PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.
Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.
All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at firstname.lastname@example.org.