Athol Fugard’s Blood Knot, starring Colman Domingo & Scott Shepherd in The Alice Griffith Jewel Box at The Pershing Square Signature Center through March 11, 2012

BLOOD KNOT's Colman Domingo, dialect coach Barbara Rubin and Scott Shepherd at The Pershing Square Signature Center in New York on February 13, 2012. Photo by Lia Chang

Last night, I attended a very special performance of BLOOD KNOT, written and directed by Athol Fugard and starring Tony Award-nominee Colman Domingo (The Scottsboro Boys) as Zachariah and Obie Award-winner Scott Shepherd (Gatz) as Morris, in the Signature Theatre Company’s (James Houghton, Founding Artistic Director; Erika Mallin, Executive Director) spectacular new space, The Pershing Square Signature Center, designed by Frank Gehry, located at 480 West 42nd Street between Dyer and 10th Avenues in New York. BLOOD KNOT is Signature’s inaugural production in The Alice Griffin Jewel Box Theatre, and is the first play in the Residency One: Athol Fugard Series, runs January 31 – March 11, 2012 with a February 16th opening night. BLOOD KNOT is the first of three Fugard shows Signature will present this season.

After the curtain call, Fugard joined his cast Colman Domingo and Scott Shepherd onstage, calling their performances “gentle, courageous and brave,” and was surprised with a cake to commemorate 50 years since the play was staged at Labia Theatre, Cape Town on February 12, 1962.

Between patchwork walls in a one-room shack, two biracial South African brothers grapple with crippling poverty and lonely isolation. Morris, the punctilious force that keeps their room tidy, is light-skinned enough to pass for white, but dark-skinned Zach feels imprisoned by his job at a whites-only park. When they find themselves on some dangerous new ground, the brothers must come face to face with the blood knot between them. Athol Fugard’s revolutionary breakthrough play is a searing indictment of apartheid and one of his most celebrated works.

The design team includes Christopher H. Barreca (Set Design), Susan Hilferty (Costume Design), Stephen Strawbridge (Lighting Design), Brett Jarvis (Sound Design) and Barbara Rubin (Dialect Coach). The Production Stage Manager is Pamela Salling and Assistant Stage Manager is Maggie Swing. Casting is by Telsey + Company.

All regularly priced single tickets ($75) for the initial run of both shows will be made available for $25 through The Signature Ticket Initiative: A Decade of Access. Tickets and season subscriptions can be purchased by calling the Box Office at 212-244-7529 or online at www.signaturetheatre.org.

Barbara Rubin and Gordana Rashovich Photo by Lia Chang

2011-2012 SEASON OVERVIEW
RESIDENCY ONE – ATHOL FUGARD SERIES
BLOOD KNOT
Written and Directed by Athol Fugard
January 31 – March 11, 2012

MY CHILDREN! MY AFRICA!
By Athol Fugard
Directed by Ruben Santiago-Hudson
May 1 – June 10, 2012
Written in 1989 shortly before the end of apartheid, My Children! My Africa! presents an honest and unflinching portrait of a country on the brink of revolution, and is a testament to the power and potential of youth, hope, and ideas.

THE TRAIN DRIVER *** NEW YORK PREMIERE ***
Written and Directed by Athol Fugard
August 14 – September 23, 2012

Based on a true story, The Train Driver is a soulful exploration of guilt, suffering and the powerful bonds that grow between strangers.

LEGACY PROGRAM
EDWARD ALBEE’S THE LADY FROM DUBUQUE
Directed by David Esbjornson
February 14 – March 25, 2012

At a late night party, Sam and Jo entertain their friends with a round of Twenty Questions and another round of drinks. When an unexpected guest and her mysterious companion arrive, the question “Who are you?” gains a whole new and desperate meaning. Tony Award-winner Jane Alexander will play the title role.

RESIDENCY FIVE
HURT VILLAGE *** WORLD PREMIERE ***
By Katori Hall
Directed by Patricia McGregor
February 7 – March 18, 2012

It’s the end of a long summer in Hurt Village, a housing project in Memphis, Tennessee, and a government Hope Grant means relocation for many of the project’s residents. A bold, gritty and devastating work, Hurt Village earned Katori Hall the prestigious Susan Smith Blackburn Prize, given annually to an outstanding female playwright.

Featuing Marsha Stephanie Blake (The Merchant of Venice; Joe Turner’s Come and Gone), Nicholas Christopher(Rent, In the Heights), Corey Hawkins (Suicide, Incorporated), Charlie Hudson III (The Piano Lesson, Mother Courage), Ron Cephas Jones (Gem of the Ocean, The Bridge Project), Joaquina Kalukango (Godspell), Tonya Pinkins (Caroline, or Change; “All My Children”), Saycon Sengbloh (Fela!, Hair) and Lloyd Watts (“Treme,” Mother Courage.)

TITLE AND DEED *** U.S. PREMIERE ***
By Will Eno
Directed by Judy Hegarty Lovett
In association with Gare St. Lazare Players Ireland
May 8 – June 3, 2012

A nameless traveler from a far off place searches for connection and solace in an unknown country in this funny and sad meditation on mortality, loneliness, innocence, home, family, love, funerals, words, and the world. A provocative new work by Pulitzer Prize finalist and Horton Foote Prize winner Will Eno, whom The New York Times called “a Samuel Beckett for the Jon Stewart generation.”

A NEW PLAY BY KENNETH LONERGAN *** WORLD PREMIERE ***
May 15 – June 24, 2012

Kenneth Lonergan, acclaimed playwright (This is Our Youth, Lobby Hero, The Starry Messenger) and Academy Award-nominated screenwriter (You Can Count on Me), shares a new work with Signature audiences.

About SIGNATURE THEATRE
Founded in 1991 by James Houghton, Signature Theatre exists to honor and celebrate the playwright. Signature makes an extended commitment to a playwright’s body of work, and during this journey, the writer is engaged in every aspect of the creative process. Signature is the first theatre company to devote an entire season to the work of a single playwright, including re-examinations of past writings as well as New York and world premieres. By championing in-depth explorations of a living playwright’s body of work, the Company delivers an intimate and immersive journey into the playwright’s singular vision.

Signature has presented entire seasons of the work of Edward Albee, Lee Blessing, Horton Foote, Maria Irene Fornes, John Guare, Bill Irwin, Adrienne Kennedy, Tony Kushner, Romulus Linney, Charles Mee, Arthur Miller, the historic Negro Ensemble Company, Sam Shepard, Paula Vogel, August Wilson and Lanford Wilson. Signature remains deeply committed to season-long residencies, and during the company’s tenth and fifteenth anniversaries, Signature introduced the Legacy Program. The Legacy Program invites past Playwrights-in-Residence back to Signature through two series: the Signature Series, which presents “signature,” or more well-known works; and the Premiere Series, which presents New York and world premieres.

In pursuit of its goal to build new audiences and remove the price barrier to those interested in experiencing live theatre, Signature has provided $20 tickets to all of its productions since 2005 through its groundbreaking Signature Ticket Initiative. Providing unprecedented access to world class theatre, this innovative program has served as a model for theatres and performing arts organizations across the country. The program’s next phase, A Decade of Access, will continue for the next ten years, making all regularly-priced single tickets ($75) during the initial announced run available for $25. Signature is committed to raising the funds needed for A Decade of Access and continues to pursue lead corporate sponsorship. Generous seed support has been provided by Marma Foundation, Time Warner Inc., The Ford Foundation and the Rockefeller Brothers Fund. This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the New York City Council.

Signature, its productions and its resident writers have been recognized with a Pulitzer Prize, fourteen Lucille Lortel Awards, sixteen Obie Awards, six Drama Desk Awards and twenty-two AUDELCO Awards, among many other distinctions. The National Theatre Conference recognized the company as the 2003 Outstanding National Theatre of the Year. For more information on Signature please visit www.signaturetheatre.org.

AboutThe Pershing Square Signature Center
Opening in January 2012, The Pershing Square Signature Center is the new, permanent home of Signature Theatre. Spanning an entire city block at 42nd Street between Dyer and 10th Avenue, the Frank Gehry-designed The Pershing Square Signature Center will feature three intimate theatres, a studio theatre, rehearsal studio, and a public café and bookstore and will serve as both a theatre community hub and neighborhood destination. Working hand-in-hand with Signature leadership and architect of record H3 Hardy Collaboration Architecture LLC, Gehry’s design has been carefully calibrated to foster interaction among playwrights, artistic collaborators and the public. The Pershing Square Signature Center will allow the 20-year old Company, critically acclaimed for its programs that celebrate the playwright’s body of work, to expand and enhance its programming, introduce new initiatives, and build audiences.

At The Pershing Square Signature Center, the Company’s programming will include: Residency One, the continuation of Signature’s core program which provides audiences with an immersive exploration of the work of a singular playwright; Residency Five, a new artistic initiative which provides five-year residencies and guarantees three full productions for multiple playwrights to support the creation and staging of new work; and the Legacy Program, which honors the lifetime achievement of artists who have previously been in residence at Signature with stagings of new plays and signature works. The Pershing Square Signature Center will serve as the artistic home for as many as 9 playwrights at any one time, fostering a dynamic creative community where playwrights will engage directly with audiences and one another.

Other Articles by Lia Chang:
Linsanity: Sports Illustrated Cover Guy New York Knicks Starting Point Guard Jeremy Lin
Photos: AALDEF 2012 Justice in Action Honorees Parkin Lee, Jean Koh Peters and Fareed Zakaria
Broadwayworld.com Photo Flash: Library of Congress’ IN REHEARSAL Exhibit
Cindy Cheung’s solo show SPEAK UP CONNIE, directed by BD Wong at Stage Left Studio has been extended, February 5-15, 2012
broadwayworld.com: Photo Flash: SPEAK UP CONNIE In Rehearsal
Feb. 13: Chinglish Playwright David Henry Hwang Moderates “RepresentAsian: The Changing Face of New York Theater” at Pope Auditorium at Fordham University
Larry Bryggman, Peter Jay Fernandez, Arliss Howard and David Pittu Set for Atlantic Theater Company’s CQ/CX, January 25-March 4, 2012
Ma-Yi Theatre Company Presents Qui Nguyen’s THE INEXPLICABLE REDEMPTION OF AGENT G at Theatre Row’s Beckett Theatre, 2/7 – 3/4
Photos: Eiko Ishioka
Mu Daiko 15th Anniversary Concert and Minnesota Tour, February 9-19, 2012
Photos: Yellow Fever Playwright Rick Shiomi Explores New Territory with An All-Female Cast
Photos & Video: Celebrate Chinese New Year with David Henry Hwang’s Chinglish through January 29, 2012
Mu Daiko 15th Anniversary Concert and Minnesota Tour, February 9-19, 2012
Photos: “How To Succeed” stars Daniel Radcliffe, Rose Hemingway and John Larroquette at Lord & Taylor for Windows Unveiling
Multimedia: Promises, Promises’ Stars Kristin Chenoweth and Sean Hayes at Lord & Taylor Fifth Ave
Photos: David Duchovny, John Earl Jelks, Amanda Peet, Tracee Chimo opening night of Neil LaBute’s The Break of Noon
Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

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Lia Chang. Photo by Brianne Michelle Photography

Lia Chang is an actor, a performance and fine art botanical photographer, and an award-winning multi-platform journalist. In 2010, the Library of Congress established The Lia Chang APA Theater Portfolio in the Asian Pacific American Performing Arts Collection housed in the Library of Congress Asian Division’s Asian Pacific American Islander Collection.

All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at lia@liachangphotography.com.

Geffen Playhouse Production Photos of Neil LaBute’s The Break of Noon starring Kevin Anderson, Tracee Chimo, Catherine Dent and John Earl Jelks, 1/25-3/6/11

Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

Broadway veteran Kevin Anderson leads the cast of the Los Angeles run of the world premiere production of Neil LaBute’s The Break of Noon, helmed by Jo Bonney, which is currently in previews at the Geffen Playhouse, located on 10886 Le Conte Avenue. A co-production with MCC in New York, The Break of Noon cast includes Catherine Dent as well as Tracee Chimo and John Earl Jelks, who performed their roles in the New York portion of the run. Opening night for The Break of Noon is February 2, with performances continuing through March 6, 2011.

Kevin Anderson and John Earl Jelks in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

Kevin Anderson, who was recently nominated for a Tony Award for his role in Death of a Salesman, portrays the play’s central character, John Smith, a man who hears the voice of God during a tragic office shooting. Smith is a selfish, philandering liar – or at least he was. After the incident, this imperfect man reforms himself and goes on a mission to spread the word about a better way of life to everyone surrounding him: his wife and his wife’s cousin, both portrayed by Catherine Dent, known for her longtime role on The Shield; a morning talk show host and a call girl, both played by Tracee Chimo, who recently received the Eugene O’Neil Award for her role in Irena’s Vow; and his lawyer and the detective on the case, both played by Tony Award nominee John Earl Jelks (Radio Golf). But is Joe’s divine encounter merely a ploy for celebrity, a chance to escape his rocky past, or is it part of an infinite and almighty plan? In The Break of Noon, LaBute explores the trials and tribulations of a modern day prophet – and what he signifies in a jaded world that is thousands of years removed from burning bushes and stone tablets.

Kevin Anderson and Catherine Dent in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

The production team includes set design by Neil Patel, costume design by Emilio Sosa, lighting design by David Wiener, sound design by, Darron L. West, with Christina Lowe as production stage manager.

Tracee Chimo and Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

The Break of Noon marks the fourth time LaBute’s work has been at the Geffen Playhouse; his past works at the theater include Fat Pig (also directed by Bonney), Some Girl(s) and Wrecks, all of which ran in the Audrey Skirball Kenis Theater.

The performance schedule for The Break of Noon is Tuesday – Friday 8:00pm, Saturday at 3:00pm and 8:00pm and Sunday at 2:00pm and 7:00pm. Ticket prices range from $37 – $57 for preview performances and from $47 – $77 for the regular run. Tickets are available at the Geffen Playhouse box office at 310-208-5454 or online at www.geffenplayhouse.com.

Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

KEVIN ANDERSON (John Smith)
Kevin just returned from London’s West End and Dublin as Andy Dufresne in the new stage adaptation of The Shawshank Redemption. An ensemble member since 1984, other plays at Steppenwolf include I Never Sang for My Father, Our Town, Three Sisters, Earthly Possessions and Orphans, which took him to New York (Theatre World Award), London’s West End and eventually the movie with Albert Finney. Other Chicago credits include A Guide for the Perplexed (Victory Gardens); Pal Joey and Death of a Salesman (The Goodman); among others. Broadway and off-Broadway include Death of a Salesman (Outer Critics and Drama Desk awards, Tony® nomination), the musical Brooklyn, Orpheus Descending, Moonchildren, Brilliant Traces, The Red Address, Speaking in Tongues and Summer and Smoke. Other London theatre credits include the original Joe Gillis in Sunset Boulevard and Dinner with Friends. Some of his films include Charlotte’s Web, Miles from Home, In Country, Sleeping with the Enemy, Liebestraum, Hoffa, The Night We Never Met, Rising Sun, Firelight, A Thousand Acres, Eye of God, Doe Boy and the new Al Pacino docu-drama Wilde Salome. Cable films include Orpheus Descending, The Wrong Man, Hunt for the Unicorn Killer, Ruby’s Bucket of Blood, Monday Night Mayhem and Power and Beauty. He starred in the TV series Nothing Sacred, which earned him a Golden Globe nomination.

JO BONNEY (Director)
Neil LaBute’s Fat Pig (MCC/Geffen Playhouse) and Some Girl(s) (MCC); Culture Clash’s American Night (Oregon Shakespeare Festival); Darci Picoult’s Lil’s 90th (Long Wharf Theatre); Suzan-Lori Parks’ Father Comes Home from the Wars (Public LAB); Naomi Wallace’s The Hard Weather Boating Party and The Fever Chart; Michael Weller’s Beast (New York TheatreWorkshop); Alan Ball’s All that I Will Ever Be (NYTW); Eric Bogosian’s subUrbia, Charles Fuller’s A Soldier’s Play and Lisa Loomer’s Living Out (Second Stage); Will Power’s The Seven (NYTW & La Jolla Playhouse; Lortel Award, Best Musical); Christopher Shinn’s On the Mountain (Playwrights Horizons); Universes’ Slanguage (NYTW/Mark Taper Forum); Lanford Wilson’s Fifth of July (Signature Theatre; Lortel Award, Best Revival); José Rivera’s References to Salvador Dali Make Me Hot (The Public Theater); Diana Son’s Stop Kiss (The Public Theater); Jessica Goldberg’s Good Thing (The New Group); John Osborne’s Look Back in Anger (CSC); Danny Hoch’s Some People and Jails, Hospitals & Hip-Hop (USA/Britain); numerous solos by Eric Bogosian (USA/Britain). Recipient of a 1998 Obie Award for Sustained Excellence of Direction and editor of Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century (TCG). Upcoming: Lynn Nottage’s By the Way, Meet Vera Stark (Second Stage).

Tracee Chimo and Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

TRACEE CHIMO (TV Host, Gigi)
Tracee was last seen as Regan in The Bachelorette. Broadway: Irena’s Vow. Off Broadway: Circle Mirror Transformation (Lucille Lortel nom, Drama Desk award for Outstanding Ensemble Performance), Vendetta Chrome, Guilty, Bushwhackin’, Vamp. Regional: Sundance ’08, Humana Festival/Actor’s Theatre of Louisville, The Cleveland Playhouse and Philadelphia Theatre Company. TV: Guest-star in the FX series Louie, Guiding Light. Film: Evening, What Would Jesus Do?, Daughters of Liberty and Wasted Time. Last year Tracee was honored by actress Marian Seldes and The O’Neill Studio, where she studied, with the Eugene O’Neill Award for her work in Irena’s Vow.

Kevin Anderson and Catherine Dent in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

CATHERINE DENT (Ginger, Jesse)
Theater: (Broadway) Uncle Vanya (Off-Broadway) Amoeba Concerto (Regional) The Country, The Street of the Sun. TV: N.C.I.S., Law and Order: Los Angeles, The Closer, Rockford Files, Ghost Whisperer, Day One, Lie to Me, Natalee Holloway, The Shield, Law & Order: SVU, Criminal Minds, Sarah Connor Chronicles, Without A Trace, Numbers, Grey’s Anatomy, Seattle Serial Killer, Law and Order, Judging Amy, CSI, Taken, The Sopranos, Dharma and Greg, Third Watch, The X-Files, Frasier, L.A. Doctors, Chicago Hope, New York Under Cover. Film: Duress, 21 Grams, Auto Focus, The Majestic, Someone Like You, The Replicant, March 29 1997, Nobody’s Fool, Jaded.

Kevin Anderson and John Earl Jelks in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

JOHN EARL JELKS (Lawyer, Detective)
John was nominated for a Tony Award for his performance as “Sterling” in August Wilson’s Radio Golf, which he also toured to the McCarter, Goodman, Center Stage, Seattle Rep., Mark Taper and Yale Repertory theaters. Jelks also appeared with Phylicia Rashad on Broadway in August Wilson’s Gem of the Ocean as “Citizen” (after runs at the Goodman, Huntington, and Mark Taper theaters, where he won an NAACP Theater Award and an L.A. Ovation Award).

John Earl Jelks Photo by Lia Chang

In 2008, Jelks won an AUDELCO Award for his work in the Off-Broadway revival of The First Breeze of Summer. Regional theater credits include Fetch Clay, Make Man at the McCarter Theatre, the world stage premiere of The Shawshank Redemption at the Gaiety Theatre in Ireland, Magnolia at the Goodman Theater, Joe Turner’s Come and Gone at the Penumbra Theatre Company and the Missouri Repertory Theatre, The Piano Lesson at the Lorraine Hansberry Theatre and Diary of a Black Man at the Union Square Theatre and the Shaw Theatre in London, England. Recently, Jelks appeared in Spike Lee’s film Miracle at St. Anna.

NEIL LaBUTE (Playwright)
Neil LaBute received his Master of Fine Arts degree in dramatic writing from New York University and was the recipient of a literary fellowship to study at the Royal Court Theatre, London and also attended the Sundance Institute’s Playwrights Lab. His films include In the Company of Men (New York Critics’ Circle Award for Best First Feature and the Filmmaker Trophy at the Sundance Film Festival), Your Friends and Neighbors, Nurse Betty, Possession, The Shape of Things (a film adaptation of his play by the same title), The Wicker Man, Lakeview Terrace and Death at a Funeral. LaBute’s plays include bash: latter-day plays, The Shape of Things, The Mercy Seat, The Distance From Here, Autobahn, Fat Pig (Olivier nomination for Best Comedy), Some Girls, This Is How It Goes, Wrecks, Filthy Talk for Troubled Times, In a Dark Dark House and reasons to be pretty (Tony Award nomination for Best Play). LaBute is also the author of Seconds of Pleasure, a collection of short fiction which was published by Grove Atlantic. His new play, In a Forest Dark and Deep, will open on London’s West End in 2011.

ABOUT THE GEFFEN PLAYHOUSE
The Geffen Playhouse has been a hub of the Los Angeles theater scene since opening its doors in 1995. Noted for its intimacy and celebrated for its world-renowned mix of classic and contemporary plays, provocative new works and musicals, the Geffen Playhouse continues to present a body of work that has garnered national recognition. Named in honor of entertainment mogul and philanthropist David Geffen, who made the initial donation to the theater, the company is helmed by Producing Director and President of the Board Gilbert Cates, Artistic Director Randall Arney, Managing Director Ken Novice and Chairman of the Board Frank Mancuso. Proudly associated with UCLA, the Geffen Playhouse welcomes an audience of more than 130,000 each year, and maintains an extensive education and outreach program, designed to engage young people and the community at large in the arts. For more information, visit www.geffenplayhouse.com.

ABOUT MCC THEATER
MCC Theater is one of New York City’s leading Off Broadway theater companies, committed to presenting New York and world premieres each season. When MCC Theater was founded in 1986, its mission was simple: to bring new theatrical voices to theater-going audiences. MCC Theater continues to accomplish this yearly through presentation of its mainstage works; its Literary Program, which actively seeks and develops new and emerging writers and its Education & Outreach Program, allowing more than 1,200 students yearly to experience theater, increase literacy and discover their own voices in the arts. Notable MCC Theater highlights include: the 2008 Tony Award-nominated Reasons to be Pretty by Neil LaBute, last season’s Fifty Words, the 2004 Tony-winning production of Bryony Lavery’s Frozen; Neil LaBute’s Fat Pig; Rebecca Gilman’s The Glory of Living; Marsha Norman’s Trudy Blue; Margaret Edson’s Pulitzer Prize-winning Wit; Tim Blake Nelson’s The Grey Zone and Alan Bowne’s Beirut. Over the years, the dedication to the work of new and emerging artists has earned MCC Theater a variety of awards. For a complete production history, visit www.mcctheater.org.

Other Articles by Lia Chang:
Kevin Anderson, Catherine Dent, Tracee Chimo, John Earl Jelks in Neil La Bute’s The Break of Noon at the Geffen 1/25-3/6
Photos: David Duchovny, John Earl Jelks, Amanda Peet,Tracee Chimo opening night of Neil LaBute’s The Break of Noon
Photos: Chinese New Year Festival at The Huntington in San Marino
Up Close and Personal with Darren Pettie, Star of The Milk Train Doesn’t Stop Here Anymore
A.B. Cruz III of Scripps Networks Interactive, Inc., Lillian Kimura To Receive 2011 Justice in Action Awards
Photos:The Working Theater’s Off-Broadway production of HONEY BROWN EYES by Stefanie Zadravec at The Clurman -2/6/11
Jarlath Conroy Leads Cast of Pinter’s The Homecoming at CENTERSTAGE in Baltimore, 1/26-2/20/11
Click here for the Lia Chang Articles Archive.

All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com.

Lia Chang: Kevin Anderson and Catherine Dent Join Tracee Chimo and John Earl Jelks in Neil La Bute’s The Break of Noon for LA Run at the Geffen Playhouse, 1/25-3/6

John Earl Jelks and Tracee Chimo at the opening night afterparty at 49 Grove for MCC's production of Neil LaBute's The Break of Noon in New York on November 22, 2010 Photo by Lia Chang

Broadway veteran Kevin Anderson leads the cast in the Los Angeles run of the world premiere production of Neil LaBute’s The Break of Noon. The Break of Noon, which is a co-production with MCC in New York, will feature Catherine Dent as well as Tracee Chimo and John Earl Jelks, who performed their roles in the New York portion of the run. Helmed by director Jo Bonney, The Break of Noon begins in previews on January 25, 2011 and officially opens February 2, 2011.

Kevin Anderson, who was recently nominated for a Tony Award for his role in Death of a Salesman, portrays the play’s central character, John Smith, a man who hears the voice of God during a tragic office shooting. Smith is a selfish, philandering liar – or at least he was. After the incident, this imperfect man reforms himself and goes on a mission to spread the word about a better way of life to everyone surrounding him: his wife and his wife’s cousin, both portrayed by Catherine Dent, known for her longtime role on The Shield; a morning talk show host and a call girl, both played by Tracee Chimo, who recently received the Eugene O’Neil Award for her role in Irena’s Vow; and his lawyer and the detective on the case, both played by Tony Award nominee John Earl Jelks (Radio Golf). But is Joe’s divine encounter merely a ploy for celebrity, a chance to escape his rocky past, or is it part of an infinite and almighty plan? In The Break of Noon, LaBute explores the trials and tribulations of a modern day prophet – and what he signifies in a jaded world that is thousands of years removed from burning bushes and stone tablets.

The production team includes set design by Neil Patel, costume design by Emilio Sosa, lighting design by David Wiener, sound design by, Darron L. West, with Christina Lowe as production stage manager.

The Break of Noon marks the fourth time LaBute’s work has been at the Geffen Playhouse; his past works at the theater include Fat Pig (also directed by Bonney), Some Girl(s) and Wrecks, all of which ran in the Audrey Skirball Kenis Theater. The Break of Noon runs from January 25 to March 6, 2011.

The performance schedule is Tuesday – Friday 8:00pm, Saturday at 3:00pm and 8:00pm and Sunday at 2:00pm and 7:00pm. Ticket prices range from $37 – $57 for preview performances and from $47 – $77 for the regular run. Tickets are on sale now at the Geffen Playhouse box office at 310-208-5454 or online at www.geffenplayhouse.com.

Tracee Chimo, David Duchovny, Amanda Peet and John Earl Jelks at the opening night curtain call of MCC Theater's world premiere of Neil LaBute's The Break of Noon at the Lucille Lortel in New York on November 22, 2010. Photo by Lia Chang

The New York production of The Break of Noon, starring David Duchovny, Amanda Peet, Tracee Chimo and John Earl Jelks has been extended through December 22, 2010 at the Lucille Lortel Theatre (121 Christopher Street, NYC). The show is playing the following schedule for the extension due to the holiday:
Thursday, December 16 at 8:00 p.m.
Friday, December 17 at 8:00 p.m.
Saturday, December 18 at 2:00 & 8:00 p.m.
Sunday. December 19 at 3:00 p.m.
Monday, December 20 at 7:00 p.m.
Tuesday, December 21 at 7:00 p.m.
Wednesday, December 22 at 2:00 & 7:00 p.m.

Subscriptions for MCC’s 2010-2011 season are on-sale now and priced as low as $99 for the 3-play season. For more information visit www.mcctheater.org or to purchase packages, contact TicketCentral directly at www.ticketcentral.com or call 212-279-4200.

KEVIN ANDERSON (John Smith)
Kevin just returned from London’s West End and Dublin as Andy Dufresne in the new stage adaptation of The Shawshank Redemption. An ensemble member since 1984, other plays at Steppenwolf include I Never Sang for My Father, Our Town, Three Sisters, Earthly Possessions and Orphans, which took him to New York (Theatre World Award), London’s West End and eventually the movie with Albert Finney. Other Chicago credits include A Guide for the Perplexed (Victory Gardens); Pal Joey and Death of a Salesman (The Goodman); among others. Broadway and off-Broadway include Death of a Salesman (Outer Critics and Drama Desk awards, Tony® nomination), the musical Brooklyn, Orpheus Descending, Moonchildren, Brilliant Traces, The Red Address, Speaking in Tongues and Summer and Smoke. Other London theatre credits include the original Joe Gillis in Sunset Boulevard and Dinner with Friends. Some of his films include Charlotte’s Web, Miles from Home, In Country, Sleeping with the Enemy, Liebestraum, Hoffa, The Night We Never Met, Rising Sun, Firelight, A Thousand Acres, Eye of God, Doe Boy and the new Al Pacino docu-drama Wilde Salome. Cable films include Orpheus Descending, The Wrong Man, Hunt for the Unicorn Killer, Ruby’s Bucket of Blood, Monday Night Mayhem and Power and Beauty. He starred in the TV series Nothing Sacred, which earned him a Golden Globe nomination.

JO BONNEY (Director)
Neil LaBute’s Fat Pig (MCC/Geffen Playhouse) and Some Girl(s) (MCC); Culture Clash’s American Night (Oregon Shakespeare Festival); Darci Picoult’s Lil’s 90th (Long Wharf Theatre); Suzan-Lori Parks’ Father Comes Home from the Wars (Public LAB); Naomi Wallace’s The Hard Weather Boating Party and The Fever Chart; Michael Weller’s Beast (New York TheatreWorkshop); Alan Ball’s All that I Will Ever Be (NYTW); Eric Bogosian’s subUrbia, Charles Fuller’s A Soldier’s Play and Lisa Loomer’s Living Out (Second Stage); Will Power’s The Seven (NYTW & La Jolla Playhouse; Lortel Award, Best Musical); Christopher Shinn’s On the Mountain (Playwrights Horizons); Universes’ Slanguage (NYTW/Mark Taper Forum); Lanford Wilson’s Fifth of July (Signature Theatre; Lortel Award, Best Revival); José Rivera’s References to Salvador Dali Make Me Hot (The Public Theater); Diana Son’s Stop Kiss (The Public Theater); Jessica Goldberg’s Good Thing (The New Group); John Osborne’s Look Back in Anger (CSC); Danny Hoch’s Some People and Jails, Hospitals & Hip-Hop (USA/Britain); numerous solos by Eric Bogosian (USA/Britain). Recipient of a 1998 Obie Award for Sustained Excellence of Direction and editor of Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century (TCG). Upcoming: Lynn Nottage’s By the Way, Meet Vera Stark (Second Stage).

TRACEE CHIMO (TV Host, Gigi)
Tracee was last seen as Regan in The Bachelorette. Broadway: Irena’s Vow. Off Broadway: Circle Mirror Transformation (Lucille Lortel nom, Drama Desk award for Outstanding Ensemble Performance), Vendetta Chrome, Guilty, Bushwhackin’, Vamp. Regional: Sundance ’08, Humana Festival/Actor’s Theatre of Louisville, The Cleveland Playhouse and Philadelphia Theatre Company. TV: Guest-star in the FX series Louie, Guiding Light. Film: Evening, What Would Jesus Do?, Daughters of Liberty and Wasted Time. Last year Tracee was honored by actress Marian Seldes and The O’Neill Studio, where she studied, with the Eugene O’Neill Award for her work in Irena’s Vow.

CATHERINE DENT (Ginger, Jesse)
Theater: (Broadway) Uncle Vanya (Off-Broadway) Amoeba Concerto (Regional) The Country, The Street of the Sun. TV: N.C.I.S., Law and Order: Los Angeles, The Closer, Rockford Files, Ghost Whisperer, Day One, Lie to Me, Natalee Holloway, The Shield, Law & Order: SVU, Criminal Minds, Sarah Connor Chronicles, Without A Trace, Numbers, Grey’s Anatomy, Seattle Serial Killer, Law and Order, Judging Amy, CSI, Taken, The Sopranos, Dharma and Greg, Third Watch, The X-Files, Frasier, L.A. Doctors, Chicago Hope, New York Under Cover. Film: Duress, 21 Grams, Auto Focus, The Majestic, Someone Like You, The Replicant, March 29 1997, Nobody’s Fool, Jaded.

John Earl Jelks Photo by Lia Chang

JOHN EARL JELKS (Lawyer, Detective)
John was nominated for a Tony Award for his performance as “Sterling” in August Wilson’s Radio Golf, which he also toured to the McCarter, Goodman, Center Stage, Seattle Rep., Mark Taper and Yale Repertory theaters. Jelks also appeared with Phylicia Rashad on Broadway in August Wilson’s Gem of the Ocean as “Citizen” (after runs at the Goodman, Huntington, and Mark Taper theaters, where he won an NAACP Theater Award and an L.A. Ovation Award). In 2008, Jelks won an AUDELCO Award for his work in the Off-Broadway revival of The First Breeze of Summer. Regional theater credits include Fetch Clay, Make Man at the McCarter Theatre, the world stage premiere of The Shawshank Redemption at the Gaiety Theatre in Ireland, Magnolia at the Goodman Theater, Joe Turner’s Come and Gone at the Penumbra Theatre Company and the Missouri Repertory Theatre, The Piano Lesson at the Lorraine Hansberry Theatre and Diary of a Black Man at the Union Square Theatre and the Shaw Theatre in London, England. Recently, Jelks appeared in Spike Lee’s film Miracle at St. Anna.

NEIL LaBUTE (Playwright)
Neil LaBute received his Master of Fine Arts degree in dramatic writing from New York University and was the recipient of a literary fellowship to study at the Royal Court Theatre, London and also attended the Sundance Institute’s Playwrights Lab. His films include In the Company of Men (New York Critics’ Circle Award for Best First Feature and the Filmmaker Trophy at the Sundance Film Festival), Your Friends and Neighbors, Nurse Betty, Possession, The Shape of Things (a film adaptation of his play by the same title), The Wicker Man, Lakeview Terrace and Death at a Funeral. LaBute’s plays include bash: latter-day plays, The Shape of Things, The Mercy Seat, The Distance From Here, Autobahn, Fat Pig (Olivier nomination for Best Comedy), Some Girls, This Is How It Goes, Wrecks, Filthy Talk for Troubled Times, In a Dark Dark House and reasons to be pretty (Tony Award nomination for Best Play). LaBute is also the author of Seconds of Pleasure, a collection of short fiction which was published by Grove Atlantic. His new play, In a Forest Dark and Deep, will open on London’s West End in 2011.

ABOUT THE GEFFEN PLAYHOUSE
The Geffen Playhouse has been a hub of the Los Angeles theater scene since opening its doors in 1995. Noted for its intimacy and celebrated for its world-renowned mix of classic and contemporary plays, provocative new works and musicals, the Geffen Playhouse continues to present a body of work that has garnered national recognition. Named in honor of entertainment mogul and philanthropist David Geffen, who made the initial donation to the theater, the company is helmed by Producing Director and President of the Board Gilbert Cates, Artistic Director Randall Arney, Managing Director Ken Novice and Chairman of the Board Frank Mancuso. Proudly associated with UCLA, the Geffen Playhouse welcomes an audience of more than 130,000 each year, and maintains an extensive education and outreach program, designed to engage young people and the community at large in the arts. For more information, visit www.geffenplayhouse.com.

Other Articles by Lia Chang
Photos: David Duchovny, John Earl Jelks, Amanda Peet,Tracee Chimo opening night of Neil LaBute’s The Break of Noon
John Earl Jelks is featured in MCC Theater’s world premiere of Neil LaBute’s The Break of Noon at the Lucille Lortel
Costume Designer Karen Perry- Audelco Nod for The Public Theatre’s Brother/Sister Trilogy by Tarell Alvin McCraney
André De Shields leads cast of Charles Smith’s Knock Me A Kiss at Abrons Arts Center
MIAAC Screens Ashes & The Waiting City, two films featuring Samrat Chakrabarti at SVA Theater
STORIES FROM CHINESE AMERICA: The Arthur Dong Collection, Vol. 2 as 4 disc DVD Box Set
Lia Chang: Velina Hasu Houston’s Calligraphy Set for World Premiere at LATC
Denise Burse and Peter Jay Fernandez Featured in INTAR Reading of Andrew Dolan’s The Many Mistresses of Martin Luther King
Photos & Video Disney’s The Lion King Las Vegas-In the Makeup Chair with Thom Sesma
Photo Call: BD Wong and the Cast of Heading East at the Asia Society
Multimedia: Promises, Promises’ Stars Kristin Chenoweth and Sean Hayes at Lord & Taylor Fifth Ave
Derek Walcott’s White Egrets Due Out March 2010
Yellow Face Reading & Book Signing w/ David Henry Hwang, Kathryn Layng, Francis Jue, w/ guest Edward Albee
Classical Theatre of Harlem’s Archbishop Supreme Tartuffe, MTC’s Ruined are Top Winners at 2009 Audelcos
Photo Call: Derek Walcott’s Marie Laveau
Zooman and The Sign Opening Night Party
Celebrating Woodie King
Click here for the Lia Chang Articles Archive.

All text, graphics, articles & photographs: © 2000-2010 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachang@hotmail.com.

Lia Chang

Lia Chang is an actor, performance and fine art photographer and an award-winning multimedia journalist.

Lia Chang is an actor, performance and fine art botanical photographer, an award-winning multimedia journalist.

As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden.

This year, selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space will become part of newly created LIA CHANG THEATER PHOTOGRAPHY PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, VIBE, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.

Lia Chang Photos: David Duchovny, John Earl Jelks, Amanda Peet and Tracee Chimo celebrate opening in Neil LaBute’s The Break of Noon

Tracee Chimo, David Duchovny, Amanda Peet and John Earl Jelks at the opening night curtain call of MCC Theater's world premiere of Neil LaBute's The Break of Noon at the Lucille Lortel in New York on November 22, 2010. Photo by Lia Chang

At the Lucille Lortel in New York on Monday, November 22, David Duchovny (“Californication,” “X-Files”) made his New York stage debut in the MCC Theater’s world premiere of Tony Award nominee Neil LaBute’s The Break of Noon, as an average Joe turned modern-day prophet, alongside Tony Award nominee John Earl Jelks (Radio Golf, Gem of the Ocean), Amanda Peet (Barefoot in the Park, “Studio Sixty”) and Tracee Chimo (Bachelorette, Circle Mirror Transformation).

Gillian Anderson flew in from London to surprise her X-Files co-star as he made his New York stage debut in Neil LaBute's The Break of Noon, currently playing at The Lucille Lortel. Photo by Lia Chang

Gillian Anderson, who flew in from London to surprise her “X-Files” co-star, and Duchovny’s wife Tea Leoni were in the audience and at the afterparty at 49 Grove, along with Stafford Arima, Eric Bogosian, YaYa DaCosta, Ruben Santiago-Hudson, Ben Stiller and his wife Christine Taylor, Patrick Breen, Tovah Feldshuh, Ed Harris, Jessica Hecht, Tina Louise, Lynn Nottage, Jose Rivera, Sara Paulson, Steven Pasquale, Thomas Sadowski, Garry Shandling, Jeremy Sisto and his wife Addie Lane.

The Break of Noon is Neil LaBute’s seventh collaboration with MCC Theater as Playwright-in-Residence, following the 2009 Tony Award-nominated Best Play, Reasons to be Pretty. Renowned for his darkly-comic morality plays (The Shape of Things, In a Dark Dark House), teamed up again with longtime collaborator, director Jo Bonney (Some Girl(s), Fat Pig), to helm his exploration of the daunting, sometimes harrowing process of “finding religion.”

Tracee Chimo, Amanda Peet, David Duchovny and John Earl Jelks Photo by Lia Chang

The Break of Noon has been extended through December 22, 2010 at the Lucille Lortel Theatre (121 Christopher Street, NYC). A co-production with the Geffen Playhouse, The Break of Noon will arrive in Los Angeles in January 2011.

John Earl Jelks and David Duchovny Photo by Lia Chang

Performances are Tuesdays and Wednesdays at 7:00 p.m., Thursdays and Fridays at 8:00 p.m., Saturdays at 2:00 & 8:00 p.m. and Sundays at 3:00 & 7:30 p.m. through December 12, 2010.

The show will play the following schedule for the extension due to the holiday:
Tuesday, December 14 at 7:00 p.m.
Wednesday, December 15 at 2:00 & 7:00 p.m.
Thursday, December 16 at 8:00 p.m.
Friday, December 17 at 8:00 p.m.
Saturday, December 18 at 2:00 & 8:00 p.m.
Sunday. December 19 at 3:00 p.m.
Monday, December 20 at 7:00 p.m.
Tuesday, December 21 at 7:00 p.m.
Wednesday, December 22 at 2:00 & 7:00 p.m.
Subscriptions for MCC’s 2010-2011 season are on-sale now and priced as low as $99 for the 3-play season. For more information visit www.mcctheater.org or to purchase packages, contact TicketCentral directly at www.ticketcentral.com or call 212-279-4200.

John Earl Jelks and YaYa DaCosta walk the red carpet at 49 Grove, the afterparty for Neil LaBute's The Break of Noon on November 22, 2010. Photo by Lia Chang

Thanks to The Break of Noon castmember John Earl Jelks who plays a lawyer and a detective in the show, and who provided me with an all-access pass, you can check out the slideshow below of the curtain call, arrivals and afterparty fun and festivities.

Related John Earl Jelks Clips:
Marilyn Stasio of Variety writes“John Earl Jelks (“Radio Golf”) raises a scornful eyebrow as the lawyer John consults before taking his conversion public. This ultra-poised performer also walks away with the scene in which he plays a detective who suspects that John was somehow behind the attack.”

Dan Bacalzo of theatermania.com writes,
“The always-on-target John Earl Jelks rounds out the cast in the dual roles of John’s lawyer and a police detective who finds some of the details in John’s story rather suspicious.”

Michael Sommers of newjerseynewsroom.com writes, “John Earl Jelks is especially striking as a lawyer who counsels John about his options in the media minefield while licking his own lips over their likely profitability.”
David Rooney of The Hollywood Reporter writes, “John Earl Jelks appears as a cynical lawyer who stands to make a fat fee, and a skeptical cop whose own religious convictions are offended.”

David Cote of Timeoutny.com for ny1.com reports, “John’s lawyer, played with humor and grit by John Earl Jelks, doesn’t seem to believe his client’s conversion story, but is happy to peddle John’s gruesome photos of the crime scene for big bucks.”

MCC Theater artistic director Bernie Telsey, The Break of Noon director Jo Bonney, castmember John Earl Jelks and MCC Theater associate artistic director William Cantler Photo by Lia Chang

MCC Theater is one of New York City’s leading Off Broadway theater companies, committed to presenting New York and world premieres each season. When MCC Theater was founded in 1986, its mission was simple: to bring new theatrical voices to theater-going audiences. MCC Theater continues to accomplish this yearly through presentation of its mainstage works; its Literary Program, which actively seeks and develops new and emerging writers and its Education & Outreach Program, allowing more than 1,200 students yearly to experience theater, increase literacy and discover their own voices in the arts.

John Earl Jelks and Yaya DaCosta who played love interests in the Signature Theatre Company's production of Leslie Lee's The First Breeze of Summer, with their director Ruben Santiago-Hudson. Photo by Lia Chang

Notable MCC Theater highlights include: the 2008 Tony Award-nominated Reasons to be Pretty by Neil LaBute, last season’s Fifty Words, the 2004 Tony-winning production of Bryony Lavery’s Frozen; Neil LaBute’s Fat Pig; Rebecca Gilman’s The Glory of Living; Marsha Norman’s Trudy Blue; Margaret Edson’s Pulitzer Prize-winning Wit; Tim Blake Nelson’s The Grey Zone and Alan Bowne’s Beirut. Over the years, the dedication to the work of new and emerging artists has earned MCC Theater a variety of awards. For a complete production history, visit www.mcctheater.org.

Yaya DaCosta, Tea Leoni, John Earl Jelks, David Duchovny and Jessica Hecht Photo by Lia Chang

The Geffen Playhouse has been a hub of the Los Angeles theater scene since opening its doors in 1995. Noted for its intimacy and celebrated for its world-renowned mix of classic and contemporary plays, provocative new works and musicals, the Geffen Playhouse continues to present a body of work that has garnered national recognition. Named in honor of entertainment mogul and philanthropist David Geffen, who made the initial donation to the theater, the company is helmed by Producing Director and President of the Board Gilbert Cates, Artistic Director Randall Arney, Managing Director Ken Novice and Chairman of the Board Frank Mancuso. Proudly associated with UCLA, the Geffen Playhouse welcomes an audience of more than 130,000 each year, and maintains an extensive education and outreach program, designed to engage young people and the community at large in the arts. For more information, visit www.geffenplayhouse.com.

Selected Photo Coverage of Opening Night of Neil LaBute’s The Break of Noon:
broadway.com
broadwayworld.com
daylife.com
slantmagazine.com
AP

Other Articles by Lia Chang
John Earl Jelks is featured in MCC Theater’s world premiere of Neil LaBute’s The Break of Noon at the Lucille Lortel
Denise Burse, Rocky Carroll, Anthony Chisholm, John Earl Jelks and James A. Williams in Radio Golf by August Wilson at The Pearlstone Theater in Baltimore
Costume Designer Karen Perry- Audelco Nod for The Public Theatre’s Brother/Sister Trilogy by Tarell Alvin McCraney
Photos: Rick Shiomi Checks out Performing Arts Playwrights Series in the Asian American Pacific Islander Collection of Library of Congress; Attends “Asian American Plays for a New Generation” Book Signing in NY
Lia Chang Theater Portfolio at Library of Congress Features Photos of Thom Sesma’s Makeup Transformation as Scar in Disney’s The Lion King Las Vegas, Robert Lee and Leon Ko’s Heading East Starring BD Wong, David Henry Hwang’s Chinglish, and Samrat Chakrabarti and Sanjiv Jhaveri’s Bakwas Bumbug!
Photos & Video Disney’s The Lion King Las Vegas-In the Makeup Chair with Thom Sesma
Photo Call: BD Wong and the Cast of Heading East at the Asia Society
Multimedia: Promises, Promises’ Stars Kristin Chenoweth and Sean Hayes at Lord & Taylor Fifth Ave
Derek Walcott’s White Egrets Due Out March 2010
Yellow Face Reading & Book Signing w/ David Henry Hwang, Kathryn Layng, Francis Jue, w/ guest Edward Albee
Classical Theatre of Harlem’s Archbishop Supreme Tartuffe, MTC’s Ruined are Top Winners at 2009 Audelcos
Photo Call: Derek Walcott’s Marie Laveau
Click here for the Lia Chang Articles Archive.

All text, graphics, articles & photographs: © 2000-2010 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachang@hotmail.com.

John Earl Jelks, Lia Chang and Ruben Santiago-Hudson Photo by Charles Richard Barboza

Lia Chang is an actor, performance and fine art botanical photographer, an award-winning multimedia journalist.

As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden.

This year, selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space will become part of newly created LIA CHANG THEATER PHOTOGRAPHY PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, VIBE, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.

Lia Chang: Tony Award Nominee John Earl Jelks is featured in MCC Theater’s world premiere of Neil LaBute’s The Break of Noon at the Lucille Lortel

John Earl Jelks Photo by Lia Chang

I caught up with Tony Award nominee John Earl Jelks (Radio Golf, Gem of the Ocean) at the Lucille Lortel in New York, where he is featured in MCC Theater’s world premiere of Tony Award nominee Neil LaBute’s The Break of Noon, starring David Duchovny (“Californication,” “X-Files”) as an average Joe turned modern-day prophet, Amanda Peet (Barefoot in the Park, “Studio Sixty”) and Tracee Chimo (Bachelorette, Circle Mirror Transformation).

The Break of Noon, directed by frequent LaBute collaborator Jo Bonney (Some Girl(s), Fat Pig), which began previews on October 28, has been extended through December 22, 2010 at the Lucille Lortel Theatre (121 Christopher Street, NYC). Opening night is Monday, November 22, 2010. A co-production with the Geffen Playhouse, The Break of Noon will arrive in Los Angeles in January 2011.

The Break of Noon has set design by Neil Petal, lighting design by David Weiner, costume design by Emilio Sosa and sound design by Darron L. West.

The Break of Noon is Neil LaBute’s seventh collaboration with MCC Theater as Playwright-in-Residence, following the 2009 Tony Award-nominated Best Play, Reasons to be Pretty. Renowned for his darkly-comic morality plays (The Shape of Things, In a Dark Dark House), he teams up again with longtime collaborator, director Jo Bonney, for this exploration of the daunting, sometimes harrowing process of “finding religion.” Duchovny makes his New York stage debut as John Smith, a man who sees the face of God during a gruesome office shooting.

I last saw John Earl Jelks, who plays a lawyer and a detective in The Break of Noon, in his delightful turn as a bashful suitor in the Off-Broadway revival of Signature Theatre Company’s production of Leslie Lee’s The First Breeze of Summer starring Leslie Uggams and directed by Ruben Santiago-Hudson, for which he received a 2008 AUDELCO Award. Jelks received his Tony Award nomination for his performance as “Sterling” in August Wilson’s Radio Golf, which he also toured to the McCarter, Goodman, Center Stage, Seattle Rep., Mark Taper and Yale Repertory theaters. He also appeared with Phylicia Rashad on Broadway in August Wilson’s Gem of the Ocean a s “Citizen” (after runs at the Goodman, Huntington, and Mark Taper theaters, where he won an NAACP Theater Award and an L.A. Ovation Award). Regional theater credits include Fetch Clay, Make Man at the McCarter Theatre, the world stage premiere of the Shawshank Redemption at the Gaiety Theatre in Ireland, Magnolia at the Goodman Theatre, Joe Turner’s Come and Gone at the Penumbra Theatre Company and the Missouri Repertory Theatre, The Piano Lesson at the Lorraine Hansberry Theatre and Diary of a Black Man at the Union Square Theatre and the Shaw Theatre in London, England. Recently, Jelks played Detective Dillard in in Spike Lee’s film Miracle at St. Anna.

“I was thrilled to be cast in Neil LaBute’s latest work The Break of Noon,” said Jelks. “It is such a timely topic for him to address. I now understand why The New Yorker wrote ‘there is no playwright on the planet these days whose writing is better than Neil LaBute’.”

Performances are Tuesdays and Wednesdays at 7:00 p.m., Thursdays and Fridays at 8:00 p.m., Saturdays at 2:00 & 8:00 p.m. and Sundays at 3:00 & 7:30 p.m. through December 12, 2010. The show will play the following schedule for the extension due to the holiday:
Tuesday, December 14 at 7:00 p.m.
Wednesday, December 15 at 2:00 & 7:00 p.m.
Thursday, December 16 at 8:00 p.m.
Friday, December 17 at 8:00 p.m.
Saturday, December 18 at 2:00 & 8:00 p.m.
Sunday. December 19 at 3:00 p.m.
Monday, December 20 at 7:00 p.m.
Tuesday, December 21 at 7:00 p.m.
Wednesday, December 22 at 2:00 & 7:00 p.m.

Subscriptions for MCC’s 2010-2011 season are on-sale now and priced as low as $99 for the 3-play season. For more information visit www.mcctheater.org or to purchase packages, contact TicketCentral directly at www.ticketcentral.com or call 212-279-4200.

MCC Theater is one of New York City’s leading Off Broadway theater companies, committed to presenting New York and world premieres each season. When MCC Theater was founded in 1986, its mission was simple: to bring new theatrical voices to theater-going audiences. MCC Theater continues to accomplish this yearly through presentation of its mainstage works; its Literary Program, which actively seeks and develops new and emerging writers and its Education & Outreach Program, allowing more than 1,200 students yearly to experience theater, increase literacy and discover their own voices in the arts. Notable MCC Theater highlights include: the 2008 Tony Award-nominated Reasons to be Pretty by Neil LaBute, last season’s Fifty Words, the 2004 Tony-winning production of Bryony Lavery’s Frozen; Neil LaBute’s Fat Pig; Rebecca Gilman’s The Glory of Living; Marsha Norman’s Trudy Blue; Margaret Edson’s Pulitzer Prize-winning Wit; Tim Blake Nelson’s The Grey Zone and Alan Bowne’s Beirut. Over the years, the dedication to the work of new and emerging artists has earned MCC Theater a variety of awards. For a complete production history, visit www.mcctheater.org.

The Geffen Playhouse has been a hub of the Los Angeles theater scene since opening its doors in 1995. Noted for its intimacy and celebrated for its world-renowned mix of classic and contemporary plays, provocative new works and musicals, the Geffen Playhouse continues to present a body of work that has garnered national recognition. Named in honor of entertainment mogul and philanthropist David Geffen, who made the initial donation to the theater, the company is helmed by Producing Director and President of the Board Gilbert Cates, Artistic Director Randall Arney, Managing Director Ken Novice and Chairman of the Board Frank Mancuso. Proudly associated with UCLA, the Geffen Playhouse welcomes an audience of more than 130,000 each year, and maintains an extensive education and outreach program, designed to engage young people and the community at large in the arts. For more information, visit www.geffenplayhouse.com.

Other Articles by Lia Chang
Costume Designer Karen Perry- Audelco Nod for The Public Theatre’s Brother/Sister Trilogy by Tarell Alvin McCraney
André De Shields leads cast of Charles Smith’s Knock Me A Kiss at Abrons Arts Center, 11/11-12/5
MIAAC Screens Ashes & The Waiting City, two films featuring Samrat Chakrabarti at SVA Theater on 11/12
Kenny Endo 35th Anniversary Concert Tour through November 20
STORIES FROM CHINESE AMERICA: The Arthur Dong Collection, Vol. 2 as 4 disc DVD Box Set, Parties in LA (11/6) and SF (11/13)
Abingdon Theatre Company Presents the New York premiere of Reggie Cheong-Leen’s play, The Nanjing Race, 10/29-11/21
Lia Chang: Velina Hasu Houston’s Calligraphy Set for World Premiere at LATC, 11/10-12/12
Photos: Happy Birthday to My Niece Asia
Cindy Cheung in Will Eno’s Middleton at the Vineyard through 11/21
Denise Burse and Peter Jay Fernandez Featured in INTAR Reading of Andrew Dolan’s The Many Mistresses of Martin Luther King, 9/21-22
Photos & Video Disney’s The Lion King Las Vegas-In the Makeup Chair with Thom Sesma
Photo Call: BD Wong and the Cast of Heading East at the Asia Society
Multimedia: Promises, Promises’ Stars Kristin Chenoweth and Sean Hayes at Lord & Taylor Fifth Ave
Derek Walcott’s White Egrets Due Out March 2010
Classical Theatre of Harlem’s Archbishop Supreme Tartuffe, MTC’s Ruined are Top Winners at 2009 Audelcos
Photo Call: Derek Walcott’s Marie Laveau
Angela’s Mixtape Opening Night
Zooman and The Sign Opening Night Party
Celebrating Woodie King
Dionne Warwick and Woodie King Jr. honored by AMAS Musical Theatre in New York



All text, graphics, articles & photographs: © 2000-2010 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachang@hotmail.com.

Click here for the Lia Chang Articles Archive.

Lia Chang Photo by Brianne Planko

Lia Chang is an actor, performance and fine art botanical photographer, an award-winning multimedia journalist.

As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden.

This year, selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space will become part of newly created LIA CHANG THEATER PHOTOGRAPHY PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, VIBE, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.