The Old Globe’s Production Photos of George Takei, Lea Salonga, Telly Leung and Paolo Montalban in World Premiere of Allegiance – A New American Musical

The cast of the World Premiere of Allegiance - A New American Musical at The Old Globe. Photo by Henry DiRocco.

The cast of the World Premiere of Allegiance – A New American Musical at The Old Globe. Photo by Henry DiRocco.


Television and film icon George Takei, Tony Award-winning actress Lea Salonga, Telly Leung and Paolo Montalban lead the cast of the World premiere of Allegiance – A New American Musical, an epic story of family, love and patriotism set during the Japanese American internment of World War II, at The Old Globe, September 7 -October 21, 2012. Directed by Stafford Arima, with music and lyrics by Jay Kuo and book by Marc Acito, Kuo and Lorenzo Thione, the production features choreography by Andrew Palermo and music supervision, arrangements and orchestrations by Lynne Shankel. Performances for Allegiance – A New American Musical are on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe’s Conrad Prebys Theatre Center, in San Diego’s Balboa Park at 1363 Old Globe Way in San Diego. Opening night is Wednesday, Sept. 19 at 7:00 p.m. Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE or by visiting the Box Office at 1363 Old Globe Way in Balboa Park.
Michael K. Lee as Frankie Suzuki (center) with (from left) Kay Trinidad, MaryAnn Hu, Ann Sanders and Katie Boren in the World Premiere of Allegiance - A New American Musical at The Old Globe. Photo by Henry DiRocco.

Michael K. Lee as Frankie Suzuki (center) with (from left) Kay Trinidad, MaryAnn Hu, Ann Sanders and Katie Boren in the World Premiere of Allegiance – A New American Musical at The Old Globe. Photo by Henry DiRocco.


On the 60th anniversary of Pearl Harbor, a meeting with a young journalist forces WWII veteran Sam Kimura to remember his family’s relocation from their California farm to the Heart Mountain internment camp in Wyoming. As they struggle to adjust to their new home, Young Sam and his sister Kei find themselves torn between loyalty to their family and allegiance to their country. With its moving score, Allegiance – A New American Musical takes audiences on a journey into our nation’s history through the eyes of one American family.
George Takei as Sam Kimura in the World Premiere of Allegiance - A New American Musical at The Old Globe. Photo by Henry DiRocco.

George Takei as Sam Kimura in the World Premiere of Allegiance – A New American Musical at The Old Globe. Photo by Henry DiRocco.


George Takei portrays Sam Kimura, a former internee who revisits the ghosts of his past, and Ojii-san, the grandfather and pillar of strength of the Kimura family. Best known for portraying Mr. Sulu in the “Star Trek” series, Takei’s acting career has spanned more than five decades with more than 40 feature films and hundreds of television roles to his credit. Takei and his family, along with 120,000 other Japanese Americans, were unjustly incarcerated behind the barbed-wire enclosures of United States internment camps at the outbreak of World War II. Takei spent part of his childhood at Camp Rohwer in Arkansas and at Camp Tule Lake in Northern California. Meeting George Takei and hearing his personal story inspired Allegiance creators Jay Kuo and Lorenzo Thione to bring the story of the Japanese American internment to the stage.
Lea Salonga as Kei Kimura and George Takei as Ojii-san in the World Premiere of Allegiance - A New American Musical. Photo by Henry DiRocco.

Lea Salonga as Kei Kimura and George Takei as Ojii-san in the World Premiere of Allegiance – A New American Musical. Photo by Henry DiRocco.


Lea Salonga plays Kei Kimura, a young internee who falls in with a group of activists, and Hana Suzuki, the interviewer who impels Sam to delve into his memories. Salonga originated the role of Kim in the West End and Broadway productions of Miss Saigon, winning the Tony and Olivier Awards, among others. She was the first Asian to play Eponine in Les Misérables on Broadway, returned to the show in 2007 as Fantine and reprised the role for the sold-out 25th anniversary concert in London. Salonga’s feature film credits include the singing voice of Princess Jasmine in Aladdin and Fa Mulan in Mulan.
 Telly Leung as Sammy Kimura and Lea Salonga as Kei Kimura in the World Premiere of Allegiance - A New American Musical at The Old Globe. Photo by Henry DiRocco.


Telly Leung as Sammy Kimura and Lea Salonga as Kei Kimura in the World Premiere of Allegiance – A New American Musical at The Old Globe. Photo by Henry DiRocco.

Telly Leung is young Sammy Kimura, who is torn between fighting for his country and honoring his community – and his family. Leung most recently appeared in the Broadway revival of Godspell. His other Broadway credits include Flower Drum Song, Pacific Overtures and the final company of Rent. Leung also originated the role of Boq in the Chicago company of Wicked. His television and film credits include “Glee” (Wes, Dalton Academy Warblers) and Rent: Filmed Live on Broadway. His first solo CD, I’ll Cover You, will be released in the fall.
Paolo Montalban as Mike Masaoka in the World Premiere of Allegiance - A New American Musical at The Old Globe. Photo by Henry DiRocco.

Paolo Montalban as Mike Masaoka in the World Premiere of Allegiance – A New American Musical at The Old Globe. Photo by Henry DiRocco.


Joining the cast is Paolo Montalban as Mike Masaoka, the polarizing real-life leader who encouraged cooperation with the internment despite being Japanese American himself. Montalban is best known for playing the Prince in Wonderful World of Disney’s Cinderella and has appeared on Broadway in Pacific Overtures and The King and I.

The cast also features Michael K. Lee (Frankie Suzuki), Paul Nakauchi (Tatsuo Kimura) and Allie Trimm (Hannah Campbell) with Katie Boren, Jon Jon Briones, Geno Carr, Karl Josef Co, Marc de la Cruz, MaryAnn Hu, Brandon Joel Maier, Kürt Norby, Ann Sanders, Jill Townsend, Kay Trinidad and Scott Watanabe (Ensemble) and Jennifer Hubilla and Conrad Ricamora (Swings).

(center, from left) Lea Salonga as Kei Kimura, Telly Leung as Sammy Kimura, George Takei as Ojii-san and Paul Nakauchi as Tatsuo Kimura with the cast of the World Premiere of Allegiance - A New American Musical at The Old Globe. Photo by Henry DiRocco.

(center, from left) Lea Salonga as Kei Kimura, Telly Leung as Sammy Kimura, George Takei as Ojii-san and Paul Nakauchi as Tatsuo Kimura with the cast of the World Premiere of Allegiance – A New American Musical at The Old Globe. Photo by Henry DiRocco.


The creative team includes Donyale Werle (Scenic Design), Alejo Vietti (Costume Design), Howell Binkley (Lighting Design), Jonathan Deans (Sound Design), Darrel Maloney (Projection Design), Jan Gist (Dialect Coach) Telsey + Company (Casting) and Anjee Nero (Stage Manager).
Telly Leung as Sammy Kimura (center) with (from left) Jon Jon Briones, Scott Watanabe, Karl Josef Co and Marc de la Cruz in the World Premiere of Allegiance - A New American Musical at The Old Globe. Photo by Henry DiRocco.

Telly Leung as Sammy Kimura (center) with (from left) Jon Jon Briones, Scott Watanabe, Karl Josef Co and Marc de la Cruz in the World Premiere of Allegiance – A New American Musical at The Old Globe. Photo by Henry DiRocco.


The Old Globe is presenting a variety of supplemental seminars and exhibitions during the run of Allegiance that explore the history and significance of the Japanese American internment.

• INSIGHTS SEMINAR: ALLEGIANCE – Free Seminar
Monday, Sept. 17 at 7:00 p.m. (Reception at 6:30 p.m.)
Members of the creative team discuss the history of the production and the issues they faced in the creation of Allegiance. No RSVP is necessary for this FREE event.

• IN THEIR OWN WORDS: STORIES FROM FORMER INTERNEES – Free Seminar
Monday, Oct. 15 at 7:00 p.m. (Reception at 6:30 p.m.)
Former internees share their unique, first-hand perspective of the historical events that take place in Allegiance. (RSVPs are required for this FREE event. Email RSVP@theoldglobe.org to reserve a seat.)

• “THE TAG PROJECT” – Theater Lobby Installation by Artist Wendy Maruyama
Wendy Maruyama’s “The Tag Project” features groupings of ID tags resembling those worn by Japanese Americans as they were sent to the internment camps. Approximately 11 feet tall and weighing more than 100 pounds, each grouping contains enough tags to represent every person in one of the 10 U.S. internment camps.

• “ALLEGIANCE: A SAN DIEGO PERSPECTIVE” – Museum Exhibition
The Old Globe and the Japanese American Historical Society of San Diego present a museum exhibition throughout the run of Allegiance about the history of Japanese Americans who lived in San Diego prior to World War II and their removal to the internment camps. The exhibition will contain photographs, artifacts and materials about the internment and how it affected San Diego County and its citizens. Located in the Museum of Man Annex directly adjacent to the Old Globe Theatre, the exhibition is free to the public and will be open two hours prior to each performance.

TICKETS to Allegiance – A New American Musical can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE or by visiting the Box Office at 1363 Old Globe Way in Balboa Park. Performance times: Wednesday, Sept. 12 at 7:00 p.m, Thursday, Sept. 13 at 8:00 p.m., Friday, Sept. 14 at 8:00 p.m., Saturday, Sept. 15 at 8:00 p.m., Sunday, Sept. 16 at 7:00 p.m. and Tuesday, Sept. 18 at 7:00 p.m. Regular Performances: Tuesday and Wednesday evenings at 7:00 p.m., Thursday, Friday and Saturday evenings at 8:00 p.m., Saturday and Sunday matinees at 2:00 p.m. and Sunday evenings at 7:00 p.m. There will be no performance on Thursday, Oct. 11. Discounts are available for full-time students, patrons 29 years of age and under, seniors and groups of 10 or more.

Additional events taking place during the run of Allegiance – A New American Musical include:

POST-SHOW FORUMS: Allegiance
Tuesdays, Sept. 25 and Oct. 2, Wednesday, Oct. 10 and Saturday, Oct. 13 (matinee) FREE
Discuss the play with members of the Allegiance cast and crew at post-show discussions led by the Globe’s creative staff after the performances.

OUT AT THE GLOBE: Thursday, Sept. 20 at 6:30 p.m. $20
An evening for gay and lesbian theater lovers and the whole LGBT community, Out at the Globe includes a hosted wine and martini bar, appetizers and door prizes. Everyone is welcome. $20 per person. RSVP at (619) 23-GLOBE. (Tickets to Allegiance are sold separately.)

LOCATION: The Old Globe is located in San Diego’s Balboa Park at 1363 Old Globe Way. There are numerous free parking lots available throughout the park. Valet parking is also available ($10). For additional parking information visit www.BalboaPark.org.

The Tony Award-winning Old Globe is one of the country’s leading professional regional theaters and has stood as San Diego’s flagship arts institution for over 75 years. The Old Globe produces a year-round season of 15 productions of classic, contemporary and new works on its three Balboa Park stages: the Donald and Darlene Shiley Stage in the 600-seat Old Globe Theatre and the 250-seat Sheryl and Harvey White Theatre, both part of The Old Globe’s Conrad Prebys Theatre Center, and the 605-seat outdoor Lowell Davies Festival Theatre, home of its internationally renowned Shakespeare Festival. More than 250,000 people attend Globe productions annually and participate in the theater’s education and community programs. Numerous world premieres such as The Full Monty, Dirty Rotten Scoundrels, A Catered Affair and the annual holiday musical, Dr. Seuss’ How the Grinch Stole Christmas!, have been developed at The Old Globe and have gone on to enjoy highly successful runs on Broadway and at regional theaters across the country.

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George Takei, Lea Salonga, Telly Leung and Paolo Montalban star in the World Premiere of Allegiance – A New American Musical at The Old Globe, September 7 – October 21, 2012
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Lia Chang

Lia Chang


Lia Chang is an actor, a performance and fine art botanical photographer, and an award-winning multi-platform journalist.
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George Takei, Lea Salonga, Telly Leung and Paolo Montalban star in the World Premiere of Allegiance – A New American Musical at The Old Globe, September 7 – October 21, 2012

The Old Globe is presenting the World Premiere of Allegiance – A New American Musical, an epic story of family, love and patriotism set during the Japanese American internment of World War II. Directed by Stafford Arima, with music and lyrics by Jay Kuo and book by Marc Acito, Kuo and Lorenzo Thione, the production features choreography by Andrew Palermo and music supervision, arrangements and orchestrations by Lynne Shankel. Allegiance – A New American Musical will run on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe’s Conrad Prebys Theatre Center, Sept. 7 – Oct. 21, 2012. Preview performances run Sept. 7 – Sept. 18. Opening night is Wednesday, Sept. 19 at 7:00 p.m. Tickets are currently available by subscription only. Single tickets go on sale Friday, Aug. 10 at 12 noon. Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE or by visiting the Box Office at 1363 Old Globe Way in Balboa Park.

(from left) George Takei will star as Sam Kimura and Ojii-san, Lea Salonga as Kei Kimura and Hana Suzuki, Paolo Montalban as Mike Masaoka, Allie Trimm as Hannah Campbell and Telly Leung as Sammy Kimura in the World Premiere of Allegiance - A New American Musical, with music and lyrics by Jay Kuo and book by Marc Acito, Kuo and Lorenzo Thione, directed by Stafford Arima, Sept. 7 - Oct. 21, 2012 at The Old Globe. Photo by Henry DiRocco.

(from left) George Takei will star as Sam Kimura and Ojii-san, Lea Salonga as Kei Kimura and Hana Suzuki, Paolo Montalban as Mike Masaoka, Allie Trimm as Hannah Campbell and Telly Leung as Sammy Kimura in the World Premiere of Allegiance – A New American Musical, with music and lyrics by Jay Kuo and book by Marc Acito, Kuo and Lorenzo Thione, directed by Stafford Arima, Sept. 7 – Oct. 21, 2012 at The Old Globe. Photo by Henry DiRocco.


On the 60th anniversary of Pearl Harbor, a meeting with a young journalist forces WWII veteran Sam Kimura to remember his family’s relocation from their California farm to the Heart Mountain internment camp in Wyoming. As they struggle to adjust to their new home, Young Sam and his sister Kei find themselves torn between loyalty to their family and allegiance to their country. With its moving score, Allegiance – A New American Musical takes audiences on a journey into our nation’s history through the eyes of one American family.

Television and film icon George Takei, Tony Award-winning actress Lea Salonga, Telly Leung and Paolo Montalban lead the cast of of Allegiance – A New American Musical.

George Takei will play Sam Kimura, a former internee who revisits the ghosts of his past, and Ojii-san, the grandfather and pillar of strength of the Kimura family. Best known for portraying Mr. Sulu in the “Star Trek” series, Takei’s acting career has spanned more than five decades with more than 40 feature films and hundreds of television roles to his credit. Takei and his family, along with 120,000 other Japanese Americans, were unjustly incarcerated behind the barbed-wire enclosures of United States internment camps at the outbreak of World War II. Takei spent part of his childhood at Camp Rohwer in Arkansas and at Camp Tule Lake in Northern California. Meeting George Takei and hearing his personal story inspired Allegiance creators Jay Kuo and Lorenzo Thione to bring the story of the Japanese American internment to the stage.

Lea Salonga will appear as Kei Kimura, a young internee who falls in with a group of activists, and Hana Suzuki, the interviewer who impels Sam to delve into his memories. Salonga originated the role of Kim in the West End and Broadway productions of Miss Saigon, winning the Tony and Olivier Awards, among others. She was the first Asian to play Eponine in Les Misérables on Broadway, returned to the show in 2007 as Fantine and reprised the role for the sold-out 25th anniversary concert in London. Salonga’s feature film credits include the singing voice of Princess Jasmine in Aladdin and Fa Mulan in Mulan.

Telly Leung will play young Sammy Kimura, who is torn between fighting for his country and honoring his community – and his family. Leung most recently appeared in the Broadway revival of Godspell. His other Broadway credits include Flower Drum Song, Pacific Overtures and the final company of Rent. Leung also originated the role of Boq in the Chicago company of Wicked. His television and film credits include “Glee” (Wes, Dalton Academy Warblers) and Rent: Filmed Live on Broadway. His first solo CD, I’ll Cover You, will be released in the fall.

Joining the cast is Paolo Montalban as Mike Masaoka, the polarizing real-life leader who encouraged cooperation with the internment despite being Japanese American himself. Montalban is best known for playing the Prince in Wonderful World of Disney’s Cinderella and has appeared on Broadway in Pacific Overtures and The King and I.

The cast also features Michael K. Lee (Frankie Suzuki), Paul Nakauchi (Tatsuo Kimura) and Allie Trimm (Hannah Campbell) with Katie Boren, Jon Jon Briones, Geno Carr, Karl Josef Co, Marc de la Cruz, MaryAnn Hu, Brandon Joel Maier, Kürt Norby, Ann Sanders, Jill Townsend, Kay Trinidad and Scott Watanabe (Ensemble) and Jennifer Hubilla and Conrad Ricamora (Swings).

The creative team includes Donyale Werle (Scenic Design), Alejo Vietti (Costume Design), Howell Binkley (Lighting Design), Jonathan Deans (Sound Design), Darrel Maloney (Projection Design), Jan Gist (Dialect Coach) Telsey + Company (Casting) and Anjee Nero (Stage Manager).

The cast and creative team of Allegiance: (back row, from left) actors Jon Jon Briones, Michael K. Lee, Marc de la Cruz, Scott Watanabe, Conrad Ricamora, Brandon Joel Maier and Kurt Norby and co-book writer Lorenzo Thione; (middle row) choreographer Andrew Palmero, music director Laura Bergquist, music supervisor, arranger and orchestrator Lynne Shankel, actors Jill Townsend, Paul Nakauchi, Ann Sanders, Geno Carr, MaryAnn Hu, Paolo Montalban, Telly Leung and Jennifer Hubilla, composer, lyricist and co-book writer Jay Kuo and co-book writer Marc Acito; (front row) actors Kay Trinidad, Katie Boren and Lea Salonga, director Stafford Arima and actors George Takei and Allie Trimm. The World Premiere of Allegiance - A New American Musical, with music and lyrics by Jay Kuo and book by Marc Acito, Kuo and Lorenzo Thione, directed by Stafford Arima, will run Sept. 7 - Oct. 21, 2012 at The Old Globe. Photo by Henry DiRocco.

The cast and creative team of Allegiance: (back row, from left) actors Jon Jon Briones, Michael K. Lee, Marc de la Cruz, Scott Watanabe, Conrad Ricamora, Brandon Joel Maier and Kurt Norby and co-book writer Lorenzo Thione; (middle row) choreographer Andrew Palmero, music director Laura Bergquist, music supervisor, arranger and orchestrator Lynne Shankel, actors Jill Townsend, Paul Nakauchi, Ann Sanders, Geno Carr, MaryAnn Hu, Paolo Montalban, Telly Leung and Jennifer Hubilla, composer, lyricist and co-book writer Jay Kuo and co-book writer Marc Acito; (front row) actors Kay Trinidad, Katie Boren and Lea Salonga, director Stafford Arima and actors George Takei and Allie Trimm. The World Premiere of Allegiance – A New American Musical, with music and lyrics by Jay Kuo and book by Marc Acito, Kuo and Lorenzo Thione, directed by Stafford Arima, will run Sept. 7 – Oct. 21, 2012 at The Old Globe. Photo by Henry DiRocco.


The Old Globe will present a variety of supplemental seminars and exhibitions during the run of Allegiance that explore the history and significance of the Japanese American internment.

• INTERNMENT: THE SAN DIEGO EXPERIENCE – Free Seminar
Monday, Sept. 10 at 7:00 p.m. (Reception at 6:30 p.m.)
Learn how the Japanese American internment affected San Diego County, where over 2,000 citizens were put into the camps, at this informative seminar. (RSVPs are required for this FREE event. Email RSVP@theoldglobe.org to reserve a seat.)

• INSIGHTS SEMINAR: ALLEGIANCE – Free Seminar
Monday, Sept. 17 at 7:00 p.m. (Reception at 6:30 p.m.)
Members of the creative team discuss the history of the production and the issues they faced in the creation of Allegiance. No RSVP is necessary for this FREE event.

• IN THEIR OWN WORDS: STORIES FROM FORMER INTERNEES – Free Seminar
Monday, Oct. 15 at 7:00 p.m. (Reception at 6:30 p.m.)
Former internees share their unique, first-hand perspective of the historical events that take place in Allegiance. (RSVPs are required for this FREE event. Email RSVP@theoldglobe.org to reserve a seat.)

• “THE TAG PROJECT” – Theater Lobby Installation by Artist Wendy Maruyama
Wendy Maruyama’s “The Tag Project” features groupings of ID tags resembling those worn by Japanese Americans as they were sent to the internment camps. Approximately 11 feet tall and weighing more than 100 pounds, each grouping contains enough tags to represent every person in one of the 10 U.S. internment camps.

• “ALLEGIANCE: A SAN DIEGO PERSPECTIVE” – Museum Exhibition
The Old Globe and the Japanese American Historical Society of San Diego present a museum exhibition throughout the run of Allegianceabout the history of Japanese Americans who lived in San Diego prior to World War II and their removal to the internment camps. The exhibition will contain photographs, artifacts and materials about the internment and how it affected San Diego County and its citizens. Located in the Museum of Man Annex directly adjacent to the Old Globe Theatre, the exhibition is free to the public and will be open two hours prior to each performance.

Marc Acito (Book) wrote the book and additional lyrics for the Globe’s world premiere production of A Room with a View. Acito’s play Birds of a Feather, which tells the true story of the nationwide controversy caused by gay penguins in the Central Park Zoo, won the Helen Hayes Award for Outstanding New Play or Musical for its world premiere at The Hub Theatre. Birds of a Feather will appear next at Diversionary Theatre. Acito will also return to the Hub to create a stage monologue adaptation of his first novel, How I Paid for College: A Novel of Sex, Theft, Friendship and Musical Theater, which won the Ken Kesey Award for Fiction, was Editors’ Choice by The New York Times and was a Top Teen Pick by the American Library Association. Translated into five languages, it also inspired a sequel, Attack of the Theater People. A former professional opera singer, Acito regularly performs “singing commentaries” on National Public Radio’s “All Things Considered” and has written about theater for The New York Times, Playbill and American Theatre.

Jay Kuo (Music, Lyrics and Book) marks his fourth musical with Allegiance. His composing career began at Stanford where he wrote and produced Upwardly Mobile, a coming of age story. Kuo’s second musical comedy, Insignificant Others, played from 2006-2008 in San Francisco at the New Conservatory Theatre Center, Zeum and Theatre 39 and won the Bay Area Theatre Critics Circle Award for Best Original Script. His third work, Worlds Apart, about star-crossed lovers in the cultural divide, performed in concert at San Francisco’s Magic Theatre in late 2006 and in New York City at New World Stages in 2008. Kuo has also been part of the producing teams of many Broadway shows and national tours.

Lorenzo Thione (Book) began working on Allegiance in 2008 alongside friend and composer Jay Kuo following an encounter with George Takei, whose experience in the internment camps inspired them to write a musical about this dark and mostly unknown chapter of American history. Thione is also a serial entrepreneur, theater producer and community activist and was the co-founder of Powerset, Inc., an internet search company that was acquired by Microsoft in 2008 and whose technology was subsequently re-launched as part of Bing. He is the co-founder, chairman and president of Artify It, an internet-based startup that is bringing high-quality contemporary art within the reach of everyone. Thione has also co-founded and helped grow StartOut, a national non-profit organization dedicated to fostering and developing the next generation of entrepreneurs and business leaders within the LGBT community. Thione serves on the board of trustees of StartOut and of several companies in the U.S. and abroad.

Stafford Arima (Director) previously directed Ace at the Globe. He was nominated for an Olivier Award for his direction of the West End premiere of Ragtime. He recently directed the first revival of the infamous Broadway musical Carrie (MCC Theater). His other work includes Altar Boyz (Outstanding Off Broadway Musical Outer Critics Circle Award and seven Drama Desk Award nominations), The Tin Pan Alley Rag (nominated for an Outer Critics Circle Award as Outstanding Off Broadway Musical, Roundabout Theatre Company), Jacques Brel Is Alive and Well and Living In Paris (Stratford Shakespeare Festival), Candide (San Francisco Symphony), The Secret Garden (World AIDS Day concert), Bright Lights, Big City (Prince Music Theater), A Tribute to Stephen Sondheim (Boston Pops), Guys and Dolls (Paper Mill Playhouse), Abyssinia (Goodspeed Musicals), Bowfire (PBS television special), The Princess and the Black-Eyed Pea (San Diego Repertory Theatre), Children’s Letters to God (Off Broadway) and Marry Me a Little (Cincinnati Playhouse in the Park). His projects in development include A Separate Peace (based on John Knowles’ novel) and Bare.

Andrew Palermo (Choreography) previously choreographed the Globe production of Ace. He is the Founding Artistic Director of dre.dance, an American contemporary dance company. In addition to concert dance, Palermo’s stage direction and choreography credits include Kristin Chenoweth at Carnegie Hall, The Frank Loesser Songbook with New York Philharmonic (Lincoln Center for the Performing Arts), The Mikado (Carnegie Hall), Lyrics & Lyricists (92nd Street Y), The Aluminum Show (international tour), V-Day (Urban Stages), Journey to the West (37 Arts), Great Joy (New Amsterdam Theatre), Esther Demsack (Summer Play Festival/The Public Theater), DanceBreak 2011, Ace (Cincinnati Playhouse in the Park, The Repertory Theatre of St. Louis), Bright Lights, Big City (Prince Music Theater), Vices (Theatre Aspen), Elton John and Tim Rice’s Aida (Music Theatre of Wichita), Man of La Mancha (Music Circus), For the Record: Paul Thomas Anderson (Rockwell: Table & Stage), The Two Gentlemen of Verona (University of Cincinnati College-Conservatory of Music), Hairspray (American Musical and Dramatic Academy Los Angeles), She Loves Me (Westminster Choir College) and Hair and The Wild Party (Wichita State University). He is also working on the upcoming production of The Other Josh Cohen (York Theatre Company).

Lynne Shankel (Music Supervision, Arrangements and Orchestrations) has written orchestrations and arrangements for San Francisco Symphony featuring Bonnie Raitt, The Dallas Opera Orchestra featuring George Hearn and Tony Bennett’s famed 80th birthday celebration at the Kodak Theatre in Los Angeles. She was music director/arranger for the Broadway production of Cry-Baby as well as the resident music supervisor for the Tony Award-winning revival of Company, for which she conducted the Grammy Award-nominated cast album. She was music director/arranger for the Off Broadway hit Altar Boyz, for which she received a Drama Desk Award nomination for Outstanding Orchestrations. Shankel was music supervisor for the San Francisco premiere of The World of Nick Adams at (Davies Symphony Hall). Her other Broadway credits include Disney’s Beauty and the Beast, You’re a Good Man, Charlie Brown and The Lion King. Her Off Broadway credits include Vanities, Altar Boyz, The Thing About Men, Summer of ’42 (music direction, vocal arrangements and orchestrations), The Cocoanuts and Milk and Honey. Shankel has worked regionally on Band Geeks! (Goodspeed Musicals), Pop!(Yale Repertory Theatre), Cry-Baby (La Jolla Playhouse), Party Come Here and The Opposite of Sex (Williamstown Theatre Festival), Vanities (Pasadena Playhouse, TheatreWorks), Princesses (The 5th Avenue Theatre, Goodspeed), Tom Jones (North Shore Music Theatre), Summer of ’42 (Goodspeed, TheatreWorks), Twelfth Night (Long Wharf Theatre) and Rough Crossing and Camino Real (Hartford Stage). Her recordings include New York City Christmas (Sh-K-Boom Records), Betty Buckley: Heart to Heart (KO Records), Altar Boyz (Sh-K-Boom), Summer of ’42 (Jay Records) and Lauren Kennedy: Here and Now (PS Classics).

TICKETS to Allegiance – A New American Musical can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE or by visiting the Box Office at 1363 Old Globe Way in Balboa Park. Tickets are currently available by subscription only. Single tickets will go on sale on Friday, Aug. 10 at 12 noon. Performances begin on Sept. 7 and continue through Oct. 21. Ticket prices start at $39. Performance times: Previews: Friday, Sept. 7 at 8:00 p.m., Saturday, Sept. 8 at 8:00 p.m., Sunday, Sept. 9 at 7:00 p.m., Tuesday, Sept. 11 at 7:00 p.m., Wednesday, Sept. 12 at 7:00 p.m, Thursday, Sept. 13 at 8:00 p.m., Friday, Sept. 14 at 8:00 p.m., Saturday, Sept. 15 at 8:00 p.m., Sunday, Sept. 16 at 7:00 p.m. and Tuesday, Sept. 18 at 7:00 p.m. Regular Performances: Tuesday and Wednesday evenings at 7:00 p.m., Thursday, Friday and Saturday evenings at 8:00 p.m., Saturday and Sunday matinees at 2:00 p.m. and Sunday evenings at 7:00 p.m. There will be no performance on Thursday, Oct. 11. Discounts are available for full-time students, patrons 29 years of age and under, seniors and groups of 10 or more.

Additional events taking place during the run of Allegiance – A New American Musical include:

POST-SHOW FORUMS: Allegiance
Tuesdays, Sept. 25 and Oct. 2, Wednesday, Oct. 10 and Saturday, Oct. 13 (matinee) FREE
Discuss the play with members of the Allegiance cast and crew at post-show discussions led by the Globe’s creative staff after the performances.

OUT AT THE GLOBE: Thursday, Sept. 20 at 6:30 p.m. $20
An evening for gay and lesbian theater lovers and the whole LGBT community, Out at the Globe includes a hosted wine and martini bar, appetizers and door prizes. Everyone is welcome. $20 per person. RSVP at (619) 23-GLOBE. (Tickets to Allegiance are sold separately.)

LOCATION: The Old Globe is located in San Diego’s Balboa Park at 1363 Old Globe Way. There are numerous free parking lots available throughout the park. Valet parking is also available ($10). For additional parking information visit www.BalboaPark.org.

The Tony Award-winning Old Globe is one of the country’s leading professional regional theaters and has stood as San Diego’s flagship arts institution for over 75 years. The Old Globe produces a year-round season of 15 productions of classic, contemporary and new works on its three Balboa Park stages: the Donald and Darlene Shiley Stage in the 600-seat Old Globe Theatre and the 250-seat Sheryl and Harvey White Theatre, both part of The Old Globe’s Conrad Prebys Theatre Center, and the 605-seat outdoor Lowell Davies Festival Theatre, home of its internationally renowned Shakespeare Festival. More than 250,000 people attend Globe productions annually and participate in the theater’s education and community programs. Numerous world premieres such as The Full Monty, Dirty Rotten Scoundrels, A Catered Affair and the annual holiday musical, Dr. Seuss’ How the Grinch Stole Christmas!, have been developed at The Old Globe and have gone on to enjoy highly successful runs on Broadway and at regional theaters across the country.

CAST BIOGRAPHIES

Katie Boren

Katie Boren

KATIE BOREN (Ensemble) has appeared on Broadway in Lysistrata Jones, and her other theater credits include The 25th Annual Putnam County Spelling Bee, Avenue Q and Miss Saigon. Boren is a member of Actors’ Equity Association and is a graduate of Ithaca College.
Jon Jon Briones

Jon Jon Briones


JON JON BRIONES (Ensemble) appeared in London in the original cast of Miss Saigon. He has played The Engineer in Miss Saigon in Germany, U.S. Tour, U.K. Tour, Asian Tour, Philippines and the closing season in London. Recently he played the title character in The Romance of Magno Rubio ([Inside] the Ford, LA Weekly Theater Award nomination for Leading Male Performance). His favorite theater credits include Fredrik in A Little Night Music (East West Players), Yellow Face (Center Theater Group), Lukas in Peregrinasyon (Ma-Yi Theater Company), Tateh in Ragtime, Enjolras in Les Misérables and Laertes in Hamlet. His favorite television credits include Cosme Caliyag on “Las Vegas” (recurring), Asian Elvis on “Sons of Anarchy,” “Miami Medical,” “Monk” and “Southland.” His recent film credits include Mr. Fan in Model Home, Father Mena in Blood Ransom, Raul in Nico’s Sampaguita and Genie in Sinbad: The Fifth Voyage.
Geno Carr

Geno Carr


GENO CARR (Ensemble) returns to The Old Globe after playing Papa Who in last year’s Dr. Seuss’ How the Grinch Stole Christmas! In San Diego he has been seen in The Servant of Two Masters (Craig Noel Award nomination), The Music Man and miXtape (Lamb’s Players Theatre), Parade, Little Shop of Horrors and Sweeney Todd (Cygnet Theatre Company), I Love You Because and A Christmas Carol (‘08/’09) (North Coast Repertory Theatre) and A Waltz Dream (Lyric Opera San Diego). Carr has appeared Off Broadway in Bush Wars and on the National Tours of Phantom, The Buddy Holly Story and Grease, and his favorite regional credits include The Producers, The Full Monty, Forever Plaid, Peter Pan and South Pacific.
Karl Josef Co

Karl Josef Co


KARL JOSEF CO (Ensemble) made his professional theater debut in last year’s workshop of Allegiance. He was most recently seen as Thuy in Miss Saigon (Fulton Theatre). His other credits include Costs of Living (Stephen Schwartz/ASCAP workshop co-starring Telly Leung), Suites by Sondheim concert with Lea Salonga and Paolo Montalban (Lincoln Center for the Performing Arts) and The King and I with Lorenzo Lamas (North Shore Music Theatre).
Marc de la Cruz

Marc de la Cruz


MARC DE LA CRUZ (Ensemble) is making his debut at The Old Globe. His theatre credits include the award-winning Prison Dancer (New York Musical Theatre Festival 2012, Outstanding Ensemble Performance), Disney’s High School Musical (First National Tour), Where Elephants Weep (Cambodia), David Byrne’s Here Lies Love (The Public Theater), The 25th Annual Putnam County Spelling Bee and Making Tracks (San Jose Repertory Theatre), Miss Saigon (North Carolina Theatre), Pippin (The 5th Avenue Theatre) and The Wedding Banquet (Village Theatre and Asia Tour).
MaryAnn Hu

MaryAnn Hu


MARYANN HU (Ensemble) has television and film credits that include SooLin on the NBC sitcom “Whoopi,” “Law & Order,” “Falling for Grace” and the upcoming “De Loba.” Her Broadway credits include Bloody Mary understudy in the original cast of Lincoln Center Theater’s revival of South Pacific, as well as having played the role on the First National Tour. She also appeared on Broadway and in the National Tour of Miss Saigon. Her Off Broadway and regional credits include Cordelia in Falsettoland (National Asian American Theatre Company), The Audience (Transport Group), The Beautiful Warrior (Vineyard Theatre), The Yellow Wood directed by BD Wong (New York Musical Theatre Festival), Heading East, Mrs. Mullin in Carousel directed by Baayork Lee (National Asian Artists Project), Tuptim in The King and I and Song of Singapore. Her workshop credits include Bruce Lee: Journey to the West directed by Bartlett Sher, Frank Wildhorn’s Tears of Heaven, originating the role of Madame Du in Maury Yeston’s Peony Pavilion, Please Don’t Eat the Daisies and The Wedding Singer.
Jennifer Hubilla

Jennifer Hubilla


JENNIFER HUBILLA (Swing) has played the lead role of Kim in the U.S. Tour of Miss Saigon. She was invited by Sir Cameron Mackintosh to join the U.K. Tour, where she again played the role of Kim. She then worked in the U.K. four years as a singer, actress and voice-over artist. Her other theater credits include Aladdin, Tea, A Little Night Music, Marry Me a Little, Songs for a New World and The Fantasticks, among others. Her voice-over credits include Flashbacks of a Fool starring Daniel Craig and Wild Child starring Emma Roberts. She played the lead in several short films, one of them titled By the Water’s Edge, which premiered at the Cannes Film Festival. Hubilla also recently did a KFC commercial that is now on air.
Michael K. Lee

Michael K. Lee


MICHAEL K. LEE (Frankie Suzuki) has appeared on Broadway as Kayama in Pacific Overtures, Simon in Jesus Christ Superstar, Steve in Rent and Thuy in Miss Saigon. His international credits include Chris in Miss Saigon in Korea, Where Elephants Weep in Cambodia, They’re Playing Our Song opposite Lea Salonga in the Philippines and A Twist of Fate opposite Laura Michelle Kelly in Singapore. In the U.S., he has successfully broken down traditional casting barriers, performing Tommy in The Who’s Tommy (Seattle Footlight Award for Best Actor in a Musical), Jesus and Judas in Jesus Christ Superstar and Aladdin in Disney’s Aladdin: A Musical Spectacular. His other U.S. credits include The Last Five Years (2009 Ovation Award nomination for Lead Actor in a Musical), The King and I, Making Tracks, Heading East, Mame (Hollywood Bowl), The Wedding Banquet, A Funny Thing Happened on the Way to the Forum, Could It Be Magic? The Barry Manilow Songbook, The Music of Andrew Lloyd Webber, Beijing Spring and Sweeney Todd.
Telly Leung

Telly Leung


TELLY LEUNG (Sammy Kimura) most recently appeared in the Broadway revival of Godspell. His other Broadway credits include Flower Drum Song (2002 revival), Stephen Sondheim’s Pacific Overtures (2005 revival) and the final company of Rent. He originated the role of Boq in the Chicago company of Wicked. His favorite credits include Angel in Rent directed by Neil Patrick Harris (Hollywood Bowl), Song Liling in M. Butterfly (Philadelphia Theatre Company), the world premiere of Give It Up! aka Lysistrata Jones (Dallas Theater Center), Godspell (Paper Mill Playhouse), Bernstein: Mass (Baltimore Symphony, The Kennedy Center, Carnegie Hall), Harold Bride in Titanic and Barnaby in Hello, Dolly! (The Muny), Simon in Jesus Christ Superstar (Music Circus), Thuy in Miss Saigon (Pittsburgh Civic Light Opera) and Lun Tha in The King and I with Lou Diamond Philips (North Carolina Theatre). Leung has been featured on the recordings for Godspell (Sh-K-Boom Records), Flower Drum Song (DRG Records), Pacific Overtures (PS Classics), Wall to Wall Sondheim (Live from Symphony Space), Dear Edwina (PS Classics) and the Grammy Award-nominated Bernstein: Mass with Marin Alsop (Sony/Naxos). His television and film credits include “Glee” (Wes, Dalton Academy Warblers), “Law & Order: Criminal Intent” and Rent: Filmed Live on Broadway. Next he will be releasing his first solo CD, I’ll Cover You (produced by Yellow Sound Label).
Brandon Joel Maier

Brandon Joel Maier


BRANDON JOEL MAIER (Ensemble) is making his debut at The Old Globe in Allegiance. His San Diego regional work includes Leo Frank in Parade and Seymour in Little Shop of Horrors (Cygnet Theatre Company), Emmett Forrest in Legally Blonde (Moonlight Stage Productions) and Chip Tolentino in The 25th Annual Putnam County Spelling Bee and I Love You Because (North Coast Repertory Theatre). His directing credits include Little Women, Rumors, Les Misérables and I Love You Because (assistant director). Maier also conceived, compiled and directed the San Diego State University fairy-tale revues WISH: A Musical Revue and WISH II: Villains and Sidekicks.
Paolo Montalban

Paolo Montalban


PAOLO MONTALBAN (Mike Masaoka) most recently starred in Honk! at Two River Theater Company. His Broadway credits include Pacific Overtures and The King and I. He has appeared Off Broadway in The Romance of Magno Rubio and Two Gentlemen of Verona. His regional credits include Flower Drum Song, Nero, The Boys from Syracuse and The Long Season. Montalban is best known for playing the Prince in the ABC/Wonderful World of Disney movie musical Cinderella opposite Brandy. His other television and film credits include Kung Lao in the TNT series “Mortal Kombat: Conquest,” supporting and featured roles in “One Life To Live,” “Law & Order: Special Victims Unit,” Camelot for “Live from Lincoln Center,” Sondheim! The Birthday Concert,American Adobo, The Great Raid and Just Wright. He performed as a guest artist with the San Francisco Symphony and as a soloist in the Suites by Sondheim concert at Alice Tully Hall.
Paul Nakauchi

Paul Nakauchi


PAUL NAKAUCHI (Tatsuo Kimura) began his theater career in the National Tour of The King and I with Yul Brynner. He understudied and performed the role of The King of Siam on Broadway in the 1996 revival opposite Donna Murphy. He also played The King on London’s West End with Elaine Paige. Most recently he toured Asia in the Broadway Asia production of The King and I, recreating the same role. He toured the U.S. in the First National Tour of Miss Saigon understudying and playing the role of The Engineer. His movie credits include The Great Race and Dark Metropolis, and he has been seen on television in “ER,” “The Young and the Restless,” “General Hospital,” “Saturday Night Live,” and “Knots Landing.” His voice inhabits characters in the animated features The Invincible Iron Man, Doctor Strange and Alpha and Omega and the television cartoons “Avatar: The Last Airbender” and “Batman: The Brave and the Bold,” as well as numerous video games including Cars 2, Call of Duty: World at War and the soon-to-be-released Lost Planet 3, to name a few.
Kurt Norby

Kurt Norby


KÜRT NORBY (Ensemble) has appeared regionally in Dr. Seuss’ How the Grinch Stole Christmas! (The Old Globe), Limelight: The Story of Charlie Chaplin and Zhivago (La Jolla Playhouse), Man of La Mancha and Sweeney Todd (Cygnet Theatre Company), miXtape, Leaving Iowa, Room Service, Hello, Dolly!, The Voysey Inheritance and The Winslow Boy (Lamb’s Players Theatre), Evita, The Desert Song and Bye Bye Birdie (Welk Resorts Theatre), Beauty and the Beast (Moonlight Amphitheater), Suds: The Rocking ‘60s Musical Soap Opera, Urinetown, Fiddler on the Roof and The Scarlet Pimpernel (Starlight Musical Theatre) and Miss Saigon (Fullerton Civic Light Opera). His film credits include 29th & Gay, U R Pre-Approved and Rubix Cube Dinner.
Conrad Ricamora

Conrad Ricamora


CONRAD RICAMORA (Swing) is making his Globe debut. Regionally he has appeared at Walnut Street Theatre, Prince Music Theater, Utah Shakespeare Festival, Williamstown Theatre Festival, North Carolina Shakespeare Festival and Clarence Brown Theatre Company. Ricamora just played Ninoy Aquino in a two-month collaboration with David Byrne and Alex Timbers in the creation of the new show Here Lies Love. He will continue this work next March in the full-scale production at The Public Theater. He also appears in Talladega Nights with Will Ferrell.
Lea Salonga

Lea Salonga


LEA SALONGA (Kei Kimura, Hana Suzuki) is a Filipina singer/actress best known for originating the role of Kim in the West End production of Miss Saigon and bringing it to Broadway, winning the Tony and Olivier Awards, among others. She was the first Asian to play Eponine in Les Misérables on Broadway, returned to the show in 2007 as Fantine and reprised the role for the sold-out 25th anniversary concert in London. Salonga wowed audiences and critics in her first ever cabaret show at New York’s famed Café Carlyle in 2010 and returned in 2011 for another engagement. In August 2011, she released a live version of her 2010 concert, “Lea Salonga: The Journey So Far,” and it rose to #3 on the iTunes Jazz charts. Honored with an appointment as a United Nations Food and Agriculture Organization Goodwill Ambassador in October of 2010, Lea has vowed to act as advocate for the Youth and United Nations Global Alliance initiative. Salonga’s feature film credits include the singing voice of Princess Jasmine in Aladdin and Fa Mulan in Mulan and Mulan II. In honor of her portrayal of the beloved princesses, Disneyland bestowed upon Salonga the honor of Disney Legend in the summer of 2011.
Ann Sanders

Ann Sanders


ANN SANDERS (Ensemble) has appeared on Broadway as Belle in Disney’s Beauty and the Beast, Christmas Eve in Avenue Q and most recently in Leap of Faith. Internationally she made her debut as Ellen in Cameron Mackintosh’s Miss Saigon and was seen in the National Tour of Lincoln Center Theater’s South Pacific. Sanders portrayed the role of Trina for the Off Broadway production of Falsettoland (National Asian American Theatre Company at Vineyard Theatre). Her regional credits include roles in The King and I with Lou Diamond Phillips, Hair, Carousel, Man of La Mancha, Showboat, The Marvelous Wonderettes and It’s a Grand Night for Singing. Her television credits include CBS’s “Unforgettable” and “As the World Turns,” Showtime’s “The Big C,” ABC’s “All My Children” and Disney’s “Johnny and the Sprites.” As a soloist she has performed at the Morton H. Meyerson Symphony Center in Dallas, Symphony Space in New York and Carnegie Hall.
George Takei

George Takei


GEORGE TAKEI (Sam Kimura, Ojii-san) and his family, along with 120,000 other Japanese Americans, were unjustly incarcerated behind the barbed-wire enclosures of United States internment camps with the outbreak of World War II. Takei spent most of his childhood at Camp Rohwer in Arkansas and at Camp Tule Lake in northern California. At the end of the war, Takei and his family returned to his native Los Angeles where Takei graduated from Los Angeles High School and received his bachelor’s and master’s degrees from UCLA. Takei’s acting career has spanned more than five decades with more than 40 feature films and hundreds of television roles to his credit. He is best known for portraying Mr. Sulu in the “Star Trek” television and film series. Takei’s theatrical credits include Shimon Wincelberg’s Undertow (Edinburgh Festival Fringe), Philip Kan Gotanda’s The Wash (Manhattan Theatre Club and Mark Taper Forum), Frank Chin’s Year of the Dragon (The American Place Theatre), Fly Blackbird! (Billy Rose Theatre and Metro Theater), Snow White (Brighton Dome), Aladdin (The Hexagon Theatre in Reading, England and The Central Theatre in Chatham, England), Stephen Sondheim’s Pacific Overtures (Loft Theatre) and Peter Shaffer’s Equus (East West Players). In March 2012, Takei performed in an all-star reading of 8 by Dustin Lance Black and directed by Rob Reiner at Wilshire Ebell Theatre in Los Angeles. Takei is a member of the Academy of Motion Picture Arts and Sciences and Academy of Television Arts & Sciences. He shares a Grammy nomination with Leonard Nimoy in the Best Spoken Word or Non-Musical Recording category. He has a star on Hollywood Boulevard’s Walk of Fame, and his signature and hand print are in cement in the forecourt of Grauman’s Chinese Theatre. A community activist, Takei is a member of the Japanese American Citizens League. He also is chairman emeritus and a trustee of the Los Angeles-based Japanese American National Museum, where Takei and his husband Brad Takei were married in 2008.
Jill Townsend

Jill Townsend


JILL TOWNSEND (Ensemble) appeared as Swing/Nimue/Tom in the National Tours of Camelot and Maggie in A Chorus Line. Her selected regional credits include Miss Dorothy in Thoroughly Modern Millie and Eileen in the West Coast premiere of I Love a Piano (Musical Theatre West), Winnie Tate in Annie Get Your Gun and Patty Simcox in Grease (Music Circus), Kim MacAfee in Bye Bye Birdie (San Diego Musical Theatre and Civic Light Opera of South Bay Cities), Val in A Chorus Line (San Diego Musical Theatre and American Musical Theatre of San Jose), Luisa in The Fantasticks (North Coast Repertory Theatre), Mistress in Evita (Fullerton Civic Light Opera) and Columbia in The Rocky Horror Picture Show (Universal Studios Hollywood).
Allie Trimm

Allie Trimm


ALLIE TRIMM (Hannah Campbell) previously appeared at the Globe as Nora in Brighton Beach Memoirs and Phyllis Who in Dr. Seuss’ How the Grinch Stole Christmas! Her Broadway credits include Kim MacAfee in the Roundabout Theatre Company’s 2009 revival of Bye Bye Birdie. Prior to that, she made her critically acclaimed Broadway debut as Patrice in Jason Robert Brown’s musical 13. Her favorite regional credits include Patrice in 13 (Goodspeed Musicals), Mary Lennox in The Secret Garden (Lamb’s Players Theatre) and The Will Rogers Follies and Annie Get Your Gun (Moonlight Stage Productions). Trimm has participated in a number of readings and workshops including Sweet Valley High, Pregnancy Pact, Allegiance and The Water. Her film and television credits include Disney’s Prom, “30 Rock” and “Private Practice.”
Kay Trinidad

Kay Trinidad


KAY TRINIDAD (Ensemble) has appeared on Broadway as Aquata in the original cast of The Little Mermaid. Her Off Broadway credits include Diane in the original New York cast of Bare, The Roar of the Greasepaint – the Smell of the Crowd and Martha and Kit in Ninja: The Musical. Her regional and National Tour credits include Seussical the Musical, The King and I, Making Tracks and Bye Bye Birdie. She can be heard as Marcy Park on the Stage Stars recording of The 25th Annual Putnam County Spelling Bee. She has also appeared in the film March!
Scott Watanabe

Scott Watanabe


SCOTT WATANABE (Ensemble) just ended a five-plus-year run in Phantom – The Las Vegas Spectacular. He was also featured in the Broadway, Los Angeles and Toronto productions The Phantom of the Opera. His other Broadway credits include Pacific Overtures. His New York credits include Kismet and Candide. Regionally he has been seen as The Engineer in Miss Saigon, Padre in Man of La Mancha, Charlie in Annie Get Your Gun, Captain Lesgate in Dial M for Murder, Ito in Mame, Candide, Camelot, Kayama in Pacific Overtures (San Francisco Bay Area Theatre Critics Circle nomination for Best Actor), The Prince and the Pauper, Franklin Shepard in Merrily We Roll Along, Evita, Pasquale in The Most Happy Fella, Chess, Jake in Paint Your Wagon, Lun Tha in The King and I. His television credits include “Law & Order: Criminal Intent.”

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Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang. Photo by Brianne Michelle Photography

Lia Chang. Photo by Brianne Michelle Photography


Lia Chang is an actor, a performance and fine art botanical photographer, and an award-winning multi-platform journalist.
All text, graphics, articles & photographs: © 2000-2012 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com

Extended through 8/23- “In Rehearsal” Lia Chang Theater Portfolio at Library of Congress Featuring Robert Lee and Leon Ko’s Heading East Starring BD Wong, Thom Sesma as Scar in The Lion King Las Vegas

Lia Chang in the Asian Reading Room of the Library of Congress where her "In Rehearsal" display of photographs drawn from the Lia Chang Theater Portfolio are on view through August 23, 2011.  Photo by Reme Grefalda

Lia Chang in the Asian Reading Room of the Library of Congress where her "In Rehearsal" display of photographs drawn from the Lia Chang Theater Portfolio are on view through August 23, 2011. Photo by Reme Grefalda

From July 20 through August 23, “In Rehearsal”, a display of photographs drawn from the Lia Chang Theater Portfolio in the Library of Congress’ Asian American Pacific Islander Collection, is on view in the Library of Congress’ Asian Division Reading Room, located in Room 150 of the Thomas Jefferson Building, 10 First Street S.E., Washington, D.C. The hours of the Library of Congress’ Asian Division Reading Room are 8:30 a.m. – 4:30 p.m.
The cast of Robert Lee and Leon Ko’s Heading East at the Lila Acheson Wallace Auditorium at Asia Society in New York. Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

The cast of Robert Lee and Leon Ko’s Heading East at the Lila Acheson Wallace Auditorium at Asia Society in New York. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


Sponsored by the Library of Congress’ Asian Division, the display features photos of Thom Sesma’s Makeup Transformation as Scar in Disney’s The Lion King Las Vegas and Robert Lee and Leon Ko’s Heading East Starring BD Wong, on view Through August 23.
BD Wong in rehearsal for a staged concert of Heading East, a Richard Rodgers Development Award-winning musical by Robert Lee and Leon Ko on May 22, 2010, at the Lila Acheson Wallace Auditorium at Asia Society in New York. Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

BD Wong in rehearsal for a staged concert of Heading East, a Richard Rodgers Development Award-winning musical by Robert Lee and Leon Ko on May 22, 2010, at the Lila Acheson Wallace Auditorium at Asia Society in New York. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


In May, 2010, actor BD Wong invited me to photo-document his latest theatrical passion project. The staged concert performance of Heading East, a Richard Rodgers Development Award-winning musical by Robert Lee and Leon Ko, which BD was co-producing with Andrew Asnes and starring in, also featured Cindy Cheung, Fay Ann Lee, Manu Narayan, Lydia Gaston, MaryAnn Hu, Ming Chan Lee, Angela Lin, Kelvin Moon Loh, Hazel Anne Raymundo, Jon Norman Schneider and Rodney To at the Lila Acheson Wallace Auditorium at Asia Society in New York. Helmed by Darren Lee, the staged concert performances of Heading East benefitted the Asia Society. Click here to learn more about Heading East.
(1st Row)Rodney To, MaryAnn Hu, Cindy Cheung, Fay Ann Lee, Angela Lin, Hazel Anne Raymundo,(2nd Row) Jon Norman Schneider, Ming Chan Lee, Manu Narayan and Kelvin Moon Loh in rehearsal for a staged concert of Heading East, a Richard Rodgers Development Award-winning musical by Robert Lee and Leon Ko on May 22, 2010, at the Lila Acheson Wallace Auditorium at Asia Society in New York. Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

(1st Row)Rodney To, MaryAnn Hu, Cindy Cheung, Fay Ann Lee, Angela Lin, Hazel Anne Raymundo,(2nd Row) Jon Norman Schneider, Ming Chan Lee, Manu Narayan and Kelvin Moon Loh in rehearsal for a staged concert of Heading East, a Richard Rodgers Development Award-winning musical by Robert Lee and Leon Ko on May 22, 2010, at the Lila Acheson Wallace Auditorium at Asia Society in New York. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


“The historical importance of these rehearsal photographs is in its documentation of Asian American theater in a working and evolving environment. The camera captures the spontaneous interactions among actors, playwright, stage director, choreographer, producer, and musicians before opening night,” said Reme Grefalda, curator of the AAPI Collection at the Library of Congress.
BD Wong, Kelvin Moon Loh, Hazel Anne Raymundo, Manu Narayan rehearse with director Darren Lee at the Lila Acheson Wallace Auditorium at Asia Society in New York.. Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

BD Wong, Kelvin Moon Loh, Hazel Anne Raymundo, Manu Narayan rehearse with director Darren Lee at the Lila Acheson Wallace Auditorium at Asia Society in New York.. Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


Heading East co-creator Robert Lee rehearses a Peking opera move with actress MaryAnn Hu during a rehearsal at the Lila Acheson Wallace Auditorium at Asia Society in New York.. Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

Heading East co-creator Robert Lee rehearses a Peking opera move with actress MaryAnn Hu during a rehearsal at the Lila Acheson Wallace Auditorium at Asia Society in New York.. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


Heading East co-creator Robert Lee rehearses a Peking opera move with actress MaryAnn Hu during a rehearsal at the Lila Acheson Wallace Auditorium at Asia Society in New York.. Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

Heading East co-creator Robert Lee rehearses a Peking opera move with actress MaryAnn Hu during a rehearsal at the Lila Acheson Wallace Auditorium at Asia Society in New York.. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


Director Darren Lee stages a scene of Robert Lee and Leon Ko’s Heading East at the Lila Acheson Wallace Auditorium at Asia Society in New York..  Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

Director Darren Lee stages a scene of Robert Lee and Leon Ko’s Heading East at the Lila Acheson Wallace Auditorium at Asia Society in New York.. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


The cast of Robert Lee and Leon Ko’s Heading East at the Lila Acheson Wallace Auditorium at Asia Society in New York.. Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

The cast of Robert Lee and Leon Ko’s Heading East at the Lila Acheson Wallace Auditorium at Asia Society in New York.. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


Director Darren Lee stages the curtain call for Robert Lee and Leon Ko’s Heading East at the Lila Acheson Wallace Auditorium at Asia Society in New York. Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

Director Darren Lee stages the curtain call for Robert Lee and Leon Ko’s Heading East at the Lila Acheson Wallace Auditorium at Asia Society in New York. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


Opening night champagne toast for the cast of Robert Lee and Leon Ko’s Heading East backstage at the Asia Society in New York on May 24, 2010. Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

Opening night champagne toast for the cast of Robert Lee and Leon Ko’s Heading East backstage at the Asia Society in New York on May 24, 2010. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


In August, 2010, I photographed Thom Sesma’s makeup transformation into Scar for The Lion King Las Vegas at The Mandalay Bay Theatre.
Thom Sesma in the makeup chair in his dressing room on August 23, 2010, at the Mandalay Bay Theatre, where he is currently starring as Scar in Disney's The Lion King Las Vegas through December, 2011.  Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

Thom Sesma in the makeup chair in his dressing room on August 23, 2010, at the Mandalay Bay Theatre, where he is currently starring as Scar in Disney's The Lion King Las Vegas through December, 2011. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


Makeup artist Laura Sill transforms Thom Sesma into Scar, in his dressing room at the Mandalay Bay Theatre, where The Lion King Las Vegas has performances through December, 2011.  Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

Makeup artist Laura Sill transforms Thom Sesma into Scar, in his dressing room at the Mandalay Bay Theatre, where The Lion King Las Vegas has performances through December, 2011. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


Thom Sesma, who plays Scar in The Lion King Las Vegas at the Mandalay Bay, in his dressing room on August 23, 2010. Photo by Lia Chang  Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

Thom Sesma, who plays Scar in The Lion King Las Vegas at the Mandalay Bay, in his dressing room on August 23, 2010. Photo by Lia Chang Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


The Library of Congress is a central repository for all types of Asian publications that are not broadly available at other locations in the United States. Initiated in 1869 with a gift of 10 works in 934 volumes offered to the United States by the Emperor of China, the Library’s Asian collection of more than 2 million items is the largest and most comprehensive outside of Asia. For more information about the division and its holdings, go to www.loc.gov/rr/asian/.
Thom Sesma, who plays Scar in The Lion King Las Vegas at the Mandalay Bay, in his dressing room on August 23, 2010. Photo by Lia Chang  Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

Thom Sesma, who plays Scar in The Lion King Las Vegas at the Mandalay Bay, in his dressing room on August 23, 2010. Photo by Lia Chang Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


Thom Sesma with makeup artist Laura Sill in the dressing room on August 23, 2010, at the Mandalay Bay Theatre, where he is currently starring as Scar in Disney's The Lion King Las Vegas. Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

Thom Sesma with makeup artist Laura Sill in the dressing room on August 23, 2010, at the Mandalay Bay Theatre, where he is currently starring as Scar in Disney's The Lion King Las Vegas. Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


Thom Sesma, who plays Scar in The Lion King Las Vegas at the Mandalay Bay, in his dressing room on August 23, 2010. Photo by Lia Chang  Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

Thom Sesma, who plays Scar in The Lion King Las Vegas at the Mandalay Bay, in his dressing room on August 23, 2010. Photo by Lia Chang Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


Founded in 1800, the Library of Congress is the nation’s oldest federal cultural institution. The Library seeks to spark imagination and creativity and to further human understanding and wisdom by providing access to knowledge through its magnificent collections, programs and exhibitions. Many of the Library’s rich resources can be accessed through its website at www.loc.gov and via interactive exhibitions on a personalized website at myLOC.gov.
Thom Sesma, who plays Scar in The Lion King Las Vegas at the Mandalay Bay, in his dressing room on August 23, 2010. Photo by Lia Chang  Credit:  Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection

Thom Sesma, who plays Scar in The Lion King Las Vegas at the Mandalay Bay, in his dressing room on August 23, 2010. Photo by Lia Chang Credit: Photo from The Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection


Lia Chang Photo by Brianne Michelle Photography

Lia Chang Photo by Brianne Michelle Photography

Lia Chang is an actor, performance and fine art botanical photographer, and an award-winning multimedia journalist.

As a photographer and videographer, Chang has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden. Chang was featured as Joy in the Signature Theater Company’s revival of Sam Shepard’s 1965 Obie award winning play, Chicago directed by Joseph Chaikin at the Public Theater. Off Broadway credits include: Jeff Weiss’ Obie Award winning Hot Keys (Naked Angels), Raunchy Asian Women (Ohio Theatre), The Confirmation (The Vineyard), Behind Closed Doors (MCC), Power Play (Billie Holiday Theatre), Two Gentlemen of Verona, Underground Soap, and Famine Plays (Cucaracha Theatre). She has appeared in the films Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon and Taxman. Chang currently plays Nurse Lia on “One Life to Live”.

Chang’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, The Wall Street Journal, USA Today, The Boston Globe, New York Times and Washington Post.

Selections of Chang’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space are now in the newly created LIA CHANG THEATER PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection. Photographs by Lia Chang are in the permanent collections of the Angel Island Immigration Station, Asian American Federation of New York (AAFNY), the Chinese Historical Society of America (CHSA) in San Francisco, Edna McConnell Clark Foundation, the Japanese American National Museum in Los Angeles, the Museum of Chinese in America (MOCA), the New York City Health and Hospital Corporation Art Collection and the New York Historical Society.

A former syndicated arts and entertainment columnist for KYODO News, Chang is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog. She is a National Tropical Botanical Garden Environmental Journalism Fellow, a Scripps Howard New Media Fellow at Columbia’s Graduate School of Journalism, a Visual Journalism Fellow at the Poynter Institute for New Media and a Western Knight Fellow at USC’s Annenberg College of Communications for Specialized Journalism on Entertainment Journalism in the Digital Age. She is the recipient of the Asian American Journalists Association 2001 National Award for New Media and the Organization of Chinese Americans 2000 Chinese American Journalist Award. Avenue Magazine named her one of the “One Hundred Most Influential Asian Americans” in 1997. She is featured in Joann Faung Jean Lee’s book “Asian American actors: oral histories from stage, screen, and television”.
Other Articles on “Asian American Plays for a New Generation” & “In Rehearsal”
Extended through 8/23- “In Rehearsal” Lia Chang Theater Portfolio at Library of Congress Featuring Robert Lee and Leon Ko’s Heading East Starring BD Wong, Thom Sesma as Scar in The Lion King Las Vegas
Mu Performing Arts 2011-2012 20th Anniversary Season: Four Destinies, Edith Can Shoot Things and Hit Them, Into the Woods, & Mu Daiko 15th Anniversary Concert
OCA Awards Gala Photos: David Henry Hwang, Tamlyn Tomita, BD Wong, Dr. Bobby Fong & Tammy Duckworth
Temple Press: Rick Shiomi recounts his tour for “Asian American Plays for a New Generation”
Mu Blog: Rick Shiomi’s Book Tour Logbook
knightarts.org: Reading on the road inside the book tour
Broadwayworld.com Photo Flash: Library of Congress’ IN REHEARSAL Exhibit
Lia Chang Theater Portfolio at Library of Congress Features Photos of Thom Sesma’s Makeup Transformation as Scar in Disney’s The Lion King Las Vegas, Robert Lee and Leon Ko’s Heading East Starring BD Wong, David Henry Hwang’s Chinglish, and Samrat Chakrabarti and Sanjiv Jhaveri’s Bakwas Bumbug! on View Through August 2
Photos: Rick Shiomi Checks out Performing Arts Playwrights Series in the Asian American Pacific Islander Collection of Library of Congress; Attends “Asian American Plays for a New Generation” Book Signing in NY on 7/29
“Asian American Plays for a New Generation”, A New Anthology of Asian American Plays Is Subject of Book Talk
broadwayworld.com: Chinglish in Rehearsal
asiancemagazine.com: New Anthology of Asian American Plays Book Talk

Other articles by Lia Chang
Coming to America through The Angel Island Immigration Station
Celebrating my mom – AN ACTIVE VISION: BEVERLY UMEHARA…LABOR ACTIVIST…1945-1999
Photos:Meredith Anthony, David Levien, Lyndsay Faye, Henry Chang & Dr. Julie Salzano Discuss the Mind of Sexual Predators
Coming to America through The Angel Island Immigration Station
H I R O S H I M A in Benefit Concert for Japan on 9/21 at B.B. King Blues Club & Grill in NY
Photo Preview of BD Wong and the Cast of Heading East at the Asia Society, May 24-26, 2010
Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang Photos: On the Town with Rick Shiomi, Co-Editor of “Asian American Plays for a New Generation”, in Washington D.C. and New York

R.A. Shiomi's Yellow Fever.  Photo by Lia Chang

R.A. Shiomi's Yellow Fever. Photo by Lia Chang


On Wednesday, July 27, I reconnected with Rick Shiomi, the author of one of my favorite plays, “Yellow Fever,” when we were both in Washington D.C. at the Asian Reading Room of the Library of Congress in the Thomas Jefferson Building. The groundbreaking Asian-North American playwright, taiko troupe leader, and artistic director of Mu Performing Arts, was on a week long book tour to promote “Asian American Plays for a New Generation” (Temple University Press, June 2011), which he co-edited with Josephine Lee and Don Eitel.
Rick Shiomi with my display of photos “In Rehearsal”, drawn from the Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection. Photo by Lia Chang

Rick Shiomi with my display of photos “In Rehearsal”, drawn from the Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection. Photo by Lia Chang


Reme Grefalda, the curator of the Asian Pacific Islander Collection, had put together a marvelous program which included his talk about the Anthology, and a week-long display in the Asian Reading Room of the Library of Congress.
Rick Shiomi looks at a glass case of the published works of his fellow Asian American Theater Pioneering peers including Frank Chin, Philip Kan Gotanda, David Henry Hwang, Velina Hasu Houston and Genny Lim.  Photo by Lia Chang

Rick Shiomi looks at a glass case of the published works of his fellow Asian American Theater Pioneering peers including Frank Chin, Philip Kan Gotanda, David Henry Hwang, Velina Hasu Houston and Genny Lim. Photo by Lia Chang


The display featured 37 photographs drawn from the Lia Chang Theater Portfolio including Thom Sesma’s Makeup Transformation as Scar in Disney’s “The Lion King Las Vegas”; rehearsals of a staged concert of Robert Lee and Leon Ko’s musical “Heading East” starring BD Wong at the Asia Society in New York; of David Henry Hwang’s play, “ChingLish,” which premiered at the Goodman Theatre in Chicago this summer and is bound for Broadway this fall; and of “Bakwas Bumbug!,” a pop opera by Samrat Chakrabarti and Sanjiv Jhaveri, which recently made its off-Broadway debut.
Original scripts by Carlene Sobrino Bonnivier, Velina Hasu Houston, Christine Toy Johnson, Lani Montreal, Edgar Mendoza and Jeanne Sakata. Photo by Lia Chang

Original scripts by Carlene Sobrino Bonnivier, Velina Hasu Houston, Christine Toy Johnson, Lani Montreal, Edgar Mendoza and Jeanne Sakata. Photo by Lia Chang

The Library of Congress’ goal is to establish a national Asian Pacific American holdings, with a nationwide outreach, and the focus of the display was in celebration of works by Asian American playwrights.
published works by Asian American Playwrights at The Library of Congress. Photo by Lia Chang

The published works by Asian American Playwrights at The Library of Congress. Photo by Lia Chang


Drawn from the Performing Arts Playwrights Series in the Asian American Pacific Islander Collection, original scripts by Carlene Sobrino Bonnivier, Velina Hasu Houston, Christine Toy Johnson, Lani Montreal, Edgar Mendoza and Jeanne Sakata are on view. The display also highlights works by Frank Chin, Philip Kan Gotanda, Jessica Hagedorn, David Henry Hwang, Genny Lim, Chay Yew and others.
Rick Shiomi, Julie Azuma and Tamio Spiegel.  Photo by Lia Chang

Rick Shiomi, Julie Azuma and Tamio Spiegel. Photo by Lia Chang


Two days later, I joined Rick at Julie Azuma and Tamio Spiegel’s apartment in New York, where they hosted a swell book party for him.
Tisa Chang, Artistic Producing Director of Pan Asian Repertory Theatre, Carla Ching, Artistic Director of Second Generation, Rick Shiomi, Artistic Director of Mu Performing Arts, Jorge Ortoll, Executive Director of Ma-Yi Theater  Photo by Lia Chang

Tisa Chang, Artistic Producing Director of Pan Asian Repertory Theatre, Carla Ching, Artistic Director of Second Generation, Rick Shiomi, Artistic Director of Mu Performing Arts, Jorge Ortoll, Executive Director of Ma-Yi Theater Photo by Lia Chang


The Asian American Arts scene turned out in this reunion of sorts, including Tisa Chang, Artistic Producing Director of Pan Asian Repertory Theatre, Carla Ching, Artistic Director of Second Generation, and Jorge Ortoll, Executive Director of Ma-Yi Theater; authors Henry Chang and Ed Lin; actors Raul Aranas and Henry Yuk; artist Tomie Arai, director Stann Nakazono; and Kentaro Ando and Masakazu Kigure, from the Consulate General of Japan. Cathie Hartnett of My Talk Radio in St Paul, Carol Connolly, the poet Laureate of St. Paul and Phil Nash from Washington D.C., stopped in as well.
Happy Valley playwright Aurorae Khoo and Rick Shiomi Photo by Lia Chang

Happy Valley playwright Aurorae Khoo and Rick Shiomi Photo by Lia Chang


Playwright Aurorae Khoo, whose play “Happy Valley” is in the anthology, talked about the process of developing her play with Mu Performing Arts, while actors Cindy Cheung, Fay Ann Lee, Amy Chang and Sean Tarjoto read excerpts from plays featured in the book.
Sean Tarjoto, Rick Shiomi, Cindy Cheung, Fay Ann Lee, Amy Chang Photo by Lia Chang

Sean Tarjoto, Rick Shiomi, Cindy Cheung, Fay Ann Lee, Amy Chang Photo by Lia Chang


Rick took the time to answer some questions about “Asian American Plays for a New Generation”.
Rick Shiomi  Photo by Lia Chang

Rick Shiomi Photo by Lia Chang


How does this anthology live up to its title?
Rick: The plays in this anthology were all written and produced after 2004 and reflect a larger horizon of Asian American issues and communities while still dealing with existing challenges in playful and different ways. There is a play about the Hmong American community and experience which is just now receiving attention within Asian American theater world. There’s a play about Korean adoption which has been a major focus of attention in Minnesota but only now coming to wider national attention (including an upcoming forum on this
issue at the Library of Congress). But there are also plays about LGBTQI issues in Asian American families, transnational events such as the transfer of Hong Kong to China and the history of women in the media and performance. So I feel the anthology truly addresses the issues and conversational framework for Asian Americans in the 21st century.
Carol Connolly, the poet Laureate of St. Paul, Rick Shiomi and Cathie Hartnett of My Talk Radio in St. Paul. Photo by Lia Chang

Carol Connolly, the poet Laureate of St. Paul, Rick Shiomi and Cathie Hartnett of My Talk Radio in St. Paul. Photo by Lia Chang


How was Mu Performing Arts involved in the book?
Rick: Mu Performing Arts helped to develop and produce the world premiere of six of the seven plays in this anthology. Through programs funded by the Jerome and Ford Foundations, we have been able to focus on developing new work by emerging Asian American writers. With two of the three book editors on staff at Mu, we were able to look at over a dozen new plays produced by Mu in the past decade and other plays we felt were in the same realm, before we selected the ones in this anthology.
Rick Shiomi with novelist Ed Lin and his wife Cindy Cheung, an actress who read excerpts from the Anthology.  Photo by Lia Chang

Rick Shiomi with novelist Ed Lin and his wife Cindy Cheung, an actress who read excerpts from the Anthology. Photo by Lia Chang


What’s your favorite story in regards to the plays in this book?
Rick: I have two stories and both reflect how initial problems in the development of plays can be deceiving and ultimately overcome. The first is about “Asiamnesia” by Sun Mee Chomet. It started as a group writing effort in our Jerome New Performance Program. Sun Mee had gathered a group of Asian American women writers to create the play but through several drafts we never thought it worked well because the writing was too disparate. Finally, we asked Sun Mee to write the play herself and she did with great success as the play was recognized by the Minneapolis Star Tribune critic, Rohan Preston, as the “best new script” of 2008, So in a way I feel Sun Mee failed her way to success, through talent and determination. The second story is about “Bahala Na,” by Clarence Coo. When we first read it, we felt it was too poetic to work on stage but when we actually did a reading of it, we all loved the style because it fit the epic nature of play. So we decided to work on it as part of our Ford Foundation, Emerging Writers of Color Program and eventually produced the world premiere of the play in 2007.
Rick Shiomi with Kentaro Ando and Masakazu Kigure, from the Consulate General of Japan Photo by Lia Chang

Rick Shiomi with Kentaro Ando and Masakazu Kigure, from the Consulate General of Japan Photo by Lia Chang


Rick Shiomi and Phil Nash  Photo by Lia Chang

Rick Shiomi and Phil Nash Photo by Lia Chang


A Soh Daiko reunion for Peter Wong, Teddy Yoshikami and Rick Shiomi  Photo by Lia Chang

A Soh Daiko reunion for Peter Wong, Teddy Yoshikami and Rick Shiomi Photo by Lia Chang


“Asian American Plays for a New Generation” is available online at Amazon.com. http://www.amazon.com/Asian-American-Plays-New-Generation/dp/1439905169
Henry Chang, noted mystery/crime fiction novelist, surprised Rick with an original script of Yellow Fever for him to sign. Photo by Lia Chang

Henry Chang, noted mystery/crime fiction novelist, surprised Rick with an original script of Yellow Fever for him to sign. Photo by Lia Chang


Mu Performing Arts Website
For more information about the division and its holdings, go to www.loc.gov/rr/asian/.

Other Articles on “Asian American Plays for a New Generation” & “In Rehearsal”
Temple Press: Rick Shiomi recounts his tour for “Asian American Plays for a New Generation”
Mu Blog: Rick Shiomi’s Book Tour Logbook
knightarts.org: Reading on the road inside the book tour
Broadwayworld.com Photo Flash: Library of Congress’ IN REHEARSAL Exhibit
Lia Chang Theater Portfolio at Library of Congress Features Photos of Thom Sesma’s Makeup Transformation as Scar in Disney’s The Lion King Las Vegas, Robert Lee and Leon Ko’s Heading East Starring BD Wong, David Henry Hwang’s Chinglish, and Samrat Chakrabarti and Sanjiv Jhaveri’s Bakwas Bumbug! on View Through August 2
Photos: Rick Shiomi Checks out Performing Arts Playwrights Series in the Asian American Pacific Islander Collection of Library of Congress; Attends “Asian American Plays for a New Generation” Book Signing in NY on 7/29
“Asian American Plays for a New Generation”, A New Anthology of Asian American Plays Is Subject of Book Talk
broadwayworld.com: Chinglish in Rehearsal
asiancemagazine.com: New Anthology of Asian American Plays Book Talk
Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.


Bookmark and Share

Lia Chang Photo by Brianne Michelle Photography

Lia Chang Photo by Brianne Michelle Photography

Lia Chang is an actor, performance and fine art botanical photographer, and an award-winning multimedia journalist.

As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden. Lia currently plays Nurse Lia on “One Life to Live”. She has appeared in Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and “New York Undercover”.

Selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space are now in the newly created LIA CHANG THEATER PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.

All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com.

Lia Chang Photos: Rick Shiomi Checks out Performing Arts Playwrights Series in the Asian American Pacific Islander Collection of Library of Congress; Attends “Asian American Plays for a New Generation” Book Signing in NY on 7/29

Rick Shiomi in the Asian Reading Room of the Library of Congress in Washington D.C. on July 27, 2011. Photo by Lia Chang

Rick Shiomi in the Asian Reading Room of the Library of Congress in Washington D.C. on July 27, 2011. Photo by Lia Chang

Tonight, I am meeting up with groundbreaking Asian-North American playwright, teacher, and taiko troupe leader, Rick Shiomi, who is making a rare NYC appearance to discuss and present readings from the new anthology “Asian American Plays for a New Generation” (Temple University Press, June 2011), which he co-edited with Josephine Lee and Don Eitel. Hosted by Julie Azuma and Tamio Spiegel, the event begins at 6:30pm at 12 West 18th Street, #3E in New York.

“Asian American Plays for a New Generation” features seven plays. Six of those were developed and produced by Mu Performing Arts, the Midwest’s foremost pan-Asian performing arts organization, founded in Minneapolis in 1992.

“Bahala Na” by Clarence Coo is about the relationship between a grandmother and her grandson who is gay. “Happy Valley,” by Aurorae Khoo, focuses on the plight of the Chinese in Hong Kong when the former British colony comes under Communist Chinese rule. “Asiamnesia,” by Sun Mee Chomet examines the issues facing Asian American women in theater and society. “Sia(b),” by May Lee Yang, is about a young Hmong woman understanding her own identity. “Walleye Kid, The Musical,” by Sundraya Kase, R.A. Shiomi and Kurt Miyashiro is based on the Japanese folktale, “The Peach Boy.” “Ching Chong Chinaman,” by Lauren Yee, is a comedy that explores the stereotype of Asians as “the model minority.” “Indian Cowboy,” by Zaraawar Mistry, focuses on pre- and post-9/11 life in America’s South Asian communities.

Lia Chang is Queen for the day, doing a monologue in the character of Queen Elizabeth II from "Happy Valley," by Aurorae Khoo, with Rick Shiomi on Wednesday, July 27, 2011 in the Mary Pickford Theater in the James Madison Building in Washington D.C. Photo by Reme Grefalda

Lia Chang is Queen for the day, doing a monologue in the character of Queen Elizabeth II from "Happy Valley," by Aurorae Khoo, with Rick Shiomi on Wednesday, July 27, 2011 in the Mary Pickford Theater in the James Madison Building in Washington D.C. Photo by Reme Grefalda


I shared the stage with Shiomi on Wednesday, July 27, at the Mary Pickford Theater in the James Madison Building in Washington D.C., during an event sponsored by the Library of Congress’Asian Division celebrating the release of “Asian American Plays for a New Generation”, where I got to be Queen for the day, when he handed me a monologue in the character of Queen Elizabeth II from “Happy Valley,” by Aurorae Khoo. Fun, fun fun!
Rick Shiomi views my display of photos “In Rehearsal”, drawn from the Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection.  Photo by Lia Chang

Rick Shiomi views my display of photos “In Rehearsal”, drawn from the Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection. Photo by Lia Chang


We headed back to the Asian Reading Room in the Jefferson Building where a display of my photographs titled “In Rehearsal” is on view through Aug. 2.
Lia Chang Theater Portfolio features Thom Sesma’s Makeup Transformation as Scar in Disney’s “The Lion King Las Vegas”; rehearsals of a staged concert of Robert Lee and Leon Ko’s musical “Heading East” starring BD Wong at the Asia Society in New York.  Photo by Lia Chang

Lia Chang Theater Portfolio features Thom Sesma’s Makeup Transformation as Scar in Disney’s “The Lion King Las Vegas”; rehearsals of a staged concert of Robert Lee and Leon Ko’s musical “Heading East” starring BD Wong at the Asia Society in New York. Photo by Lia Chang


Drawn from the Lia Chang Theater Portfolio, the 36 photographs on display feature Thom Sesma’s Makeup Transformation as Scar in Disney’s “The Lion King Las Vegas”; rehearsals of a staged concert of Robert Lee and Leon Ko’s musical “Heading East” starring BD Wong at the Asia Society in New York; of David Henry Hwang’s play, “ChingLish,” which premiered at the Goodman Theatre in Chicago this summer and is bound for Broadway this fall; and of “Bakwas Bumbug!,” a pop opera by Samrat Chakrabarti and Sanjiv Jhaveri, which recently made its off-Broadway debut.
Works by Christine Toy Johnson are on display in the Asian Reading Room of the Library of Congress in Washington D.C. through August 2, 2011.  Photo by Lia Chang

Works by Christine Toy Johnson are on display in the Asian Reading Room of the Library of Congress in Washington D.C. through August 2, 2011. Photo by Lia Chang


The photos are part of a display drawn from the Performing Arts Playwrights Series in the Asian American Pacific Islander Collection, celebrating works by Asian American playwrights, which includes original scripts by Velina Hasu Houston, Christine Toy Johnson, Lani Montreal, Edgar Mendoza, Jeanne Sakata, as well as published scripts by Frank Chin, Philip Kan Gotanda, David Henry Hwang, Genny Lim, Chay Yew and others.
Performing Arts Playwrights Series in the Asian American Pacific Islander Collection Photo by Lia Chang

Performing Arts Playwrights Series in the Asian American Pacific Islander Collection Photo by Lia Chang


The Asian Division Reading Room is located in Room 150 of the Thomas Jefferson Building, 10 First Street S.E., Washington, D.C. The hours are 8:30 a.m. through 4:30 p.m.
Rick Shiomi checks out the Performing Arts Playwrights Series in the Asian American Pacific Islander Collection Photo by Lia Chang

Rick Shiomi checks out the Performing Arts Playwrights Series in the Asian American Pacific Islander Collection Photo by Lia Chang


The Library of Congress is a central repository for all types of Asian publications that are not broadly available at other locations in the United States. Initiated in 1869 with a gift of 10 works in 934 volumes offered to the United States by the Emperor of China, the Library’s Asian collection of more than 2 million items is the largest and most comprehensive outside of Asia. For more information about the division and its holdings, go to www.loc.gov/rr/asian/.
Performing Arts Playwrights Series in the Asian American Pacific Islander Collection, celebrating works by Asian American playwrights, features original scripts by Velina Hasu Houston, Christine Toy Johnson, Lani Montreal, Edgar Mendoza, and Jeanne Sakata.  Photo by Lia Chang

Performing Arts Playwrights Series in the Asian American Pacific Islander Collection, celebrating works by Asian American playwrights, features original scripts by Velina Hasu Houston, Christine Toy Johnson, Lani Montreal, Edgar Mendoza, and Jeanne Sakata. Photo by Lia Chang


Founded in 1800, the Library of Congress is the nation’s oldest federal cultural institution. The Library seeks to spark imagination and creativity and to further human understanding and wisdom by providing access to knowledge through its magnificent collections, programs and exhibitions. Many of the Library’s rich resources can be accessed through its website at www.loc.gov and via interactive exhibitions on a personalized website at myLOC.gov.

Check back for my complete coverage of the collection.


Bookmark and Share

All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com.

Other Articles on “Asian American Plays for a New Generation” & “In Rehearsal”
Temple Press: Rick Shiomi recounts his tour for “Asian American Plays for a New Generation”
Mu Blog: Rick Shiomi’s Book Tour Logbook
knightarts.org: Reading on the road inside the book tour
Broadwayworld.com Photo Flash: Library of Congress’ IN REHEARSAL Exhibit
Lia Chang Theater Portfolio at Library of Congress Features Photos of Thom Sesma’s Makeup Transformation as Scar in Disney’s The Lion King Las Vegas, Robert Lee and Leon Ko’s Heading East Starring BD Wong, David Henry Hwang’s Chinglish, and Samrat Chakrabarti and Sanjiv Jhaveri’s Bakwas Bumbug! on View Through August 2
“Asian American Plays for a New Generation”, A New Anthology of Asian American Plays Is Subject of Book Talk
broadwayworld.com: Chinglish in Rehearsal
asiancemagazine.com: New Anthology of Asian American Plays Book Talk
Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang Photo by Brianne Michelle Photography

Lia Chang Photo by Brianne Michelle Photography


Lia Chang is an actor, performance and fine art botanical photographer, and an award-winning multimedia journalist.

As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden. Lia currently plays Nurse Lia on “One Life to Live”. She has appeared in Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and “New York Undercover”.

Selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space are now in the newly created LIA CHANG THEATER PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.

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