Chay Yew Directs A.C.T.’s World Premiere of Stuck Elevator, April 4-28, 2013

American Conservatory Theater (A.C.T.) is presenting the world premiere of Stuck Elevator at A.C.T.’s Geary Theater (415 Geary Street, San Francisco), April 4–28, 2013. Press night is Tuesday, April 16, 2013. Tickets (starting at $20) are on sale now and may be purchased online at act-sf.org or by calling 415.749.2228.

Stuck Elevator is a visionary musical work based on the true story of Guāng (光), a Chinese deliveryman who was trapped in a Bronx elevator for 81 hours. Sounding the alarm will open the doors to freedom, but calling for help also means calling for attention—with dire consequences for this undocumented immigrant. Suspended between the upward mobility of the American dream and the downward plunge into an empty abyss, Guāng delves into memories of his past and into nightmares of present predicament, all within the confines of a 4′ by 6′ by 8′ metal box.

Chay Yew. Photo by Lia Chang

Inventively staged by internationally acclaimed artist Chay Yew—and introducing the prodigious work of composer Byron Au Yong and librettist Aaron Jafferis—Stuck Elevator unleashes an evocative collision of stories, sounds, instruments, and ideas.

Featuring a hybrid of musical theater, opera, and solo performance, Stuck Elevator will feature Julius Ahn (Madame Butterfly at Nashville Opera; Turandot at Seattle Opera) in the tour-de-force role of Guāng. He is joined by an extraordinary ensemble of performers—all of whom play multiple roles—including Raymond J. Lee (Anything Goes and Mamma Mia! on Broadway) as Wáng Yuè (王越), Guāng’s 8-year-old son; Marie-France Arcilla (Working at Off-Broadways’ 59E59 Theaters; Sondheim on Sondheim at the Cleveland Playhouse) as Míng (明), Guāng’s wife; Joel Perez (In the Heights , 1st national tour; Fun Home at the Public Theater) as Marco, the wisecracking Mexican deliveryman; and Joseph Anthony Foronda (Pacific Overtures and Miss Saigon on Broadway) as Zhōng Yi (忠佚), Guāng’s brother-in-law.

Says A.C.T. Artistic Director Carey Perloff: “I discovered this remarkable piece at the Sundance Playwrights Lab, where it leapt to the fore because of its astonishing originality. Who would have thought you could turn the true story of a frightened Chinese deliveryman stuck in an elevator into a hilarious and heartbreaking musical about hunger, immigration, family, dreams, and duck sauce? This richly imagined piece of musical theater is a wonderful tribute to San Francisco’s vibrant Chinese culture and a thrilling example of a commitment to new work that defies the boundaries and uses all the tools of theater to create something entirely new.”

A.C.T. will offer numerous InterACT events—many of which are presented free of charge—in association with Stuck Elevator that will give patrons opportunities to get closer to the action while making a whole night out of their evening at the theater:

Audience Prologue: Tue., April 9, at 5:30 p.m.
Before the curtain goes up, get behind the artistic process at this fascinating preshow discussion with the director and artistic staff.

Theater on the Couch: Fri., April 12, following the 8 p.m. performance
Led by Mason Turner, chief of psychiatry at San Francisco’s Kaiser Permanente Medical Center, this exciting postshow discussion series explores the minds, motives, and behaviors of the characters and addresses audience questions.

Audience Exchanges: Tue., Apr. 16, at 7 p.m. | Sun., Apr. 21, at 2 p.m. | Wed., Apr. 24, at 2 p.m.
After the show, stick around for a lively Q&A session with the actors and artists who create the work onstage.

OUT with A.C.T.: Wed., April 17, following the 8 p.m. performance
The best LGBT night in town! Mingle with the cast and enjoy free drinks and treats at this popular afterparty. Visit www.act-sf.org/out for information about how to subscribe to OUT nights (and other InterACT events) throughout the season.

Wine Series: Tue., April 23, at 7 p.m.
Before the show, raise a glass at this wine tasting event featuring leading sommeliers from the Bay Area’s hottest local wineries.

PlayTime: Saturday, April 27, at 12:30 p.m.
Before this matinee performance, get hands-on with theater with the artists who make it happen at this interactive workshop.

The creative team for Stuck Elevator includes scenic designer Daniel Ostling (Endgame and Play and Once in a Lifetime at A.C.T.; Clybourne Park on Broadway), costume designer Myung Hee Cho (Lackawanna Blues at A.C.T.; Emotional Creature at Berkeley Rep); lighting designer Alexander V. Nichols(Endgame and Play at A.C.T.; Hugh Jackman Back on Broadway and Wishful Drinking on Broadway); video designer Maya Ciarrochi (Sweet Bird of Youth at The Goodman Theatre; Arthur Miller’s All My Sons at the Huntington Theater Company); and sound designer Mikhail Fiksel (Black n Blue Boys at Berkeley Rep; In the Next Room (or the Vibrator Play) at St. Louis Repertory).

A.C.T.’s production of Stuck Elevator is sponsored by BNY Mellon Wealth Management. Stuck Elevator is made possible by executive producers Fred M. Levin and Nancy Livingston, The Shenson Foundation; producers Richard Davis and Bill Lowell; Don and Judy McCubbin; David and Carla Riemer and Nola Yee; and associate producer Martha Hertelendy. A.C.T. would like to acknowledge its 2012–13 company sponsors The Bernard Osher Foundation; Ms. Joan Danforth; Ray and Dagmar Dolby; Frannie Fleishhacker; Priscilla and Keith Geeslin;Marcia and John Goldman; James C. Hormel and Michael P. Nguyen; Koret Foundation; Fred M. Levin and Nancy Livingston, The Shenson Foundation; Burt and Deedee McMurtry; Arthur and Toni Rembe Rock;Patti and Rusty Rueff; Ms. Kathleen Scutchfield; Mary and Steven Swig; Doug Tilden and Teresa Keller; and Jeff and Laurie Ubben.

BIOGRAPHIES
BYRON AU YONG (Composer) combines folk and avant-garde music to create theatrical works that the Seattle Post-Intelligencer calls “a beguiling hybrid of cultures.” His works have been performed in theaters, museums, and site-specific locations that include the Hochschule für Musik und Theater Hamburg, the Tokyo Art Museum, and the Seattle Aquarium. Projects include Farewell: A Fantastical Contemplation on America’s Relationship with China (Spectrum Dance Theatre/Seattle Theatre Group), Yiju 移居: Songs of Dislocation (an audio night-garden developed at the Jack Straw New Media Gallery), and Tzu Lho: Simmering Songs (The Esoterics, Stanford Chorale). International events include Salt Lips Touching (premiered outside a Confucian Temple at the Jeonju Sanjo Festival), and Forbidden Circles (Fukuoka Gendai Hogaku Festival, International House of Japan). Learn more at his website: www.hearbyron.com.

AARON JAFFERIS (Librettist) is a hip-hop poet and playwright whose works include Kingdom (Old Globe, ReVision Theatre; Richard Rodgers Award; Best Musical and Best Book of 2008–09 (Newark Star-Ledger); Most Promising New Musical (2006 New York Musical Theatre Festival); Shakespeare: The Remix (TheatreWorks/Palo Alto, St. Louis Black Rep, Capital Rep, Zachary Scott Theatre, International Festival of Arts & Ideas); and No Lie (Nuyorican Poets Café, H.E.R.E., Passage Theatre). He has performed his poetry at Madison Square Garden, the Kennedy Center and the National Poetry Slam Championships, where he is a former Open Rap Slam champion. His poetry has been performed by the Urban Bush Women and published in The Nation. For the last decade he has taught playwriting, poetry, and hip-hop theater in urban high schools, middle schools, and detention centers in his hometown of New Haven, CT. Learn more at his website: www.aaronjafferis.com.

CHAY YEW (Director) has directed world premieres by José Rivera, Naomi Iizuka, Kia Corthron, Julia Cho, David Adjmi, Rha Goddess, Universes, Alec Mapa, and Brian Freeman. He is a recipient of the OBIE Award and DramaLogue Award for Direction. Directing credits include Brainpeople (A.C.T.); Durango (Public Theater and Long Wharf); The Architecture of Loss (New York Theatre Workshop); Cool Dip in the Barren Sahara Crick (Playwrights Horizons); Low (Public Theater, Actors Theatre of Louisville, Cincinnati Playhouse, Pillsbury Theatre); Citizen 13559: The Diary of Ben Uchida (Kennedy Center); Universes’ Ameriville (Actors Theatre of Louisville, Public Theater, Round House Theatre, Southern Repertory Theatre and Curious Theatre); Our Town (Oregon Shakespeare Festival); Boleros for the Disenchanted (Huntington Theatre); and Antebellum (Woolly Mammoth Theatre).

Other articles by Lia Chang:
Party 3.0, Scenes from Version 3.0, A New Anthology of Asian American Plays, Edited by Chay Yew at Zacek McVay Theater
Version 3.0, a major new collection of contemporary Asian American plays edited by Chay Yew
Victory Gardens appoints renowned director and playwright Chay Yew as its new Artistic Director
Chay Yew’s Visible Cities at The Studio Theatre on Theatre Row
Photos: All-Access Pass to August Wilson’s Two Trains Running with John Earl Jelks, Harvy Blanks,Chuck Cooper, Anthony Chisholm, Owiso Odera, Roslyn Ruff and James A. Williams
Paper Dolls at the Tricycle Theatre Extends through April 28, 2013
NAATCO Presents A Dream Play at Here, March 22 – April 13, 2013
Signature Theatre’s 2013-14 Season Features New Works by Albee, Hwang, Enos, Taylor, Wilson, Clarke and Jacobs-Jenkins
Signature Theatre’s Revival of David Henry Hwang’s The Dance and The Railroad Set for Wuzhen Theatre Festival in Wuzhen, China, May 9-12, 2013
Photos: David Henry Hwang’s The Dance and The Railroad Opening Night
Photos: All-Access Pass to Disney’s Aladdin at The Muny with Thom Sesma, Francis Jue, Robin De Jesus, John Tartaglia, Jason Graae, Curtis Holbrook, Eddie Korbich, Samantha Massell and Ken Page
Performing Arts Images from the Asian American Pacific Islander Collection on Display at the Library of Congress to Celebrate APA Heritage Month
Photos: Yellow Fever Playwright Rick Shiomi Explores New Territory with An All-Female Cast
Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang

Lia Chang is an actor, a performance and fine art botanical photographer, and an award-winning multi-platform journalist.

All text, graphics, articles & photographs: © 2000-2013 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com

Lia Chang: Party 3.0, Scenes from Version 3.0, A New Anthology of Asian American Plays, Edited by Chay Yew at Zacek McVay Theater on 12/4

Lia Chang, David Henry Hwang, BD Wong and Chay Yew at the opening night party of the Broadway production of Hwang's Chinglish at Brassiere 8 1/2 in New York on October 27, 2011.

The Victory Gardens Theater, Silk Road Rising, and Theatre Communications Group is presenting Party 3.0, a selection of scenes from VERSION 3.0, published by TCG Books, directed by Chay Yew on December 4, 2011 from 5-7pm in the Zacek McVay Theater, 2433 North Lincoln Avenue in Chicago. Admission is free.

The evening kicks off with a brief reading of excerpts from the new anthology of contemporary Asian American drama entitled Version 3.0, edited by Victory Gardens’ Artistic Director, Chay Yew, and hot off the press from TCG Books. Version 3.0 features a foreward by David Henry Hwang (Chinglish, M. Butterfly), and includes work by today’s foremost Asian American playwrights including Julia Cho, Diana Son, Chay Yew, Han Ong, Alice Tuan and others. Version 3.0 will be available for purchase at the event, and Yew will be on hand to sign copies.

Then Yew and Luis Alfaro, award-winning playwright, poet and activist (author of Oedipus El Rey, VG’s summer 2012 show) will chat about the anthology and the current state of the art.

Version 3.0
Contemporary Asian American Plays
Edited by Chay Yew
Cover design by Bob Stern
Paperback 680 pages
$22.95 978-1-55936-363-1

Zacek McVay Theater
Victory Gardens Theater
2433 North Lincoln Avenue
Chicago
5-7pm
Click here to register.
Contact Daniel Reinglass at the Victory Gardens Theater, 773-549-5788, or via email tickets@victorygardens.org, for more information.

Lia Chang is an actor, performance and fine art botanical photographer, and an award-winning multimedia journalist.

As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden. Lia currently plays Nurse Lia on “One Life to Live”. She has appeared in Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and “New York Undercover”.

Selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space are now in the newly created LIA CHANG THEATER PHOTOGRAPHY PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.

Other Articles by Lia Chang:
Version 3.0, a major new collection of contemporary Asian American plays edited by Chay Yew
Victory Gardens appoints renowned director and playwright Chay Yew as its new Artistic Director
Chay Yew’s Visible Cities at The Studio Theatre on Theatre Row
Playwright David Henry Hwang Reading and Book Signing at The Drama Book Shop on 12/15
Photos: Playwright Lonnie Carter Talks TRIM, The Tiger Woods What If Story, The Romance of Magno Rubio and The Lost Boys of Sudan
Photos: Kathie Lee Gifford at the 2011 Lord & Taylor Fifth Avenue Christmas Windows Unveiling in New York
Photos: David Henry Hwang, Jennifer Lim, Leigh Silverman, Samuel L. Jackson, Kenny Leon, David Ives, Douglas Carter Beane and More at The Drama Desk & Fordham University Theatre Program’s “Anatomy of a Breakout” Panel
David Henry Hwang’s Chinglish Takes Home 2 Jeff Awards
Cathy Foy-Mahi Plays Bloody Mary in 2011-2012 National Tour of South Pacific
Photos: Backstage with the Cast of Chinglish and David Henry Hwang at the Longacre Theatre
Lia Chang Photos: Opening Night of Mu Performing Arts’ Katie Hae Leo’s Four Destinies
Lia Chang Photos: Backstage at Mu Performing Arts’ Four Destinies by Katie Hae Leo
Photos: Crossroads’ Ain’t Misbehavin’
Up Close and Personal with Rick Shiomi, Award-winning Playwright and Artistic Director of Mu Performing Arts
Broadwayworld.com Photo Flash: Library of Congress’ IN REHEARSAL Exhibit
Lia Chang Theater Portfolio at Library of Congress Features Photos of Thom Sesma’s Makeup Transformation as Scar in Disney’s The Lion King Las Vegas, Robert Lee and Leon Ko’s Heading East Starring BD Wong, David Henry Hwang’s Chinglish, and Samrat Chakrabarti and Sanjiv Jhaveri’s Bakwas Bumbug! on View Through August 2
Photos: David Duchovny, John Earl Jelks, Amanda Peet, Tracee Chimo at Opening Night Party of Neil LaBute’s Break of Noon
Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.
All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com.

Version 3.0, a major new collection of contemporary Asian American plays edited by Chay Yew

Chay Yew Photo by Lia Chang

Version 3.0, a major new collection of contemporary Asian American plays edited by Chay Yew, is hot off the presses courtesy of Theatre Communications Group (TCG). This vital anthology includes a foreword by David Henry Hwang, introduction by Chay Yew and eight full-length plays, each paired with a statement by the author.

Version 3.0, the first major anthology of contemporary Asian American drama in almost two decades, includes Julia Cho’s Durango, Sunil Kuruvilla’s Rice Boy, Han Ong’s Swoony Planet, Sung Rno’s wAve, Diana Son’s Satellites, Alice Tuan’s Last of the Suns and Chay Yew’s Question 27, Question 28. Also included is The Square, a choral piece meditating on 120 years of relationships between non-Asian Americans and the Asian American community, written by sixteen of today’s leading playwrights: Bridget Carpenter, Ping Chong, Constance Congdon, Kia Corthron, Maria Irene Fornes, Philip Kan Gotanda, Jessica Hagedorn, David Henry Hwang, Robert O’Hara, Craig Lucas, Han Ong, José Rivera, Diana Son, Alice Tuan, Mac Wellman and Chay Yew.

PIng Chong Photo by Lia Chang

“I am inspired by the writers in this volume, who have questioned assumptions and expanded the palate of our nation’s dramatic literature… “Version 3.0″ playwrights have kept Asian American theatre vital. On a personal level, seeing and reading their plays has kept me young,” writes David Henry Hwang.

David Henry Hwang Photo by Lia Chang

Editor Chay Yew points out that these third-wave writers “have expanded the world of Asian American theatre… [by] regarding ethnicity in a much more complicated mosaic of identity.”

These playwrights explore the myriad ways in which Asians live in America: freely combining the Medea myth with wave-particle physics; nimbly moving between a field in Kitchener, Canada, and a treetop in Kerala, India; fully examining complexities of gender, sexuality, and family and all the while demonstrating the cultural and aesthetic diversity of their generation.

Philip Kan Gotanda Photo by Lia Chang

Chay Yew is a noted playwright and director whose work has been produced Off-Broadway and across the U.S. He is the Artistic Director of Victory Gardens Theater in Chicago, has served as head of the Asian Theatre Workshop at the Mark Taper Forum and is a former Resident Director at East West Players.

For 50 years, Theatre Communications Group (TCG), the national organization for the American theatre, has existed to strengthen, nurture and promote the professional not-for-profit American theatre. TCG’s constituency has grown from a handful of groundbreaking theatres to nearly 700 member theatres and affiliate organizations and more than 13,000 individuals nationwide. TCG offers its members networking and knowledge-building opportunities through conferences, events, research and communications; awards grants, approximately $2 million per year, to theatre companies and individual artists; advocates on the federal level; and serves as the US Center of the International Theatre Institute, connecting its constituents to the global theatre community.

Han Ong Photo by Lia Chang

TCG is North America’s largest independent publisher of dramatic literature, with 11 Pulitzer Prizes for Best Play on the TCG booklist. It also publishes the award-winning AMERICAN THEATRE magazine and ARTSEARCH®, the essential source for a career in the arts. In all of its endeavors, TCG seeks to increase the organizational efficiency of its member theatres, cultivate and celebrate the artistic talent and achievements of the field and promote a larger public understanding of, and appreciation for, the theatre. Version 3.0 is 22.95 and can be purchased by calling 212-609-5900 or online at www.tcg.org. For postage and handling, please add $5.00 for the first book and $.50 for each additional copy.

Version 3.0
Contemporary Asian American Plays
Edited by Chay Yew
Cover design by Bob Stern
Paperback 680 pages
$22.95 978-1-55936-363-1

Other Articles by Lia Chang
Victory Gardens appoints renowned director and playwright Chay Yew as its new Artistic Director
Chay Yew’s Visible Cities at The Studio Theatre on Theatre Row
Mu Performing Arts 2011-2012 20th Anniversary Season: Four Destinies, Edith Can Shoot Things and Hit Them, Into the Woods, & Mu Daiko 15th Anniversary Concert
Dr. Bobby Fong, BD Wong & Honorable L. Tammy Duckworth to Receive Awards at National OCA Convention in NY on 8/6
Photos: On the town with Rick Shiomi, Co-Editor of “Asian American Plays for a New Generation”, in D.C. & NY
David Henry Hwang to Receive 2012 William Inge Distinguished Achievement in the American Theatre Award
Rick Shiomi Checks out Performing Arts Playwrights Series in the Asian American Pacific Islander Collection of Library of Congress; Attends “Asian American Plays for a New Generation” Book Signing in NY on 7/29
Broadwayworld.com Photo Flash: Library of Congress’ IN REHEARSAL Exhibit
Lia Chang Theater Portfolio at Library of Congress Features Photos of Thom Sesma’s Makeup Transformation as Scar in Disney’s The Lion King Las Vegas, Robert Lee and Leon Ko’s Heading East Starring BD Wong, David Henry Hwang’s Chinglish, and Samrat Chakrabarti and Sanjiv Jhaveri’s Bakwas Bumbug! on View Through August 2
David Henry Hwang’s Chinglish is Broadway Bound this Fall; Goodman Theatre Photo Feature
broadwayworld.com: Chinglish in Rehearsal
Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang Photo by Brianne Michelle Photography

Lia Chang is an actor, performance and fine art botanical photographer, and an award-winning multimedia journalist.

As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden. Lia currently plays Nurse Lia on “One Life to Live”. She has appeared in Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and “New York Undercover”.

Selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space are now in the newly created LIA CHANG THEATER PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.

All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com.

Victory Gardens appoints renowned director and playwright Chay Yew as its new Artistic Director

Chay Yew © 2011 Lia Chang

Congratulations to award-winning director and playwright Chay Yew, who has just been appointed as the new Artistic Director of the Victory Gardens Theater in Chicago, Il. Yew will begin full-time with Victory Gardens in July, 2011.

Chay Yew’s appointment comes as Dennis Začek, VG’s Artistic Director of 34 years, retires from the post.

“We are extremely pleased and excited that Chay Yew has joined our company to continue the VG legacy that Dennis has developed over the past three decades,” said Board President Jeffrey Rappin. “He brings vast experience in new work development and, in partnership with Executive Director Jan Kallish, he will lead VG in bringing the best new work and artists to our stages. We are confident that our company is in good hands and that the mission of VG will be continued with Chay as artistic leader.”

“I’m excited and deeply honored to continue Dennis Začek’s vision in providing an artistic home for emerging and established theater artists in Chicago and around the country,” said Yew. “I plan to refine and amplify Victory Gardens’ mission of championing new plays and diversity as the mission remains close to my heart and everything I’ve done in American Theatre.”

Yew was the Founding Director of the Asian Theatre Workshop at the Mark Taper Forum and an Associate Artist, he also produced and presented several seasons at the Mark Taper Forum’s Taper Too. Some productions include Luis Alfaro’s Black Butterfly Jaguar Girl Pinata Woman and Other Superhero Girls Like Me, Jessica Goldberg’s Good Thing, Sunil Kuruvilla’s Rice Boy, Lynn Manning’s Weights, Ron Conboy’s Drive My Coche, a sixteen-playwright collaboration The Square, and John Walch’s The Circumference of a Squirrel.

While at the Taper’s Asian Theatre Workshop, he produced Alice Tuan’s Ikebana (with East West Players), Alec Mapa’s I Remember Mapa (With EWP, Asian American Theatre Company, Northwest Asian American Theatre), Sandra Tsing Loh’s Depth Becomes Her, HYMN TO HER: A Festival of Asian Female Performance, WORD UP! A Festival of Asian American Performance, Denise Uyehara’s Maps of Body and City (with Highways), Question 27 Question 28 (with EWP and Japanese American National Museum), A Beautiful Country (with Cornerstone Theatre Company and EWP) and annual play reading festivals of new Asian American work.

Yew is set to direct the world premiere of Dael Orlandersmith’s Black and Blue Boys at Berkeley Repertory Theatre and the Goodman Theatre. As a director, Chay Yew has directed world premieres by playwrights Jose Rivera, Naomi Iizuka, Kia Corthron, Julia Cho, David Adjmi and Jessica Goldberg, and performance artists Rha Goddess, Universes, Alec Mapa, Sandra Tsing Loh and Brian Freeman. He has also directed and developed new plays at the Sundance Institute, O’Neill Playwrights Conference, Ojai Playwrights Festival, Public Theatre’s New Work Now, New Dramatists, Denver Theatre Center’s New Play Summit, Playwrights Horizons, Yale Rep’s Musical Theatre Institute, Goodman’s Latino Festival, South Coast Repertory Theatre’s Pacific Playwrights Festival, Lark Theatre Company, New York Theatre Workshop’s Dartmouth and Vassar Retreats, New World Theatre, Playwrights Center, Mark Taper Forum’s New Works Festival, A.S.K. Theatre Projects, among others.

He is a recipient of the OBIE and DramaLogue Awards for Direction. His productions have been cited by the Los Angeles Times and New York Times as one of the “Ten Best Productions of the Year;” Seattle Times and Strangers’ Best Achievement in Theatre; and was named Best Director by Seattle Post-Intelligencer.

As a playwright, Chay Yew’s plays include Porcelain and A Language Of Their Own, Red, Wonderland, Question 27 Question 28, A Distant Shore 17 and Visible Cities. His other work includes adaptations, A Winter People (based on Chekhov’s The Cherry Orchard) and Lorca’s The House of Bernarda Alba; a musical Long Season; and multimedia works, Vivien and the Shadows, Home: Places Between Asia and America and A Beautiful Country. His produced short plays include White, A Corner of the World, Blow, Faces of Ants, Gestures, Here and Now, Imelda and Cher at The Top of The World, Scissors, and Second Skin.

His work has been produced at the Public Theater, Mark Taper Forum, Manhattan Theatre Club, Long Wharf Theatre, La Jolla Playhouse, Intiman Theatre, Wilma Theatre, Portland Center Stage, East West Players, Dallas Theatre Center, Cornerstone Theatre Company, Group Theatre. Studio Theatre, Perseverance Theatre, Dad’s Garage, Crowded Fire, Smithsonian Institute, North Carolina Performing Arts, amongst many others. Overseas, his work has been produced by the Royal Court Theatre (London, UK), Fattore K and Napoli Teatro Festival (Naples, Italy), La Mama (Melbourne, Australia), Four Arts (Kuala Lumpur, Malaysia), Singapore Repertory Theatre, Toy Factory, Checkpoint Theatre, and TheatreWorks Singapore.

He is the recipient of the London Fringe Award for Best Playwright and Best Play, George and Elisabeth Marton Playwriting Award, GLAAD Media Award, Asian Pacific Gays and Friends’ Community Visibility Award, Made in America Award, AEA/SAG/AFTRA 2004 Diversity Honor, and Robert Chesley Award; he has received grants from the McKnight Foundation, Rockefeller MAP Fund and the TCG/Pew National Residency Program.

His plays are published in two titles, The Hyphenated American Plays and Porcelain and A Language of Their Own, by Grove Press; the latter was nominated for a Lamda Literary Award. His other plays are anthologized in Staging Gay Lives, Take Out, But Still, Like Air, I’ll Rise, Humana Festival 2002 and 2006: The Complete Plays and American Political Plays After 9/11. He is presently editing a new anthology Version 3.0: Contemporary Asian American Plays for TCG Publications.

His directing credits include Durango (Public Theater and Long Wharf); The Architecture of Loss (New York Theatre Workshop); Cool Dip in the Barren Sahara Crick (Playwrights Horizon); Low (Public Theater, Actors Theatre of Louisville, Cincinnati Playhouse, Pillsbury Theatre); Citizen 13559: The Diary of Ben Uchida (Kennedy Center); Universes’ Ameriville (Public Theater, Roundhouse Theatre, Actors Theatre of Louisville, Southern Repertory Theatre and Curious Theatre); Universes’ Eyewitness Blues (Goodman Theatre and Gala Hispanic Theatre); Our Town (Oregon Shakespeare Festival); Brainpeople (American Conservatory Theatre); Boleros for the Disenchanted (Huntington Theatre); Antebellum (Woolly Mammoth Theatre); 36 Views (Portland Center Stage, Geva Theatre Center and Laguna Playhouse); Frozen, The Laramie Project and Strange Attractors (Empty Space); M. Butterfly, Golden Child, Sisters Matsumoto, Big Hunk O’ Burnin’ Love and Pointless (East West Players); Sex Parasite, Question 27 Question 28, Rice Boy, Sandra Tsing Loh’s Depth Becomes Her, Alec Mapa’s I Remember Mapa and Drama! (Mark Taper Forum); The House of Bernarda Alba (National Asian American Theatre Company); A Winter People (Theatre at Boston Court); Red (Singapore Repertory Theatre and East West Players); Last of the Suns (Ma Yi Theatre Company); A Beautiful Country (Cornerstone Theatre Company), Home: Places Between Asia and America and James Sie’s TALKING WITH MY HANDS (Northwest Asian American Theatre); Brian Freeman’s Civil Sex (Walk and Squawk); Denise Uyehara’s Maps of Body and City (Highways Performance Space); and David Schmader’s Straight (Theatre Rhinoceros, Highways and NWAAT). His opera credits include the world premieres of Osvaldo Golijov and David Henry Hwang’s Ainadamar (co-production with Tanglewood Music Center, Lincoln Center for the Performing Arts and Los Angeles Philharmonic) and Rob Zuidam’s Rage D’Amors (Tanglewood).

An alumnus of New Dramatists, he has held residencies at Mu Lan Theatre Company, Northwest Asian American Theatre Company and East West Players.

He serves on the National Advisory Board at the Playwrights Center and the Artistic Advisory Board of Partial Comfort Theatre. He is a New York Theatre Workshop Usual Suspect and Vineyard Theatre Community of Artists. He has also served on the Board of Directors of Theatre Communications Group and is presently on the Executive Board of the Society of Stage Directors and Choreographers.

About Victory Gardens Theater
Under the leadership of Artistic Director Dennis Začek and Executive Director Jan Kallish, Victory Gardens Theater is home to the bold voices of world premiere theater. The company features the work of its own 14-member Playwrights Ensemble, as well as that of exciting playwrights who are changing theater in the U.S. and abroad. Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. The company’s dedication to developing, supporting and producing new work makes Victory Gardens an American Center for New Plays.

In 2006, Victory Gardens successfully completed an $11.8 million renovation of Chicago’s famed Biograph Theater, and moved two blocks north from its longtime venue at 2257 N. Lincoln Avenue, to its beautiful new home in one of Chicago’s most celebrated historic landmarks. Renamed Victory Gardens Biograph Theater, the new venue is a state-of-the-art 299-seat mainstage which has greatly expanded the company’s artistic flexibility. In 2009, Victory Gardens completed the second phase of renovation at the Biograph, building an intimate, new, 109-seat studio theater on the second floor. On March 1, 2010, at a special launch event for Victory Gardens’ Campaign for Growth, the theater’s new studio was officially named the Richard Christiansen Theater, in honor of the Chicago Tribune chief critic emeritus and longtime champion of Chicago’s live theater scene. Visit www.victorygardens.org/campaignforgrowth for more details.

Articles on Chay Yew
Variety: Yew to lead Victory Gardens
Stage Directions.com: Chay Yew Named Artistic Director at Victory Gardens Theater
Latimes.com: Chay Yew named artistic director of Chicago’s Victory Gardens Theater
Chicago Sun-Times: Victory Gardens picks Yew as Artistic Chief
chicagotribune.com: Victory Gardens announces new artistic director: Chay Yew
chicagoreader.com: Chay Yew Is New Artistic Director at Victory Gardens Theater
timeoutchicago.com: Victory Gardens Names Chay Yew to replace Dennis Zacek as Artistic Director
Victory Gardens Announces New Artistic Director Chay Yew
Theatermania: Chay Yew to become Artistic Director of Victory Gardens
playbill.com: Chay Yew Is the New Artistic Director of Tony-Winning Victory Gardens Theater
examiner.com: Chay Yew Is the New Artistic Director of Tony-Winning Victory Gardens Theater

Other Articles by Lia Chang
Working Theater Presents Staged Reading of Chay Yew’s Visible Cities at The Studio Theatre on Theatre Row on 3/21
Alan Ariano, Rona Figueroa, Jose Llana, & Orville Mendoza in Chay Yew’s Long Season Ayala Foundation USA Gala in SF
New Dramatists Reading of Philip Kan Gotanda’s Love in American Times, directed by Chay Yew
Samrat Chakrabarti stars in Soham Mehta’s Fatakra, Shiva Shankar Bajpai’s Raju, and Rehana Mirza’s Zameer & Preeti at NYIFF
André De Shields stars in Chicago Premiere of Charles Smith’s The Gospel According to James at Victory Gardens 5/14-6/12
AEA celebrates Asian Heritage Month w/ Leviathan Lab’s Asian American Female Playwright’s Short Play Festival in NY, 5/12-13
National Museum of the American Indian in NY, ESSENTIALLY INDIGENOUS?: Contemporary Native Arts Symposium, 5/5-6
Nicholas Galanin featured in SEEING INDIGENOUS Indigenous Art and Media Arts on Film at the National Museum of the American Indian in NY on 5/7
LUCKYRICE Festival 2011 in New York includes Daniel Boulud, Susur Lee, Anito Lo, Masaharu Morimoto, May 2-8, 2011
Vikas Khanna’s Holy Kitchens Karma to Nirvana premieres at New York Indian Film Festival on 5/7 at Tribeca Cinemas
Ruby Dee, Alicia Keys, Sidney Poitier among honorees at Woodie King, Jr.’s New Federal Theatre’s 40th Anniversary Gala at Edison Ballroom on May 22
32nd Annual Asian American & Pacific Islander Heritage Festival at Union Square Park in NYC on May 8, 2011
11th Annual New York Indian Film Festival (NYIFF), May 4-8, 2011
Video: Aroon Shivdasani interviews Samrat Chakrabarti at Mahindra Indo-American Arts Council (MIAAC) Film Festival
Up Close and Personal with Darren Pettie, Star of The Milk Train Doesn’t Stop Here Anymore
House of Payne’s Denise Burse on the 2011 NAACP Image Awards & Season 7
Photos & Video Disney’s The Lion King Las Vegas-In the Makeup Chair with Thom Sesma
Click here for the Lia Chang Articles Archive.

All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com.

Lia Chang Photo by Brianne Michelle Photography

Lia Chang is an actor, performance and fine art botanical photographer, and an award-winning multimedia journalist.

As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden. Lia currently plays Nurse Lia on “One Life to Live”. She has appeared in Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and “New York Undercover”.

Selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space are now in the newly created LIA CHANG THEATER PHOTOGRAPHY PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.

Lia Chang: Working Theater Presents Staged Reading of Chay Yew’s Visible Cities at The Studio Theatre on Theatre Row on March 21

On Monday, March 21, 2011, Working Theater presents a staged reading of Visible Cities by Chay Yew, directed by Mike Donahue, at The Studio Theatre on Theatre Row, 410 W 42nd St. (between 9th & 10th Aves in New York. The cast features Joanna Adler, Josh Barrett, Jackie Chung, Jennifer Ikeda, Natalie Martin, Quentin Maré, Orville Mendoza, Steve Park and Gordana Rashovich.

In Visible Cities, Chay Yew explores the high-stakes realities of international fashion, globalism, immigration, and counterfeit culture. More than 100 people made the shirt you’re wearing right now. Who are those people? This contemporary piece about fashion, greed and the horrendous working conditions of clothing factories in China is a chilling reminder that things have not changed in the 100 years since the fire – they’ve just moved overseas. The play brilliantly weaves narratives taking place in Italy, Singapore, New York and China and shows how we are all connected to and complicit in the giant greedy corporate machine of fashion. It is a wildly inventive exciting piece of theater and a call for global action.

Orville Mendoza

Chay Yew’s plays include Porcelain, A Language of Their Own, RED, Wonderland, Question 27 Question 28, A Distant Shore, 17, America and A Beautiful Country. His other work includes adaptations, A Winter People (based on Chekhov’s The Cherry Orchard) and Lorca’s The House of Bernarda Alba, and a musical Long Season. His plays have been produced at the Public Theatre, Royal Court Theatre (London), Mark Taper Forum, Manhattan Theatre Club, Long Wharf Theatre, La Jolla Playhouse, Actors Theatre of Louisville, Intiman Theatre, Wilma Theatre, Studio Theatre, Portland Center Stage, East West Players, Cornerstone Theatre Company, Perseverance Theatre, Dad’s Garage, La Mama (Melbourne, Australia), Singapore Repertory Theatre and TheatreWorks Singapore, amongst others.

Gordana Rashovich Photo by Lia Chang

He is also the recipient of the London Fringe Award for Best Playwright and Best Play, George and Elisabeth Marton Playwriting Award, GLAAD Media Award, Asian Pacific Gays and Friends’ Community Visibility Award, Made in America Award, AEA/SAG/AFTRA 2004 Diversity Honor, Robert Chesley Award and an OBIE Award for Direction; he has also received grants from the McKnight Foundation, Rockefeller MAP Fund and the TCG/Pew National Residency Program. His plays are published by Grove Press and were nominated for a Lamda Literary Award. He is presently editing a new anthology of Asian American plays “Version 3.0” for TCG Publications. He is under commission from Oregon Shakespeare Festival and Writer’s Theatre. An alumnus of New Dramatists, he serves on the Executive Board of the Society of Stage Directors and Choreographers.

Monday, March 21, 2011
7pm
The Studio Theatre on Theatre Row
410 W 42nd Street (between 9th & 10th Aves)
NYC

$10 suggested donation*
To reserve your tickets click http://www.nycharities.org/events/EventLevels.aspx?ETID=3245

*The Working Theater readings are free-of-charge, to fulfill their mission to develop new work about the lives of working people, and present it at affordable prices to all. However, there is a suggested $10 donation.
www.theworkingtheater.org
About WORKING THEATER
Founded in 1985, the Working Theater’s mission is to produce plays for and about working people. Working Theater believes that theater should not be a privilege or a luxury, but a staple, striving to make play-going a regular part of the cultural activities of working people who may not be able to afford commercial theater or who feel that it does not resonate with their lives and experience. Toward that goal, the company offers stories that reflect a diverse population of the working majority, acknowledging their complexity and often-denied power in an increasingly complex world. By creating theater of interest to working people and by bringing this constituency to its productions, Working Theater aims to change the composition of New York’s theater audience to reflect a full range of socio-economic diversity.. In a nation that is frequently divided by cultural and class distinctions and where economic disparity continues to widen, Working Theater is committed to making theater that can bridge those divisions, expanding the reach of theater’s impact to all people, uniting us in our common humanity. Over the years The Working Theater has commissioned and produced more than 70 world premieres of culturally diverse new plays.

All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachang@hotmail.com.

Lia Chang Photo by Brianne Michelle Photography

Lia Chang is an actor, performance and fine art botanical photographer, and an award-winning multimedia journalist.

As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden.

Selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space are now in the newly created LIA CHANG THEATER PHOTOGRAPHY PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.

Other Articles by Lia Chang:
Alan Ariano, Rona Figueroa, Jose Llana, & Orville Mendoza in Long Season Ayala Foundation USA Gala in SF
A night out with Gordana Rashovich, Flora Goforth in The Milk Train Doesn’t Stop Here Anymore
André De Shields Set for World Premiere of Charles Smith’s The Gospel According to James at Indiana Rep, 3/22-4/10
Photos:The Working Theater’s Off-Broadway production of HONEY BROWN EYES by Stefanie Zadravec at The Clurman
Lia Chang Photo Slideshows of Productions in the Working Theater’s 25th Anniversary Season
Multimedia: Photos of Ed Cardona, Jr.’s American Jornalero at the Dorothy Strelsin Theatre
Multimedia: Photos of André De Shields in Mine Eyes Have Seen The Glory: From Douglass to Deliverance
Photos: A.B. Cruz III and Lillian Kimura Receive 2011 AALDEF Justice in Action Awards
Andy Warhol, Romare Bearden, Alexander Calder, Lia Chang in Art & Healing Exhibit at Snug Harbor on SI
Juicy Buns at Ollie’s
The Dish on Susur Lee and Shang
Click here for the Lia Chang Articles Archive.