Lia Chang: The Mahindra Indo-American Arts Council Film Festival Screens Ashes and The Waiting City, two films featuring Samrat Chakrabarti at the SVA Theater 

Samrat Chakrabarti and Ashes filmmaker and star Ajay Naidu at the MIAAC screening of Ashes at the SVA Theater in New York on November 12, 2010. Photo by Lia Chang

Samrat Chakrabarti and Ashes filmmaker and star Ajay Naidu at the MIAAC screening of Ashes at the SVA Theater in New York on November 12, 2010. Photo by Lia Chang

Tonight I am off to see a double feature of Samrat Chakrabarti at the Mahindra Indo-American Arts Council (MIAAC) Film Festival at the SVA Theater (333 W.23rd St., between 8th and 9th Avenues in New York)- AJAY NAIDU’s Ashes at 6pm and Claire McCarthy’s The Waiting City at 9pm.

I chatted with Samrat yesterday just before he went to the screening of the third film he has at the festival, the documentary Sundaram Tagor’s The Poetics of Color: Natvar Bhavsar, for which he created the score. Check back for my exclusive interview with this globe-trotting actor, composer and musician, who has been having a whirlwind of amazing film, television and music projects.

Q&A of Ashes - A film by Ajay Naidu at the Mahindra Indo-American Arts Council Film Festival, SVA Theater in New York on November 12, 2010. (l-r) Ajay Naidu, Debargo Sanyal, Atul Ohri, Samrat Chakrabarti, Ajay Naidu, Reena Shah & Ajay Mehta. © 2010 Lia Chang

Q&A of Ashes - A film by Ajay Naidu at the Mahindra Indo-American Arts Council Film Festival, SVA Theater in New York on November 12, 2010. (l-r) Ajay Naidu, Debargo Sanyal, Atul Ohri, Samrat Chakrabarti, Ajay Naidu, Reena Shah & Ajay Mehta. © 2010 Lia Chang


The Mahindra Indo-American Arts Council (MIAAC) Film Festival is the longest-running, most prestigious Indian film festival in the country, and continues through November 14. For further information please visit www.miaacfilmfest.org.

About the Indo-American Arts Council: The Indo-American Arts Council is a registered not-for-profit arts organization passionately dedicated to showcasing, building awareness, and celebrating artists of Indian origin in the performing, visual and literary arts. Annual festivals of art, dance, play writing and film are scheduled through the year, with several special events and book launches. For further information please visit www.iaac.us. The IAAC Film Festival was born in the aftermath of 9/11 in response to Mayor Giuliani’s call to New Yorkers to help rebuild a limping city. The First Annual film Festival opened its doors with Film Diaspora Godfather Ismail Merchant and closed with New York’s favorite Indian filmmaker Mira Nair. Four years ago, Mahindra & Mahindra joined forces with the IAAC Film Festival by becoming the lead sponsor, changing the name of the festival to The MIAAC Film Festival.

About The Mahindra Group: Mahindra embarked on its journey in 1945 by assembling the Willys Jeep in India and is now a $7.1 billion Indian multi-national company. It employs more than 100,000 people across the globe and enjoys a leadership position in utility vehicles, tractors, and information technology, with a significant and growing presence in financial services, tourism, infrastructure development, and trade and logistics. Today, The Mahindra Group is an embodiment of global experience and enjoys a strong corporate brand image.

Mahindra is the only Indian company among the top tractor brands in the world. It is today a full-range player with a presence in almost every segment of the automobile industry, from two-wheelers to CVs, UVs, SUVs, and sedans. Mahindra recently acquired majority stake in REVA Electric Car Co. Ltd. (now called Mahindra REVA), strengthening its position in the Electric Vehicles domain.

The Mahindra Group expanded its IT portfolio when Tech Mahindra acquired the leading global business and information technology services company, Satyam Computer Services. The company is now known as Mahindra Satyam.




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Lia Chang: Philadelphia Asian American Film Festival Lineup

2009 Philadelphia Asian American Film Festival

2009 Philadelphia Asian American Film Festival

The 2009 Philadelphia Asian American Film Festival, presented by the Philadelphia Asian American Film & Filmmakers and sponsored by HBO, runs from October 9-11, 2009 at the Ibrahim Theater at iHouse and the Asian Arts Initiative in Philadelphia, PA.

This year, the Festival will showcase 6 feature films, 5 documentaries, 29 short films, with a Q & A featuring rising Hollywood star and University of Pennsylvania alum Aaron Yoo (Disturbia, 21), in addition to parties and networking opportunities. For the latest updates on the Festival check out the official website.

Tze Chun's Children of Invention

Tze Chun's Children of Invention


NARRATIVE FEATURES
Opening Night Film – Children of Invention Tze Chun & Mynette Louie
Centerpiece Presentation – Formosa Betrayed Adam Kane & Will Tiao
Closing Night Film – Story of Wine Cheol-ha Lee & Cha Seung-jae
Karma Calling Sarba Das & Sarthak Das
Second Moon Masahiro Sugano & Sanghoon Lee
Why Am I Doing This? Tom Huang & N.D. Brown
Barnali Das and Samrat Chakrabarti in Karma Calling

Barnali Das and Samrat Chakrabarti in Karma Calling


DOCUMENTARIES
Operation Babylift Tammy Nguyen Lee
A Song For Ourselves Tadashi Nakamura
Sounds of New Hope Eric Tandoc
A Village Called Versailles S. Leo Chiang
Whatever It Takes Christopher Wong
Christopher Wong's Whatever It Takes

Christopher Wong's Whatever It Takes


SHORT FILMS
Blood Colony Jacob Holcomb
Boba and Melon Gum Alice Park
Cotabato City Karen Lin
Evolution Kenji Lui
Fine Threads Adele Pham
Fortune Cooking Jason Karman
Foxes Rob Schwartz
Half Kenneth Ken Ochiai
The Humberville Poetry Slam Emily Chang
I Don’t Sleep I Dream J.P. Chan
Imprint Van Blumreich
In Search of Colors Will Kim
Interpretation Lin Oeding
Let Old Ghosts Rest Gregory Cooke
The Letter Kris Mendoza
Lui Lui in America Vera Wing Lui
Manoj Zia Mohajerjasbi & Hari Kondabolu
Memory Block Hari Alluri
Motoo Bao Nguyen & Adele Pham
Mr. Cupcakes Angela Chen
Pho Dac Biet Christina Tran
Plan B Kaidy Kuna
Seen/Unseen Sara Suleman
Subconscious Jason Chen
Survivors Soham Mehta
Tatang Jean “Nico” Paolo
The Veiled Commodity Vinh Dickson
Wake Up Dawen Wang


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Lia Chang: Official List of Films for the 2009 San Diego Asian Film Festival

The San Diego Asian Film Foundation (SDAFF) will present the 10th Annual San Diego Asian Film Festival, October 15-29, 2009. The mission of the San Diego Asian Film Foundation is to connect audiences to the human experience through the Pan Asian media arts. Here is the 2009 San Diego Asian Film Festival lineup. Check the official website for updates on the Festival.

NARRATIVE FEATURES
100 by Chris Martinez, Philippines
Afro Samurai by Fuminori Kizaki, Japan/USA
All About Dad by Mark Tran, USA
Beast Stalker by Dante Lam, Hong Kong
Best of Times by Yongyooth Thongkongtoon, Thailand
Before We Close by Joshua Tucker and Kendal Tuttle, USA
Bombay Summer by Joseph Mathew, USA/India
Boy by Auraeus Solito, Philippines
Breathless by Yang Ik-Joon, South Korea
Cape No. 7 by Te-Sheng Wei, Taiwan
Children of Invention by Tze Chun, USA
The Clone Returns Home by Kanji Nakajima, Japan
Crossing by Tae-Gyun Kim, South Korea
Detroit Metal City by Toshio Lee, Japan
The Drummer by Kenneth Bi, Hong Kong/Taiwan/Germany
Etienne! by Jeff Mizushima, USA
First Squad by Yoshiharu Ashino, Russia/Japan
Forever Enthralled by Chen Kaige, China
Fruit Fly by H.P. Mendoza, USA
The Harimaya Bridge by Aaron Woolfolk, Japan/USA
Help Me Eros by Kang-sheng Lee, Taiwan
I Am That Girl by B. Hayward Randall, USA
Ichi by Fumihiko Sori, Japan
In Love We Trust by Xiaoshuai Wang, Taiwan
Ip Man by Wilson Yip, Hong Kong
K-20 by Shimako Sato, Japan
Kabei: Our Mother by Yoji Yamada, Japan
Karma Calling by Sarba Das, USA
Legend is Alive by Huynh Luu, Vietnam
Li Tong by Nian Liu, China
Make Yourself at Home by Soopum Sohn, USA
Merantau by Gareth Evans, Indonesia
Modern Boy by Ji Woo Chung, South Korea
Mushi-shi by Katsuhiro Otomo, Japan
My Girlfriend is An Agent by Tae-ra Shin, South Korea
Neko Rahmen Taisho by Minoru Kawasaki, Japan
Om Shanti Om by Farah Khan, India
The People I’ve Slept With by Quentin Lee, USA
Private Eye by Park Dae-min, South Korea
Red Cliff by John Woo, Hong Kong
Rita by Renuka Shahane, India
Rough Cut by Hun Jang, South Korea
Scandal Makers by Hyeong-cheol Kang, South Korea
Shades of Ray by Jaffar Mahmood, USA
Sita Sings the Blues by Nina Paley, USA
A Tale of Mari and Three Puppies by Ryuichi Inomata, Japan
Tandoori Love by Oliver Paulus, Switzerland/Germany
The Things We Carry by Ian McCrudden, USA
Thirst by Park Chan-wook, S. Korea
Vampire Girl vs. Frankenstein Girl by Yoshihiro Nishimura and Naoyuki Tomomatsu, Japan
White on Rice by David Boyle, USA
Yang Yang by Cheng Yu-Chienh, Taiwan

DOCUMENTARY FEAURES
9500 Liberty by Annabel Park and Eric Byler, USA
Aki Ra’s Boys by Lynn Lee and James Leong, Cambodia/Singapore
Antoine by Laura Bari, Canada
Arusi: Persian Wedding by Marjan Tehrani, USA/Iran
Between the Folds by Vanessa Gould, USA
Daddy Tran: A Life in 3-D by Siu Ta, Canada
Dancing Across Borders by Anne Bass, USA/Cambodia
Going Home by Jason Hoffman, USA/South Korea
Journey of a Red Fridge by Lucian Muntean and Natasha Stankovic, Nepal
Kimjongilia by N.C. Heikin, USA
Long Story Short by Christine Choy, USA
The Love Market by Shalom Almond, Australia/Vietnam
My Beijing Birthday by Howie Snyder, China/USA
Old Partner by Chung-ryeol Lee, South Korea
Operation Babylift : The Lost Children of Vietnam by Tammy Nguyen Lee, USA
Patsy Mink: Ahead of the Majority by Kimberlee Bassford, USA
The Philosopher Kings by Patrick Shen, USA
The Real Shaolin by Alexander Sebastian Lee, China/USA
Speaking in Tongues by Marcia Jarmel and Ken Schneider, USA
Tiger Spirit by Mn Sook Lee, South Korea
Transcending: The Wat Misaka Story by Christine Toy Johnson and Bruce Alan Johnson, USA
A Village Called Versailles by Leo Chiang, USA
Whatever It Takes by Christopher Wong, USA
You Don’t Know Jack: The Jack Soo Story by Jeff Adachi, USA

SHORT FILMS
1-900 Drinking Buddy by Ray Lai, USA
26, Best Korean Girl by Paula Kim, Brazil
3 Wheels by Tony Wei, China/Taiwan
30 Day Promise by Xia Lee, USA
Anniversary by Huy Vu, USA
As If by Ji Hoon Kim, South Korea
Be Aware by Joe Kamimura, USA
Beijing Haze by JP Chan, USA
Being Reel by Patricio Ginelsa, USA
Bringing Home the White Girl by Travis Kurtz, USA
Chu-Mar (Weekend) by Paula Kim, Brazil
Crocodile by Maura Milan, Australia
Doggy Doggy by Raymond Yuheng, USA
Excuse My Gangsta Ways by Corinne Manabat, USA
Fortune Cooking by Jason Karman, Canada
Girls Like You Don’t Go For Guys Like Me by Charles Yi, USA
Grandma and Wrestling by Lim Hyung Sup, South Korea
A Green Mountain in the Drawer by Hwa Jun Lee, South Korea
Half Kenneth by Ken Ochiai, USA
House of Wong by Nicholas Wong, USA
I Don’t Sleep I Dream by JP Chan, USA
I’m Jin-Young by Lee Sung-eun, S. Korea
I Want to Be a Desi 2 by Allan Tong, USA
Interpretation by Lin Oeding, USA
Katong Fugue by Boo Jungfeng, Singapore
Laundromat by Edward Gunawan
Love Story by Amit Gupta, UK
Lucky Lotus by Ken Ochiai, USA
Missy by Clarissa De Los Reyes, USA/Philippines
Motoo by Bao Nguyen, USA
Mother Daughter by Ileana Chan, USA
My Four Inch Precious by Sou Yun Sim, USA
New Aging by Jason Wong, USA
Not Here by Carol Ho, Singapore
One Night in LA by Jon Maxwell, USA
Parallel Adele by Adele Pham, USA
Passing Fancy by Wei-Hsin Yang, Japan
Peaceful Measures by Ash Anderson, USA/Iraq
Point of Entry by Zeus Quijano, Mexico/USA
Rain by Thomas Takemoto-Chock, USA
Re: Your Balls by Mike Park, USA
Rough Cut by Firouzeh Khosrovani, Iran
Seasons Beatings by Fernando Huerto, USA
A Song for Ourselves by Tadashi Nakamura, USA
Sounds of a New Hope by Eric Tandoc, USA/Philippines
State of Yo by Jason Karman, USA
Tatang by Jean Paolo Hernandez, Philippines
Tea and Remembrance by Ron Yuan, USA
The Bridge by Sheldon Schwartz, USA
The First Hawaiian Snowball Fight by Michael Wurth, USA
The Golden Pin by Cuong Ngo, Canada
The Humberville Poetry Slam by Emily Chang, USA
The Indian and the Samurai by Shilpi Roy, USA
The Kinda Sutra by Jessica Yu, USA
The Legend of Chang Apana Begins by Michael Wurth, USA
The Other Way Round by Geoffrey Quan, USA
The Perfect Woman by Anthony Ma, USA
The Piano by Caicai Liu, China/USA
Three Bullets by Ron Yuan, USA
Unlocked by Mio Adilman, Canada
Wanda and Miles by Lesley Loksi Chan, USA
Welcome to My Queer Bookstore, by Larry Tung, Taiwan
When Swallows Stop Singing by Gilbert Kwong
Yanling’s Oranges by Connie Yen, USA

ANIMATED SHORT FILMSArticles of War by Daniel Kanemoto
Confine(s) by Makoto Yabuki
Deadline by Bang-yao Liu
Deng Long by Yuheng Chiang
Emotions by Kun-I Chang
Fear of Change by Kun-I Chang
Kanizsa Hill by Evelyn Lee
Keep Right by Yang Sun-Woo
Kudan by Taku Kimura
Life on a Limb by David Chai
Monster Coins by Vance Yang
Self Portrait by Will Kim
Shuttle T42 by Joon Hyung Kim
Subconscious by Jason Chen
The Enlightened Monk by Emily Tse
The Old Crocodile by Koji Yamamura
The Soliloquist by Ma Kuang Pei
The Veiled Commodity by Dickson Chow
Topi by Arjun Rihan
Unbelievable Four by Sukwon Shin & In Pyo Hong
Viola: The Traveling Rooms of a Little Giant by Shih-Ting Hung

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Lia Chang: Samrat Chakrabarti is featured in Claire McCarthy’s The Waiting City, which premieres at the Toronto International Film Festival

Samrat Chakrabarti in "The Waiting City" (2009) In The Waiting City, the latest offering by Australian director Claire McCarthy, Samrat Chakrabarti portrays Krishna, a hotel worker that an outwardly happy Australian couple, played by Radha Mitchell (Finding Neverland, Pitch Black) and Joel Edgerton (The Square, Star Wars: Episode II & III), befriend when they travel to Kolkata, India, to collect their adopted baby. Upon their arrival, they discover their arrangements have yet to be finalized, and must wait in this chaotic and foreign place. The vulnerability of their marriage begins to reveal itself as the intoxicating powers of the Indian city pull them in separate and unexpected directions.

Best know for his roles in Kissing Cousins, Shut Up and Sing and She Hate Me, I first encountered Chakrabarti on the silver screen at the Asian American International Film Festival in New York this summer, where he was featured in Sarba Das’ Karma Calling .

Samrat Chakrabarti and Rebecca Hazelwood in a scene from Amyn Kaderali’s Kissing Cousins, now available on DVD.

Samrat Chakrabarti and Rebecca Hazelwood in a scene from Amyn Kaderali’s Kissing Cousins, now available on DVD.

In Karma Calling, he is utterly charming as Rohit Rao, a call center employee in India (he calls himself Rob Roy when calling Americans) who dreams of visiting New York. When he develops a “You’ve Got Mail” friendship with Sonal Raj (played by Barnali Das), the daughter of Indian immigrants living a lonely life in New Jersey, the outcome is hopelessly romantic.

Barnali Das and Samrat Chakrabarti in Karma Calling

Barnali Das and Samrat Chakrabarti in Karma Calling


The New York based actor has been all over the map lately for his work in film and television, with roles in the upcoming Italian production Behind the Bodice alongside Irrfan Khan, the Bengali language film Dwando, the Indian independent film Bombay Summer, the American independent film Loins of Punjab Presents, and even a cameo in a new production from Bollywood’s Yash Raj films starring John Abraham. Television audiences may be familiar with his work on Law & Order (NBC), The Sopranos (HBO), Love Monkey (CBS) Hope and Faith (ABC), and Damages (FX).
Samrat Chakrabarti © Lia Chang

Samrat Chakrabarti © Lia Chang


I caught up with him at a performance of ONE, the Rock Musical, starring Manu Narayan, Paolo Montalban, Pearl Sun and Michael Winther at 59e59 Theatres last night, and he mentioned that he was very proud of his work in The Waiting City, which will have its world premiere screening in the Special Presentations lineup of the 2009 Toronto International Film Festival on September 17, 2009.

During filming, director McCarthy described The Waiting City as, “An intimate, complex love story, set against the exhilarating, epic backdrop of Calcutta – a place that I’ve filmed in before and have a deep connection with. It’s impossible not to be affected by this place and certainly, the characters in The Waiting City are totally transformed by the people here and their powerful homeland.”

McCarthy’s previous credits include the documentary, Sisters (which screened on ABC Television this year and follows the experiences of her strong-willed real life sister, Helena, who naively nose-dives into volunteer work in Calcutta) and the feature film, Cross Life which screened at the 2007 Sydney Film Festival and Pusan International Film Festival in Korea.

Screening Schedule
Thursday September 17 6:00PM VISA SCREENING ROOM (ELGIN)
Friday September 18 1:45PM SCOTIABANK THEATRE 1
Saturday September 19 6:15PM VARSITY 8

Ticket packages for the Festival are now available for purchase by cash, debit or Visa. Purchase online at tiff.net/thefestival, by phone at 416-968-FILM or 1-877-968-FILM (10 a.m. to 7 p.m., Monday through Friday, closed weekends and holidays) or in person at the Festival Box Office at Nathan Phillips Square (10 a.m. to 7 p.m., seven days a week), located at 100 Queen Street West, in the white tent, west of the square.

The Special Presentations programme is made possible through the generous sponsorship of American Movie Classics Company LLC.

About TIFF: TIFF is a charitable, not-for-profit, cultural organization whose mission is to transform the way people see the world. Its vision is to lead the world in creative and cultural discovery through the moving image. TIFF generates an annual economic impact of $135 million CAD and currently employs more than 100 full-time staff, 500 part-time and seasonal staff, and counts upon the largesse of over 2,000 volunteers year-round.
The Waiting City at TIFF
Samrat Chakrabarti

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Lia Chang is an actor, performance and fine art botanical photographer and an award-winning multimedia journalist. Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, VIBE, TV Guide, Daily Variety, Interior Design, American Theatre, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog. As a photographer and videographer, Lia is frequently tapped to collaborate with artists, organizations and companies in establishing their documentary photo archive. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden.

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Lia Chang: AAIFF 09 Photo Call: Karma Calling, You Don’t Know Jack and Children of Invention

Claustrophobia director Ivy Ho and La Frances Hui, Senior Program Officer of Cultural Programs and Performing Arts at the Asia Society. Photo by Lia Chang

Claustrophobia director Ivy Ho and La Frances Hui, Senior Program Officer of Cultural Programs and Performing Arts at the Asia Society. Photo by Lia Chang

So many movies, so little time.

Day 3 of the 32nd Asian American International Film Festival at Clearview Chelsea Cinemas and the School of Visual Arts Theater was a marathon day for me.

Several series of Short Films, as well as a One-on-One with Claustrophobia director Ivy Ho, conducted by La Frances Hui, Senior Program Officer of Cultural Programs and Performing Arts at the Asia Society, were taking place at the new Museum of Chinese in America building downtown.

My first film of the day was Sarba Das’ Karma Calling, starring Darshan Jariwala, Sulekha Das, Gargi Mukherjee, Samrat Chakrabarti and Kavi Ladnier.

I met up with my friend actor Manu Narayan, who was the moderator for the Karma Calling Q & A after the screening.

In Karma Calling, the Raj family is not a household comprised of stereotypical Asian model minorities living the American Dream.

Karma Calling Q & A. Photo by Lia Chang

Karma Calling Q & A. Photo by Lia Chang

It is a comedic riff on call centers in India, growing up in New Jersey, struggling with finances, and embracing the African American and Jewish cultures. Karma Calling was a Das Family affair with Sarba at the helm, her brother Sarthak Das serving as co-writer/producer, and their mother Sulekha Das, appearing in the film as a recently widowed relative, Mausi, the catalyst for a fount of comic disasters.
It was a family affair for the cast and crew of Karma Calling. (Photo by Lia Chang)

It was a family affair for the cast and crew of Karma Calling. (Photo by Lia Chang)


Novelist Ed Lin and his wife Cindy Cheung, Children of Invention director Tze Chun with his stars Crystal Liu and Cindy Cheung. Photos by Lia Chang

Novelist Ed Lin and his wife Cindy Cheung, Children of Invention director Tze Chun with his stars Crystal Liu and Cindy Cheung. Photos by Lia Chang

Outside the theater, I caught up with actress Cindy Cheung and her husband This is a Bust novelist Ed Lin.

Last night, Cheung was featured in the Festival’s Centerpiece presentation of Tze Chun’s Children of Invention as Elaine Cheng, a single immigrant mother of two. When the Cheng family’s home is foreclosed on, Elaine moves into a unit in an unfinished apartment building with her two young children. Looking for ways to make extra money, Elaine becomes involved in a pyramid scheme with dire consequences. The children are left to fend for themselves, and in her absence, they do the best they can. The movie has resonated at film festivals across the country.

You Don't Know Jack filmmaker Jeff Adachi and members of Jack Soo's family. Photo by Lia Chang

You Don't Know Jack filmmaker Jeff Adachi and members of Jack Soo's family. Photo by Lia Chang


Lia Chang and filmmaker Jeff Adachi

Lia Chang and filmmaker Jeff Adachi

I reconnected with Slanted Screen filmmaker Jeff Adachi, whose sophomore effort, a documentary about Jack Soo called You Don’t Know Jack, was truly inspiring.

I remember Jack Soo from his role as Detective Nick Yemana in the seminal television series Barney Miller, and as nightclub owner Sammy Fong from Flower Drum Song.

Adachi’s You Don’t Know Jack takes an intimate look at this Asian American pioneer’s path to success as a comedian, an actor, and as a singer whose recording of ‘For Once in My Life’ for the Motown Label preceded Stevie Wonder’s.

Filmmaker Jeff Adachi and actress/singer Pat Suzuki, who appeared with Jack Soo as Linda Low in Flower Drum Song on Broadway. Photo by Lia Chang

Filmmaker Jeff Adachi and actress/singer Pat Suzuki, who appeared with Jack Soo as Linda Low in Flower Drum Song on Broadway. Photo by Lia Chang

Jack Soo was born as Goro Suzuki on October 28, 1917, and raised in Oakland, CA. He was six-feet-tall, dapper and the ultimate hipster. Because of his height, he was turned down for hundreds of parts, but he followed his dreams to be an actor and refused to play stereotypical roles. You Don’t Know Jack features rare photographs of Soo’s life and career and fond recollections by his daughter, fellow cast members, high-school friends, and fans. It is a revealing portrait of how comedy, community and ethnic identity shaped this one-of-a-kind artist.

I chatted with Jeff after the screening and will feature his interview at a later date.

Samrat Chakrabarti, Kavi Ladnier, Cindy Cheung and Manu Narayan. Eileen Rivera, Robert Lee, Manu Narayan and Orville Mendoza. (Photos by Lia Chang)

Samrat Chakrabarti, Kavi Ladnier, Cindy Cheung and Manu Narayan. Eileen Rivera, Robert Lee, Manu Narayan and Orville Mendoza. (Photos by Lia Chang)

We headed over to the School of Visual Arts Theater for the screening of Tze Chun’s Children of Invention, starring Cindy Cheung, Michael Chen, Crystal Chiu, Katie Kreisler and Stephen Gevedon. The film played to a packed house and the New York Asian American film and theatrical community came out to support Cindy and Crystal, who were the belles of the ball, and director Tze Chun.
(l-r) NY 1 Correspondent Vivian Lee, director Tze Chun, Crystal Chiu, Katie Kreisler, Cindy Cheung and Kieran Campion. Photo by Lia Chang

(l-r) NY 1 Correspondent Vivian Lee, director Tze Chun, Crystal Chiu, Katie Kreisler, Cindy Cheung and Kieran Campion. Photo by Lia Chang


After a bowl of Pho in Koreatown, I headed down to the afterparty at 310 Lounge in the East Village where the party was in full swing, and danced the night away.


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Lia Chang © Tami Chang

Lia Chang © Tami Chang

Lia Chang is an actor, performance and fine art botanical photographer and an award-winning multimedia journalist. Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, VIBE, TV Guide, Daily Variety, Interior Design, American Theatre, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog. As a photographer and videographer, Lia is frequently tapped to collaborate with artists, organizations and companies in establishing their documentary photo archive. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden.

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