Olivia Oguma, Ashley Bryant, Molly Carden, Emily S. Grosland, Joaquina Kalukango and Sade Namei in New York Premiere of Eve Ensler’s Emotional Creature, October 26-January 13, 2013

Ashley Bryant, Sade Namei, Olivia Oguma, Emily S. Grosland, Molly Carden, and Joaquina Kalukango in Eve Ensler’s Emotional Creature. Photo courtesy of kevinberne.com

Ashley Bryant, Sade Namei, Olivia Oguma, Emily S. Grosland, Molly Carden, and Joaquina Kalukango in Eve Ensler’s Emotional Creature. Photo courtesy of kevinberne.com

Producers Carole Black and Pat Mitchell are presenting the New York premiere of Emotional Creature, the new play written by Tony Award®-winning playwright, performer, activist, and The Vagina Monologues author Eve Ensler, directed by Obie Award-winner Jo Bonney (By the Way, Meet Vera Stark) with original music and musical direction by Charl-Johan Lingenfelder, in The Romulus Linney Courtyard Theatre at The Pershing Square Signature Center, 480 West 42nd St. (between Dyer & 10th Avenues) in New York. Direct from an acclaimed World Premiere at Berkeley Repertory Theatre, Emotional Creature opens Monday, November 12, 2012, with performances through January 13, 2013.

The cast of Emotional Creature includes Ashley Bryant (A Free Man of Color); Molly Carden (The Bird and the Two-Ton Weight at Ensemble Studio Theatre); Emily S. Grosland (Off Broadway debut); 2012 Theatre World Award Winner Joaquina Kalukango (Hurt Village); Sade Namei (The Flying Latke at The Flea) and Olivia Oguma (A Christmas Carol; Mamma Mia!).

Based on Ensler’s 2010 bestselling book, Emotional Creature explores what it is to be a girl – all the joys and thrills, the rites of passage, the growing pains, and the unique pressures – through a series of original monologues, stories and songs. This fully-staged production spans wildly disparate cultures and continents, highlighting the diversity and commonality of the issues girls face, both personal and political, the world over. Emotional Creature was first workshopped at New York Stage and Film at Vassar College in August 2010, with subsequent workshops in Johannesburg, South Africa and Paris, France.

Olivia Oguma

Olivia Oguma


Olivia Oguma has been involved with Emotional Creature since it’s 2010 New York Stage and Film workshop and comes directly from the world premiere production at Berkeley Rep. Broadway and National Tour: Mamma Mia, A Christmas Carol, Les Miserables, Disney’s High School Musical (1st national tour). Off-Broadway: BFE (Playwrights Horizons), La Dispute (NAATCO), Sarah Plain and Tall (Lortel Theater). Regional: Snow Falling on Cedars (Portland Centerstage), 25th Annual Putnam County Spelling Bee (Papermill Playhouse), Miss Saigon (North Carolina Theater & Actors Playhouse), Honk! (Two River Theater), The Skin of Our Teeth (Bristol Riverside Theater), BFE (Long Wharf Theater; Winner of CT Critics Circle Award for Best Debut Performance), Disney’s High School Musical (Atlanta TOTS & Pittsburgh CLO). TV/Film: Han on “The Big C,” “Law & Order,” “The New Electric Company,” “As the World Turns,” “All My Children,” Hallmark Hall of Fame’s The Flamingo Rising, “Strangers with Candy.”

The creative team for Emotional Creature The production features choreography by Luam, scenic and costume design by Myung Hee Cho, lighting design by Lap Chi Chu and projection design by Shawn Sagady.

Performance Schedule:
Tuesdays at 7:30pm
Wednesdays at 2pm & 7:30pm
Thursdays at 7:30pm
Fridays at 7:30pm
Saturdays at 2pm & 8pm
Sundays at 7:30pm
The approximate running time of Emotional Creature is 90 minutes with no intermission.

*There will be no performance on:
Tuesday, November 13
Sunday, November 18 at 7:30 pm
Thursday, November 22
Tuesday, December 25
Tuesday, January 1

**There will be additional performances on:
Sunday, November 18 at 3pm
Sunday, November 25 at 3pm
Sunday, December 30 at 3pm
Sunday, January 6 at 3pm

Tickets for Emotional Creature are $75.00 can be purchased at www.ticketcentral.com, by calling 212-279-4200, or at the Ticket Central box office (416 W 42nd Street) Monday through Sunday, 12 – 8 PM. The performance schedule will be as follows: Tuesday at 7:30 PM, Wednesday at 2 PM & 7:30 PM, Thursday – Friday at 7:30 PM, Saturday at 2 PM & 8 PM, Sunday at 7:30 PM. For more information about Emotional Creature, visit www.emotionalcreature.com.

Other Articles by Lia Chang:
Photos and Video: Daniel Dae Kim, Ann Harada, Greg Watanabe and More at Jeanne Sakata’s Hold These Truths starring Joel de la Fuente
Signature Theatre’s Production of Golden Child by David Henry Hwang has been extended through December 16, 2012
Photos: Opening Night with Hold These Truths’ Playwright Jeanne Sakata and Star Joel de la Fuente, a Revelation as Gordon Hirabayashi; Performances Extended through November 25, 2012
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Mu Performing Arts’ Artistic Director Rick Shiomi takes home Ivey Award for Lifetime Achievement
Raul Aranas, Kate Baldwin, Brian d’Arcy James, P.J. Griffith, Bobby Steggert and Michele Pawk Set for New York Premiere of GIANT at The Public Theater, October 26-December 2, 2012
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Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang. Photo by Brianne Michelle Photography

Lia Chang is an actor, a performance and fine art botanical photographer, and an award-winning multi-platform journalist. She recently appeared in Lorey Hayes’ POWER PLAY.
All text, graphics, articles & photographs: © 2000-2012 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com

Lia Chang: Knock Me a Kiss Sweeps Audelcos with 9 Wins Including Best Dramatic Play, André De Shields, Marie Thomas, Charles Smith and Chuck Smith

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André De Shields as W.E.B. Du Bois with Erin Cherry, who play his daughter Yolande, in Charles Smith's Knock Me A Kiss. Photo by Lia Chang

André De Shields as W.E.B. Du Bois with Erin Cherry, who play his daughter Yolande, in Charles Smith's Knock Me A Kiss. Photo by Lia Chang

On Monday, November 14, 2011, Woodie King Jr.’s New Federal Theatre and Legacy Creative Arts Co.’s production of Charles Smith’s Knock Me a Kiss was the toast of the 39th Annual AUDELCO “VIV” Awards, given in recognition of Black Excellence in Theatre, at Harlem Stages within Aaron Davis Hall, located at the Marion Anderson Theatre, on 133th Street and Convent Avenue in New York City.
Morocco Omari, André De Shields, Marie Thomas, Erin Cherry, Sean Phillips, Gillian Glasco of Knock Me a Kiss have all been nominated for 2011 Audelco Awards.  Photo by Lia Chang

Morocco Omari, André De Shields, Marie Thomas, Erin Cherry, Sean Phillips, Gillian Glasco of Knock Me a Kiss have all been nominated for 2011 Audelco Awards. Photo by Lia Chang

In addition to top honors for Best Dramatic Play, Knock Me a Kiss won 9 of the 13 categories for which was it was nominated: André De Shields (Lead Actor), Marie Thomas (Supporting Actress), Charles Smith (Playwright), Chuck Smith (Director-Dramatic), Shirley Prendergast (Lighting), Ali Turns (Costumes), Anthony Davidson (Set Design) and Bill Toles (Sound Design).
André De Shields as W.E.B. Du Bois in Charles Smith's Knock Me A Kiss © Lia Chang

André De Shields as W.E.B. Du Bois in Charles Smith's Knock Me A Kiss © Lia Chang

Knock Me a Kiss is a fictional account inspired by the actual events surrounding the 1928 marriage of W.E.B. Du Bois’ (Andre De Shields) daughter Yolande (Erin Cherry) to one of Harlem’s great poets, Countee Cullen (Sean Phillips). The marriage marked the height of the Harlem Renaissance and was viewed as the perfect union of Negro talent and beauty. It united the daughter of America’s foremost Black intellectual, cofounder of the NAACP and publisher of Crisis Magazine, with a young poet whose work was considered to be one of the flagships for the New Negro movement. The marriage is a triumph of pomp and pageantry but fails to be a union of man and woman.
Erin Cherry and Marie Thomas Photo by Lia Chang

Erin Cherry and Marie Thomas Photo by Lia Chang


Charles Smith, playwright of Knock Me A Kiss  © Lia Chang

Charles Smith, playwright of Knock Me A Kiss © Lia Chang


Chuck Smith © LiaChang

Chuck Smith © Lia Chang


NY-1 Anchor Cheryl Wills and Def Poetry Jam co-founder Danny Simmons co-hosted the ceremony.
Below is the Complete List of Winners, congrats to all.

Best Dramatic Play – Knock Me A Kiss

Lead Actor – Andre De Shields – Knock Me A Kiss

Lead Actress – tied with Kimberlee Monroe – Nobody Knew Where They Was

and Sanaa Latham – By the Way, Meet Vera Stark

Supporting Actress – Marie Thomas – Knock Me A Kiss

Supporting Actor – Andre Holland – The Whipping Man

Outstanding Performance (Male) – Tommi Thompson – The Widow and Miss Mamie

Outstanding Performance (Female) – Toni Seawright – The Widow and Miss Mamie

Outstanding Musical Director – Ron Granger – The Widow and Miss Mamie

Solo Performance – Stephanie Berry – The Shaneequa Chronicles

Playwright: Charles Smith – Knock Me A Kiss

Director (Dramatic) – Chuck Smith – Knock Me A Kiss

Director (Musical) Production: Lee Kirk – The Widow and Miss Mamie

Lighting: Shirley Prendergast – Knock Me A Kiss

Set Design – Anthony Davidson – Knock Me A Kiss

Sound Design – Bill Toles – Knock Me A Kiss

Choreography – Tracy Jack – It Ain’t Nothin’ But the Blues

Costumes – Ali Turns – Knock Me A Kiss

Gillian Glasco, Erin Cherry and Morocco Omari in Knock Me a Kiss.  Photo by Lia Chang

Gillian Glasco, Erin Cherry and Morocco Omari in Knock Me a Kiss. Photo by Lia Chang


Production of the Year: Tie for The Widow and Miss Mamie and Ain’t Nothing But the Blues
New Federal Theatre producer Woodie King, Jr. © Lia Chang

New Federal Theatre producer Woodie King, Jr. © Lia Chang


Recipient of the Board of Director’s Award – Rome Neal, Jackie Jeffries, Jacquetta L. McMurray

Outstanding Pioneer Awards went to Felix E. Cochren, Mary Alice Smith, James Pringle

Special Achievement Awards: Clifford B. Simmons (Blue Nile Passage), Journalist, Playwright and Director Hazel Rosetta Smith, Fortune Society and the Significant Elders group

AUDELCO’s Rising Star Award: Eden Sanaa Duncan Smith (Lion King), (Fences) is a youth radio host on the Aunt Jewel’s Bedtime Stories show on Blakeradio.com, Rainbow Soul.

Honorary chairs for the 39th Annual AUDELCO Awards were LaTanya Richardson Jackson, Samuel L. Jackson, Hattie Winston and Harold Wheeler.

Knock Me A Kiss director Chuck Smith, playwright Charles Smith, André De Shields, and New Federal Theatre producer Woodie King on the set of Knock Me A Kiss at the Henry Street Settlement/Abrons Recital Hall in New York on November 11, 2010.  © Lia Chang

Knock Me A Kiss director Chuck Smith, playwright Charles Smith, André De Shields, and New Federal Theatre producer Woodie King on the set of Knock Me A Kiss at the Henry Street Settlement/Abrons Recital Hall on November 11, 2010. © Lia Chang


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Photos: David Henry Hwang, Jennifer Lim, Leigh Silverman, Samuel L. Jackson, Kenny Leon, David Ives, Douglas Carter Beane and More at The Drama Desk & Fordham University Theatre Program’s “Anatomy of a Breakout” Panel
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Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang Photo by Brianne Michelle Photography

Lia Chang Photo by Brianne Michelle Photography


Lia Chang is an actor, performance and fine art botanical photographer, and an award-winning multimedia journalist. Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang Photos: André De Shields, Erin Cherry, Gillian Glasco, Marie Thomas, Sean Phillips, Morocco Omari, Charles Smith and Chuck Smith Among 13 Audelco Nods for Knock Me a Kiss

André De Shields as W.E.B. Du Bois with Erin Cherry, who play his daughter Yolande, in Charles Smith's Knock Me A Kiss. Photo by Lia Chang

André De Shields as W.E.B. Du Bois with Erin Cherry, who play his daughter Yolande, in Charles Smith's Knock Me A Kiss. Photo by Lia Chang


When the 2011 Vivian Robinson/Audelco Awards are handed out at the HarlemStage/Aaron Davis Hall 133rd Street & Convent Avenue in New York on Monday, November 14,2011, I’ll be rooting for Woodie King Jr’s New Federal Theatre and Legacy Creative Arts Co. production of Knock Me A Kiss, which has been nominated for 13 Audelcos.
Morocco Omari, André De Shields, Marie Thomas, Erin Cherry, Sean Phillips, Gillian Glasco of Knock Me a Kiss have all been nominated for 2011 Audelco Awards.  Photo by Lia Chang

Morocco Omari, André De Shields, Marie Thomas, Erin Cherry, Sean Phillips, Gillian Glasco of Knock Me a Kiss have all been nominated for 2011 Audelco Awards. Photo by Lia Chang


The nominations include Charles Smith for Playwriting; André De Shields for Lead Actor; Erin Cherry for Lead Actress; Chuck Smith for Director of a Dramatic Production; Gillian Glasco for Supporting Actress; Marie Thomas for Supporting Actress; Sean Phillips for Supporting Actor; Morocco Omari for Supporting Actor; Shirley Prendergast for Lighting; Anthony Davidson for Set Design; Ali Turns for Costume Design; Bill Toles for Sound Design; and New Federal Theatre and Legacy Creative Arts Co. for Dramatic Production of the Year.
Erin Cherry as Yolande Du Bois and Sean Phillips as Countee Cullen in Charles Smith’s Knock Me a Kiss. © Lia Chang

Erin Cherry as Yolande Du Bois and Sean Phillips as Countee Cullen in Charles Smith’s Knock Me a Kiss. © Lia Chang


Knock Me a Kiss is a fictional account inspired by the actual events surrounding the 1928 marriage of W.E.B. Du Bois’ daughter Yolande to one of Harlem’s great poets, Countee Cullen. The marriage marked the height of the Harlem Renaissance and was viewed as the perfect union of Negro talent and beauty. It united the daughter of America’s foremost Black intellectual, cofounder of the NAACP and publisher of Crisis Magazine, with a young poet whose work was considered to be one of the flagships for the New Negro movement. The marriage is a triumph of pomp and pageantry but fails to be a union of man and woman.

The awards promote and celebrate African-American involvement in American Theatre. Samuel L. Jackson and his wife, LaTanya Richardson Jackson are serving as Honorary Co-Chairpersons for this year’s event. NY-1 Anchor Cheryl Wills and Def Poetry Jam co-founder Danny Simmons will be the co-hosts for the ceremony.

The Awards presentation kicks off at 6:30pm, followed by a gala reception from 10pm-11pm. Tickets are on sale now ($150 orchestra, $75 mezzanine and $35 balcony). For tickets, call (212) 368-6906.

Location:
HarlemStage/Aaron Davis Hall, Inc
133RD STREET & CONVENT AVENUE,
NEW YORK

Complete List of 2011 AUDELCO Nominees
LIGHTING DESIGN
Avan (Brothers from the Bottom)
James “Prez” Carter (The Shaneequa Chronicles)
Jeff Croiter (By the Way, Meet Vera Stark)
Shirley Prendergast (Knock Me a Kiss)
Colin D. Young (Henry V)

SET DESIGN
Felix E. Cochren (The Legend of Buster Neal)
Felix E. Cochren (The Right Reverend Dupree in Exile)
Chris Cumberbatch (The Shaneequa Chronicles)
Anthony Davidson (Knock Me a Kiss)
Neil Patel (By the Way, Meet Vera Stark)

COSTUME DESIGN
Rachel Dozier-Ezell (Henry V)
ESosa (By the Way, Meet Vera Stark)
Helen L. Simmons-Collen (The Right Reverend Dupree in Exile)
Ali Turns (Knock Me a Kiss)
David Withrow (Antony & Cleopatra)

SOUND DESIGN
John Gromada (By the Way, Meet Vera Stark)
Patricia Ju (Henry V)
Sean O’Halloran (Cool Blues)
Bill Toles (Knock Me a Kiss)
David D. Wright (Antony & Cleopatra)

Chuck Smith © LiaChang

Chuck Smith © Lia Chang


DIRECTOR/DRAMATIC PRODUCTION
Jackie Alexander (The Legend of Buster Neal)
Jo Bonney (By the Way, Meet Vera Stark)
Thomas Kail (When I Come to Die)
Petronia Paley (Antony & Cleopatra)
Chuck Smith (Knock Me a Kiss)

DIRECTOR/MUSICAL PRODUCTION
Daniel Beaty (Tearing Down the Walls)
Lee Kirk (The Widow and Miss Mamie)
Lorna Littleway (Juneteenth Blues Cabaret)
Alfred Preisser (It Ain’t Nothin’ But the Blues)
Ronald Wyche (Do Wop Love)

CHOREOGRAPHER
Leslie Dockery (The Shaneequa Chronicles)
Dell Howlett (Tearing Down the Walls)
Tracy Jack (It Ain’t Nothin’ But the Blues)
Michelle M. Robinson (Do Wop Love)

Charles Smith, playwright of Knock Me A Kiss  © Lia Chang

Charles Smith, playwright of Knock Me A Kiss © Lia Chang


PLAYWRIGHT
Jackie Alexander (The Legend of Buster Neal)
Nathan Louis Jackson (When I Come to Die)
Lynn Nottage (By the Way, Meet Vera Stark)
Roger Parris (Nobody Knew Where They Was)
Charles Smith (Knock Me a Kiss)
Eric Bogosian, John Earl Jelks, Lynn Nottage and Jo Bonney at the opening night party of  "By the Way, Meet Vera Stark" on May 9, 2011.  Photo by Lia Chang

Eric Bogosian, John Earl Jelks, Lynn Nottage and Jo Bonney at the opening night party of "By the Way, Meet Vera Stark" on May 9, 2011. Photo by Lia Chang


SUPPORTING ACTOR
Daniel Breaker (By the Way, Meet Vera Stark)
André Holland (The Whipping Man)
Morocco Omari (Knock Me a Kiss)
Sean Phillips (Knock Me a Kiss)
Jay Ward (Cool Blues)
Gillian Glasco, Erin Cherry and Morocco Omari in Knock Me a Kiss.  Photo by Lia Chang

Gillian Glasco, Erin Cherry and Morocco Omari in Knock Me a Kiss. Photo by Lia Chang


SUPPORTING ACTRESS
Gillian Glasco (Knock Me a Kiss)
Kimberly Hébert Gregory (By the Way, Meet Vera Stark)
Marie Thomas (Knock Me a Kiss)
Amanda Mason Warren (When I Come to Die)
Erin Cherry and Marie Thomas Photo by Lia Chang

Erin Cherry and Marie Thomas Photo by Lia Chang


OUTSTANDING PERFORMANCE IN A MUSICAL – FEMALE
Marvel Allen (The Widow and Miss Mamie)
Dameka Hayes (It Ain’t Nothin’ But the Blues)
Jannie Jones (Juneteenth Blues Cabaret)
Adrienne C. Moore (Tearing Down the Walls)
Toni Seawright (The Widow and Miss Mamie)
Kimberly Hébert Gregory  Photo by Lia Chang

Kimberly Hébert Gregory Photo by Lia Chang


OUTSTANDING PERFORMANCE IN A MUSICAL – MALE
Gerald Latham (It Ain’t Nothin’ But the Blues)
Jevon McFerrin (Tearing Down the Walls)
Tommie Thompson (The Widow and Miss Mamie)

OUTSTANDING MUSICAL DIRECTOR
Jeffrey Bolding (It Ain’t Nothin’ But the Blues)
Ron Granger (The Widow and Miss Mamie)
Charles Mack (Tearing Down the Walls)
Bert Price (Do Wop Love)
Ivan Thomas (Juneteenth Blues Cabaret)

MUSICAL PRODUCTION OF THE YEAR
Do Wop Love (National Black Theatre)
It Ain’t Nothin’ But the Blues (New Haarlem Arts Theatre)
Juneteenth Blues Cabaret (Juneteenth LegacyTheatre)
Tearing Down the Walls (New Heritage/Riverside Theatre/WalkTall Girl)
The Widow and Miss Mamie (Lee Kirk Productions)

OUTSTANDING ENSEMBLE PERFORMANCE
Accept “Except” (National Black Theatre)
Born Bad (Soho Rep)
Do Wop Love (National Black Theatre)
Playing with Heiner Müller (Castillo Theatre)
The Legend of Buster Neal (Billie Holiday Theatre)

SOLO PERFORMANCE
Stephanie Berry (The Shaneequa Chronicles)
Miche Braden (The Devil’s Music: The Life and Blues of Bessie Smith)
Cheryl Howard (The Sensational Josephine Baker)
Nilaja Sun (No Child)

André De Shields as W.E.B. Du Bois in Charles Smith's Knock Me A Kiss © Lia Chang

André De Shields as W.E.B. Du Bois in Charles Smith's Knock Me A Kiss © Lia Chang


LEAD ACTOR
André Braugher (The Whipping Man)
Chris Chalk (When I Come to Die)
André De Shields (Knock Me a Kiss)
Ty Jones (Henry V)
Ralph McCain (The Right Reverend Dupree in Exile)
Marcus Naylor (Cool Blues)

LEAD ACTRESS
Debra Ann Byrd (Antony & Cleopatra)
Erin Cherry (Knock Me a Kiss)
Terria Joseph (Cool Blues)
Sanaa Lathan (By the Way, Meet Vera Stark)
Kimberlee Monroe (Nobody Knew Where They Was)

DRAMATIC PRODUCTION OF THE YEAR
Antony & Cleopatra (Take Wing And Soar Productions)
By the Way, Meet Vera Stark (2nd Stage)
Knock Me a Kiss (New Federal Theatre/Legacy Creative Arts Co.)
The Legend of Buster Neal (Billie Holiday Theatre)
When I Come to Die (Lincoln Center Theatre)

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Lia Chang Photo by Brianne Michelle Photography

Lia Chang Photo by Brianne Michelle Photography


Lia Chang is an actor, performance and fine art botanical photographer, and an award-winning multimedia journalist. Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Geffen Playhouse Production Photos of Neil LaBute’s The Break of Noon starring Kevin Anderson, Tracee Chimo, Catherine Dent and John Earl Jelks, 1/25-3/6/11

Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney.  Photo by Michael Lamont

Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

Broadway veteran Kevin Anderson leads the cast of the Los Angeles run of the world premiere production of Neil LaBute’s The Break of Noon, helmed by Jo Bonney, which is currently in previews at the Geffen Playhouse, located on 10886 Le Conte Avenue. A co-production with MCC in New York, The Break of Noon cast includes Catherine Dent as well as Tracee Chimo and John Earl Jelks, who performed their roles in the New York portion of the run. Opening night for The Break of Noon is February 2, with performances continuing through March 6, 2011.
Kevin Anderson and John Earl Jelks in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

Kevin Anderson and John Earl Jelks in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

Kevin Anderson, who was recently nominated for a Tony Award for his role in Death of a Salesman, portrays the play’s central character, John Smith, a man who hears the voice of God during a tragic office shooting. Smith is a selfish, philandering liar – or at least he was. After the incident, this imperfect man reforms himself and goes on a mission to spread the word about a better way of life to everyone surrounding him: his wife and his wife’s cousin, both portrayed by Catherine Dent, known for her longtime role on The Shield; a morning talk show host and a call girl, both played by Tracee Chimo, who recently received the Eugene O’Neil Award for her role in Irena’s Vow; and his lawyer and the detective on the case, both played by Tony Award nominee John Earl Jelks (Radio Golf). But is Joe’s divine encounter merely a ploy for celebrity, a chance to escape his rocky past, or is it part of an infinite and almighty plan? In The Break of Noon, LaBute explores the trials and tribulations of a modern day prophet – and what he signifies in a jaded world that is thousands of years removed from burning bushes and stone tablets.
Kevin Anderson and Catherine Dent in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney.  Photo by Michael Lamont

Kevin Anderson and Catherine Dent in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

The production team includes set design by Neil Patel, costume design by Emilio Sosa, lighting design by David Wiener, sound design by, Darron L. West, with Christina Lowe as production stage manager.
Tracee Chimo and Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney.  Photo by Michael Lamont

Tracee Chimo and Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

The Break of Noon marks the fourth time LaBute’s work has been at the Geffen Playhouse; his past works at the theater include Fat Pig (also directed by Bonney), Some Girl(s) and Wrecks, all of which ran in the Audrey Skirball Kenis Theater.

The performance schedule for The Break of Noon is Tuesday – Friday 8:00pm, Saturday at 3:00pm and 8:00pm and Sunday at 2:00pm and 7:00pm. Ticket prices range from $37 – $57 for preview performances and from $47 – $77 for the regular run. Tickets are available at the Geffen Playhouse box office at 310-208-5454 or online at www.geffenplayhouse.com.

Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont


KEVIN ANDERSON (John Smith)
Kevin just returned from London’s West End and Dublin as Andy Dufresne in the new stage adaptation of The Shawshank Redemption. An ensemble member since 1984, other plays at Steppenwolf include I Never Sang for My Father, Our Town, Three Sisters, Earthly Possessions and Orphans, which took him to New York (Theatre World Award), London’s West End and eventually the movie with Albert Finney. Other Chicago credits include A Guide for the Perplexed (Victory Gardens); Pal Joey and Death of a Salesman (The Goodman); among others. Broadway and off-Broadway include Death of a Salesman (Outer Critics and Drama Desk awards, Tony® nomination), the musical Brooklyn, Orpheus Descending, Moonchildren, Brilliant Traces, The Red Address, Speaking in Tongues and Summer and Smoke. Other London theatre credits include the original Joe Gillis in Sunset Boulevard and Dinner with Friends. Some of his films include Charlotte’s Web, Miles from Home, In Country, Sleeping with the Enemy, Liebestraum, Hoffa, The Night We Never Met, Rising Sun, Firelight, A Thousand Acres, Eye of God, Doe Boy and the new Al Pacino docu-drama Wilde Salome. Cable films include Orpheus Descending, The Wrong Man, Hunt for the Unicorn Killer, Ruby’s Bucket of Blood, Monday Night Mayhem and Power and Beauty. He starred in the TV series Nothing Sacred, which earned him a Golden Globe nomination.

JO BONNEY (Director)
Neil LaBute’s Fat Pig (MCC/Geffen Playhouse) and Some Girl(s) (MCC); Culture Clash’s American Night (Oregon Shakespeare Festival); Darci Picoult’s Lil’s 90th (Long Wharf Theatre); Suzan-Lori Parks’ Father Comes Home from the Wars (Public LAB); Naomi Wallace’s The Hard Weather Boating Party and The Fever Chart; Michael Weller’s Beast (New York TheatreWorkshop); Alan Ball’s All that I Will Ever Be (NYTW); Eric Bogosian’s subUrbia, Charles Fuller’s A Soldier’s Play and Lisa Loomer’s Living Out (Second Stage); Will Power’s The Seven (NYTW & La Jolla Playhouse; Lortel Award, Best Musical); Christopher Shinn’s On the Mountain (Playwrights Horizons); Universes’ Slanguage (NYTW/Mark Taper Forum); Lanford Wilson’s Fifth of July (Signature Theatre; Lortel Award, Best Revival); José Rivera’s References to Salvador Dali Make Me Hot (The Public Theater); Diana Son’s Stop Kiss (The Public Theater); Jessica Goldberg’s Good Thing (The New Group); John Osborne’s Look Back in Anger (CSC); Danny Hoch’s Some People and Jails, Hospitals & Hip-Hop (USA/Britain); numerous solos by Eric Bogosian (USA/Britain). Recipient of a 1998 Obie Award for Sustained Excellence of Direction and editor of Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century (TCG). Upcoming: Lynn Nottage’s By the Way, Meet Vera Stark (Second Stage).

Tracee Chimo and Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

Tracee Chimo and Kevin Anderson in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont


TRACEE CHIMO (TV Host, Gigi)
Tracee was last seen as Regan in The Bachelorette. Broadway: Irena’s Vow. Off Broadway: Circle Mirror Transformation (Lucille Lortel nom, Drama Desk award for Outstanding Ensemble Performance), Vendetta Chrome, Guilty, Bushwhackin’, Vamp. Regional: Sundance ’08, Humana Festival/Actor’s Theatre of Louisville, The Cleveland Playhouse and Philadelphia Theatre Company. TV: Guest-star in the FX series Louie, Guiding Light. Film: Evening, What Would Jesus Do?, Daughters of Liberty and Wasted Time. Last year Tracee was honored by actress Marian Seldes and The O’Neill Studio, where she studied, with the Eugene O’Neill Award for her work in Irena’s Vow.
Kevin Anderson and Catherine Dent in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont

Kevin Anderson and Catherine Dent in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont


CATHERINE DENT (Ginger, Jesse)
Theater: (Broadway) Uncle Vanya (Off-Broadway) Amoeba Concerto (Regional) The Country, The Street of the Sun. TV: N.C.I.S., Law and Order: Los Angeles, The Closer, Rockford Files, Ghost Whisperer, Day One, Lie to Me, Natalee Holloway, The Shield, Law & Order: SVU, Criminal Minds, Sarah Connor Chronicles, Without A Trace, Numbers, Grey’s Anatomy, Seattle Serial Killer, Law and Order, Judging Amy, CSI, Taken, The Sopranos, Dharma and Greg, Third Watch, The X-Files, Frasier, L.A. Doctors, Chicago Hope, New York Under Cover. Film: Duress, 21 Grams, Auto Focus, The Majestic, Someone Like You, The Replicant, March 29 1997, Nobody’s Fool, Jaded.
Kevin Anderson and John Earl Jelks in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney.  Photo by Michael Lamont

Kevin Anderson and John Earl Jelks in the Geffen Playhouse production of Neil LaBute's The Break of Noon directed by Jo Bonney. Photo by Michael Lamont


JOHN EARL JELKS (Lawyer, Detective)
John was nominated for a Tony Award for his performance as “Sterling” in August Wilson’s Radio Golf, which he also toured to the McCarter, Goodman, Center Stage, Seattle Rep., Mark Taper and Yale Repertory theaters. Jelks also appeared with Phylicia Rashad on Broadway in August Wilson’s Gem of the Ocean as “Citizen” (after runs at the Goodman, Huntington, and Mark Taper theaters, where he won an NAACP Theater Award and an L.A. Ovation Award).
John Earl Jelks Photo by Lia Chang

John Earl Jelks Photo by Lia Chang

In 2008, Jelks won an AUDELCO Award for his work in the Off-Broadway revival of The First Breeze of Summer. Regional theater credits include Fetch Clay, Make Man at the McCarter Theatre, the world stage premiere of The Shawshank Redemption at the Gaiety Theatre in Ireland, Magnolia at the Goodman Theater, Joe Turner’s Come and Gone at the Penumbra Theatre Company and the Missouri Repertory Theatre, The Piano Lesson at the Lorraine Hansberry Theatre and Diary of a Black Man at the Union Square Theatre and the Shaw Theatre in London, England. Recently, Jelks appeared in Spike Lee’s film Miracle at St. Anna.

NEIL LaBUTE (Playwright)
Neil LaBute received his Master of Fine Arts degree in dramatic writing from New York University and was the recipient of a literary fellowship to study at the Royal Court Theatre, London and also attended the Sundance Institute’s Playwrights Lab. His films include In the Company of Men (New York Critics’ Circle Award for Best First Feature and the Filmmaker Trophy at the Sundance Film Festival), Your Friends and Neighbors, Nurse Betty, Possession, The Shape of Things (a film adaptation of his play by the same title), The Wicker Man, Lakeview Terrace and Death at a Funeral. LaBute’s plays include bash: latter-day plays, The Shape of Things, The Mercy Seat, The Distance From Here, Autobahn, Fat Pig (Olivier nomination for Best Comedy), Some Girls, This Is How It Goes, Wrecks, Filthy Talk for Troubled Times, In a Dark Dark House and reasons to be pretty (Tony Award nomination for Best Play). LaBute is also the author of Seconds of Pleasure, a collection of short fiction which was published by Grove Atlantic. His new play, In a Forest Dark and Deep, will open on London’s West End in 2011.

ABOUT THE GEFFEN PLAYHOUSE
The Geffen Playhouse has been a hub of the Los Angeles theater scene since opening its doors in 1995. Noted for its intimacy and celebrated for its world-renowned mix of classic and contemporary plays, provocative new works and musicals, the Geffen Playhouse continues to present a body of work that has garnered national recognition. Named in honor of entertainment mogul and philanthropist David Geffen, who made the initial donation to the theater, the company is helmed by Producing Director and President of the Board Gilbert Cates, Artistic Director Randall Arney, Managing Director Ken Novice and Chairman of the Board Frank Mancuso. Proudly associated with UCLA, the Geffen Playhouse welcomes an audience of more than 130,000 each year, and maintains an extensive education and outreach program, designed to engage young people and the community at large in the arts. For more information, visit www.geffenplayhouse.com.

ABOUT MCC THEATER
MCC Theater is one of New York City’s leading Off Broadway theater companies, committed to presenting New York and world premieres each season. When MCC Theater was founded in 1986, its mission was simple: to bring new theatrical voices to theater-going audiences. MCC Theater continues to accomplish this yearly through presentation of its mainstage works; its Literary Program, which actively seeks and develops new and emerging writers and its Education & Outreach Program, allowing more than 1,200 students yearly to experience theater, increase literacy and discover their own voices in the arts. Notable MCC Theater highlights include: the 2008 Tony Award-nominated Reasons to be Pretty by Neil LaBute, last season’s Fifty Words, the 2004 Tony-winning production of Bryony Lavery’s Frozen; Neil LaBute’s Fat Pig; Rebecca Gilman’s The Glory of Living; Marsha Norman’s Trudy Blue; Margaret Edson’s Pulitzer Prize-winning Wit; Tim Blake Nelson’s The Grey Zone and Alan Bowne’s Beirut. Over the years, the dedication to the work of new and emerging artists has earned MCC Theater a variety of awards. For a complete production history, visit www.mcctheater.org.

Other Articles by Lia Chang:
Kevin Anderson, Catherine Dent, Tracee Chimo, John Earl Jelks in Neil La Bute’s The Break of Noon at the Geffen 1/25-3/6
Photos: David Duchovny, John Earl Jelks, Amanda Peet,Tracee Chimo opening night of Neil LaBute’s The Break of Noon
Photos: Chinese New Year Festival at The Huntington in San Marino
Up Close and Personal with Darren Pettie, Star of The Milk Train Doesn’t Stop Here Anymore
A.B. Cruz III of Scripps Networks Interactive, Inc., Lillian Kimura To Receive 2011 Justice in Action Awards
Photos:The Working Theater’s Off-Broadway production of HONEY BROWN EYES by Stefanie Zadravec at The Clurman -2/6/11
Jarlath Conroy Leads Cast of Pinter’s The Homecoming at CENTERSTAGE in Baltimore, 1/26-2/20/11
Click here for the Lia Chang Articles Archive.


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All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com.

Lia Chang: Kevin Anderson and Catherine Dent Join Tracee Chimo and John Earl Jelks in Neil La Bute’s The Break of Noon for LA Run at the Geffen Playhouse, 1/25-3/6

John Earl Jelks and Tracee Chimo at the opening night afterparty at 49 Grove for MCC's production of Neil LaBute's The Break of Noon in New York on November 22, 2010 Photo by Lia Chang

John Earl Jelks and Tracee Chimo at the opening night afterparty at 49 Grove for MCC's production of Neil LaBute's The Break of Noon in New York on November 22, 2010 Photo by Lia Chang


Broadway veteran Kevin Anderson leads the cast in the Los Angeles run of the world premiere production of Neil LaBute’s The Break of Noon. The Break of Noon, which is a co-production with MCC in New York, will feature Catherine Dent as well as Tracee Chimo and John Earl Jelks, who performed their roles in the New York portion of the run. Helmed by director Jo Bonney, The Break of Noon begins in previews on January 25, 2011 and officially opens February 2, 2011.

Kevin Anderson, who was recently nominated for a Tony Award for his role in Death of a Salesman, portrays the play’s central character, John Smith, a man who hears the voice of God during a tragic office shooting. Smith is a selfish, philandering liar – or at least he was. After the incident, this imperfect man reforms himself and goes on a mission to spread the word about a better way of life to everyone surrounding him: his wife and his wife’s cousin, both portrayed by Catherine Dent, known for her longtime role on The Shield; a morning talk show host and a call girl, both played by Tracee Chimo, who recently received the Eugene O’Neil Award for her role in Irena’s Vow; and his lawyer and the detective on the case, both played by Tony Award nominee John Earl Jelks (Radio Golf). But is Joe’s divine encounter merely a ploy for celebrity, a chance to escape his rocky past, or is it part of an infinite and almighty plan? In The Break of Noon, LaBute explores the trials and tribulations of a modern day prophet – and what he signifies in a jaded world that is thousands of years removed from burning bushes and stone tablets.

The production team includes set design by Neil Patel, costume design by Emilio Sosa, lighting design by David Wiener, sound design by, Darron L. West, with Christina Lowe as production stage manager.

The Break of Noon marks the fourth time LaBute’s work has been at the Geffen Playhouse; his past works at the theater include Fat Pig (also directed by Bonney), Some Girl(s) and Wrecks, all of which ran in the Audrey Skirball Kenis Theater. The Break of Noon runs from January 25 to March 6, 2011.

The performance schedule is Tuesday – Friday 8:00pm, Saturday at 3:00pm and 8:00pm and Sunday at 2:00pm and 7:00pm. Ticket prices range from $37 – $57 for preview performances and from $47 – $77 for the regular run. Tickets are on sale now at the Geffen Playhouse box office at 310-208-5454 or online at www.geffenplayhouse.com.

Tracee Chimo, David Duchovny, Amanda Peet and John Earl Jelks at the opening night curtain call of MCC Theater's world premiere of Neil LaBute's The Break of Noon at the Lucille Lortel in New York on November 22, 2010. Photo by Lia Chang

Tracee Chimo, David Duchovny, Amanda Peet and John Earl Jelks at the opening night curtain call of MCC Theater's world premiere of Neil LaBute's The Break of Noon at the Lucille Lortel in New York on November 22, 2010. Photo by Lia Chang


The New York production of The Break of Noon, starring David Duchovny, Amanda Peet, Tracee Chimo and John Earl Jelks has been extended through December 22, 2010 at the Lucille Lortel Theatre (121 Christopher Street, NYC). The show is playing the following schedule for the extension due to the holiday:
Thursday, December 16 at 8:00 p.m.
Friday, December 17 at 8:00 p.m.
Saturday, December 18 at 2:00 & 8:00 p.m.
Sunday. December 19 at 3:00 p.m.
Monday, December 20 at 7:00 p.m.
Tuesday, December 21 at 7:00 p.m.
Wednesday, December 22 at 2:00 & 7:00 p.m.

Subscriptions for MCC’s 2010-2011 season are on-sale now and priced as low as $99 for the 3-play season. For more information visit www.mcctheater.org or to purchase packages, contact TicketCentral directly at www.ticketcentral.com or call 212-279-4200.

KEVIN ANDERSON (John Smith)
Kevin just returned from London’s West End and Dublin as Andy Dufresne in the new stage adaptation of The Shawshank Redemption. An ensemble member since 1984, other plays at Steppenwolf include I Never Sang for My Father, Our Town, Three Sisters, Earthly Possessions and Orphans, which took him to New York (Theatre World Award), London’s West End and eventually the movie with Albert Finney. Other Chicago credits include A Guide for the Perplexed (Victory Gardens); Pal Joey and Death of a Salesman (The Goodman); among others. Broadway and off-Broadway include Death of a Salesman (Outer Critics and Drama Desk awards, Tony® nomination), the musical Brooklyn, Orpheus Descending, Moonchildren, Brilliant Traces, The Red Address, Speaking in Tongues and Summer and Smoke. Other London theatre credits include the original Joe Gillis in Sunset Boulevard and Dinner with Friends. Some of his films include Charlotte’s Web, Miles from Home, In Country, Sleeping with the Enemy, Liebestraum, Hoffa, The Night We Never Met, Rising Sun, Firelight, A Thousand Acres, Eye of God, Doe Boy and the new Al Pacino docu-drama Wilde Salome. Cable films include Orpheus Descending, The Wrong Man, Hunt for the Unicorn Killer, Ruby’s Bucket of Blood, Monday Night Mayhem and Power and Beauty. He starred in the TV series Nothing Sacred, which earned him a Golden Globe nomination.

JO BONNEY (Director)
Neil LaBute’s Fat Pig (MCC/Geffen Playhouse) and Some Girl(s) (MCC); Culture Clash’s American Night (Oregon Shakespeare Festival); Darci Picoult’s Lil’s 90th (Long Wharf Theatre); Suzan-Lori Parks’ Father Comes Home from the Wars (Public LAB); Naomi Wallace’s The Hard Weather Boating Party and The Fever Chart; Michael Weller’s Beast (New York TheatreWorkshop); Alan Ball’s All that I Will Ever Be (NYTW); Eric Bogosian’s subUrbia, Charles Fuller’s A Soldier’s Play and Lisa Loomer’s Living Out (Second Stage); Will Power’s The Seven (NYTW & La Jolla Playhouse; Lortel Award, Best Musical); Christopher Shinn’s On the Mountain (Playwrights Horizons); Universes’ Slanguage (NYTW/Mark Taper Forum); Lanford Wilson’s Fifth of July (Signature Theatre; Lortel Award, Best Revival); José Rivera’s References to Salvador Dali Make Me Hot (The Public Theater); Diana Son’s Stop Kiss (The Public Theater); Jessica Goldberg’s Good Thing (The New Group); John Osborne’s Look Back in Anger (CSC); Danny Hoch’s Some People and Jails, Hospitals & Hip-Hop (USA/Britain); numerous solos by Eric Bogosian (USA/Britain). Recipient of a 1998 Obie Award for Sustained Excellence of Direction and editor of Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century (TCG). Upcoming: Lynn Nottage’s By the Way, Meet Vera Stark (Second Stage).

TRACEE CHIMO (TV Host, Gigi)
Tracee was last seen as Regan in The Bachelorette. Broadway: Irena’s Vow. Off Broadway: Circle Mirror Transformation (Lucille Lortel nom, Drama Desk award for Outstanding Ensemble Performance), Vendetta Chrome, Guilty, Bushwhackin’, Vamp. Regional: Sundance ’08, Humana Festival/Actor’s Theatre of Louisville, The Cleveland Playhouse and Philadelphia Theatre Company. TV: Guest-star in the FX series Louie, Guiding Light. Film: Evening, What Would Jesus Do?, Daughters of Liberty and Wasted Time. Last year Tracee was honored by actress Marian Seldes and The O’Neill Studio, where she studied, with the Eugene O’Neill Award for her work in Irena’s Vow.

CATHERINE DENT (Ginger, Jesse)
Theater: (Broadway) Uncle Vanya (Off-Broadway) Amoeba Concerto (Regional) The Country, The Street of the Sun. TV: N.C.I.S., Law and Order: Los Angeles, The Closer, Rockford Files, Ghost Whisperer, Day One, Lie to Me, Natalee Holloway, The Shield, Law & Order: SVU, Criminal Minds, Sarah Connor Chronicles, Without A Trace, Numbers, Grey’s Anatomy, Seattle Serial Killer, Law and Order, Judging Amy, CSI, Taken, The Sopranos, Dharma and Greg, Third Watch, The X-Files, Frasier, L.A. Doctors, Chicago Hope, New York Under Cover. Film: Duress, 21 Grams, Auto Focus, The Majestic, Someone Like You, The Replicant, March 29 1997, Nobody’s Fool, Jaded.

John Earl Jelks Photo by Lia Chang

John Earl Jelks Photo by Lia Chang


JOHN EARL JELKS (Lawyer, Detective)
John was nominated for a Tony Award for his performance as “Sterling” in August Wilson’s Radio Golf, which he also toured to the McCarter, Goodman, Center Stage, Seattle Rep., Mark Taper and Yale Repertory theaters. Jelks also appeared with Phylicia Rashad on Broadway in August Wilson’s Gem of the Ocean as “Citizen” (after runs at the Goodman, Huntington, and Mark Taper theaters, where he won an NAACP Theater Award and an L.A. Ovation Award). In 2008, Jelks won an AUDELCO Award for his work in the Off-Broadway revival of The First Breeze of Summer. Regional theater credits include Fetch Clay, Make Man at the McCarter Theatre, the world stage premiere of The Shawshank Redemption at the Gaiety Theatre in Ireland, Magnolia at the Goodman Theater, Joe Turner’s Come and Gone at the Penumbra Theatre Company and the Missouri Repertory Theatre, The Piano Lesson at the Lorraine Hansberry Theatre and Diary of a Black Man at the Union Square Theatre and the Shaw Theatre in London, England. Recently, Jelks appeared in Spike Lee’s film Miracle at St. Anna.

NEIL LaBUTE (Playwright)
Neil LaBute received his Master of Fine Arts degree in dramatic writing from New York University and was the recipient of a literary fellowship to study at the Royal Court Theatre, London and also attended the Sundance Institute’s Playwrights Lab. His films include In the Company of Men (New York Critics’ Circle Award for Best First Feature and the Filmmaker Trophy at the Sundance Film Festival), Your Friends and Neighbors, Nurse Betty, Possession, The Shape of Things (a film adaptation of his play by the same title), The Wicker Man, Lakeview Terrace and Death at a Funeral. LaBute’s plays include bash: latter-day plays, The Shape of Things, The Mercy Seat, The Distance From Here, Autobahn, Fat Pig (Olivier nomination for Best Comedy), Some Girls, This Is How It Goes, Wrecks, Filthy Talk for Troubled Times, In a Dark Dark House and reasons to be pretty (Tony Award nomination for Best Play). LaBute is also the author of Seconds of Pleasure, a collection of short fiction which was published by Grove Atlantic. His new play, In a Forest Dark and Deep, will open on London’s West End in 2011.

ABOUT THE GEFFEN PLAYHOUSE
The Geffen Playhouse has been a hub of the Los Angeles theater scene since opening its doors in 1995. Noted for its intimacy and celebrated for its world-renowned mix of classic and contemporary plays, provocative new works and musicals, the Geffen Playhouse continues to present a body of work that has garnered national recognition. Named in honor of entertainment mogul and philanthropist David Geffen, who made the initial donation to the theater, the company is helmed by Producing Director and President of the Board Gilbert Cates, Artistic Director Randall Arney, Managing Director Ken Novice and Chairman of the Board Frank Mancuso. Proudly associated with UCLA, the Geffen Playhouse welcomes an audience of more than 130,000 each year, and maintains an extensive education and outreach program, designed to engage young people and the community at large in the arts. For more information, visit www.geffenplayhouse.com.

Other Articles by Lia Chang
Photos: David Duchovny, John Earl Jelks, Amanda Peet,Tracee Chimo opening night of Neil LaBute’s The Break of Noon
John Earl Jelks is featured in MCC Theater’s world premiere of Neil LaBute’s The Break of Noon at the Lucille Lortel
Costume Designer Karen Perry- Audelco Nod for The Public Theatre’s Brother/Sister Trilogy by Tarell Alvin McCraney
André De Shields leads cast of Charles Smith’s Knock Me A Kiss at Abrons Arts Center
MIAAC Screens Ashes & The Waiting City, two films featuring Samrat Chakrabarti at SVA Theater
STORIES FROM CHINESE AMERICA: The Arthur Dong Collection, Vol. 2 as 4 disc DVD Box Set
Lia Chang: Velina Hasu Houston’s Calligraphy Set for World Premiere at LATC
Denise Burse and Peter Jay Fernandez Featured in INTAR Reading of Andrew Dolan’s The Many Mistresses of Martin Luther King
Photos & Video Disney’s The Lion King Las Vegas-In the Makeup Chair with Thom Sesma
Photo Call: BD Wong and the Cast of Heading East at the Asia Society
Multimedia: Promises, Promises’ Stars Kristin Chenoweth and Sean Hayes at Lord & Taylor Fifth Ave
Derek Walcott’s White Egrets Due Out March 2010
Yellow Face Reading & Book Signing w/ David Henry Hwang, Kathryn Layng, Francis Jue, w/ guest Edward Albee
Classical Theatre of Harlem’s Archbishop Supreme Tartuffe, MTC’s Ruined are Top Winners at 2009 Audelcos
Photo Call: Derek Walcott’s Marie Laveau
Zooman and The Sign Opening Night Party
Celebrating Woodie King
Click here for the Lia Chang Articles Archive.


Bookmark and Share

All text, graphics, articles & photographs: © 2000-2010 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachang@hotmail.com.

Lia Chang

Lia Chang


Lia Chang is an actor, performance and fine art photographer and an award-winning multimedia journalist.

Lia Chang is an actor, performance and fine art botanical photographer, an award-winning multimedia journalist.

As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden.

This year, selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space will become part of newly created LIA CHANG THEATER PHOTOGRAPHY PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, VIBE, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.

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