Ma-Yi Presents Carla Ching’s The Sugar House at The Edge of The Wilderness at The Connelly Theater, 11/8-12/4

Cindy Cheung Photo by Lia Chang

The Drama Desk and Obie Award-winning Ma-Yi Theater Company – one of the country’s leading Asian-American theater companies – is presenting the World Premiere of Carla Ching’s new play The Sugar House at The Edge of The Wilderness, directed by Daniella Topol featuring a cast that includes Cindy Cheung (Will Eno’s Middleton) and April Matthis (Young Jean Lee’s Lear). Preview performances of The Sugar House at The Edge of The Wilderness begin November 8 prior to an official press opening of November 15 at The Connelly Theater (220 East 4th Street) in Manhattan.

The Sugar House at The Edge of The Wilderness centers on Chinese adoptees Greta and Han, who are sent to live with their ex-rockstar uncle and his young girlfriend when their father dies suddenly and their mother goes on a grief pilgrimage. Wrestling with the wilds of New York and their grief, Greta gets in trouble with the law and is put in a court mandated reform program and Han runs away to play music on the street. On The Edge of the wilderness, Greta and Han must ask themselves: If I can’t go home, where do I go? A play with music and a live twitter feed about kids growing up fast, children raising children, and shifting notions of home.

Directed by Daniella Topol, the cast of The Sugar House at The Edge of The Wilderness includes Ali Ahn, Bjorn DuPaty, Cindy Cheung (Will Eno’s Middleton), Christopher Larkin (Back From The Front), April Matthis (Young Jean Lee’s Lear at Soho Rep) and David Spangler. The design team is Clint Ramos (Set Design), Japhy Weideman (Lighting Design), Shane Rettig (Sound Design), Theresa Squire (Costume Design), and Alex Koch, David Tenant, and Kate Freer (Video Design).

Carla Ching is a playwright, teaching artist and artistic director of 2g, she wrote and performed with the Pan Asian Performance group “Peeling” at venues like Second Stage Theater, The Asian American Writers Workshop, NYU, Cornell and The Puffin Room. Her plays have been produced or developed by 2g, Ma-Yi Theater Company, Desipina, Vampire Cowboys and IRT. She received a 2008 Urban Artists Initiative Fellowship, a 2009-1010 Teachers & Writers Collaborative Fellowship and a 2010 commission from EST/Alfred P. Sloan Foundation to write a game theory play. She is a member of the Ma-Yi Writers Lab, a member of the Women’s Project Lab 2008-2010. MFA, Actors Studio Drama School, BA, Vassar College. Ms. Ching is a current member of the Ma-Yi Writers Lab, which was founded in 2004 by playwright Sung Rno and boasts the largest resident company of Asian American Playwrights ever assembled.

Daniella Topol is a New-York based freelance theater director primarily focused on working with writers to develop and direct relevant, theatrical and adventuresome new plays and musicals. Some recent productions include: Rajiv Joseph’s Monster at The Door (Alley Theatre), Anna Ziegler’s Photograph 51 (Theatre J, Washington D.C.), Willy Holtzman’s The Morini Strad (City Theatre, PA), Chiori Miyagawa’s Firedance (Bard College), Jeff Hughes and Scott Ethier’s Red Clay (NAMT Festival of New Musicals, Richard Rodgers Development Award at Queens Theatre in the Park/Playwrights Horizons under previous title Rosa Parks), Janet Allard and Niko Tsakalakos’ Pool Boy (Barrington Stage), Sheila Callaghan’s Lascivious Something (Women’s Project/Cherry Lane), and many others.

Founded in 1989, Ma-Yi Theater Company is a Drama Desk and Obie Award-winning, Off-Broadway not-for-profit organization whose primary mission is to develop new plays and performance works that depict Asian American experiences. Its numerous acclaimed productions include last season’s acclaimed production of Michael Lew’s Microcrisis and the revival of Ralph B. Pena’s Flipzoids. Other productions include: Rescue Me by Michi Barall, Lloyd Suh’s American Hwanggap, Soul Samurai, The Romance of Magno Rubio, The Children of Vonderly and wAve. Through successful programs such as the Writers Lab, Ma-Yi emboldens a new generation of Asian American artists to voice their experiences, while developing a steady stream of quality new works by Asian American Playwrights for its own performing repertory. Ma-Yi Theater Company productions have earned nine Obie Awards, numerous Henry Hewes Award nominations, a Drama Desk nomination and the Special Drama Desk Award for more than two decades of excellence and for nurturing Asian-American voices in stylistically varied and engaging theater.

Scheduled to run November 8 through December 4, performances of The Sugar House at The Edge of The Wilderness will run Tuesdays through Fridays at 7:30pm; Saturdays at 2:00pm and 7:30pm; and Sundays at 3:00pm at The Connelly Theatre (220 East 4th Street). Tickets are $25 and can be purchased by calling TheaterMania at 212-352-3101 or online at www.ma-yitheatre.org.

Other Articles by Lia Chang
Tina Chilip and Jojo Gonzalez Star in Leviathan Lab’s Dynamic Hong Kong Re-imagining of Shakespeare’s Twelfth Night Featuring an All-Asian American Cast, at the Arclight in NY, 11/3-11/19
David Henry Hwang’s Chinglish Takes Home 2 Jeff Awards
Photos: Fall Foliage at Devil’s Lake State Park
Michael Etzwiler is Featured in Miracle on 34th Street at the Al. Ringling Theatre through 11/13/11
Photos: Backstage with the Cast of Chinglish and David Henry Hwang at the Longacre Theatre
Cathy Foy-Mahi Plays Bloody Mary in 2011-2012 National Tour of South Pacific
Photos: Opening Night of Mu Performing Arts’ Katie Hae Leo’s Four Destinies
Photos: Backstage at Mu Performing Arts’ Four Destinies by Katie Hae Leo, 10/15-10/30
Photos: Crossroads’ Ain’t Misbehavin’
Broadwayworld.com Photo Flash: Library of Congress’ IN REHEARSAL Exhibit
Lia Chang Theater Portfolio at Library of Congress Features Photos of Thom Sesma’s Makeup Transformation as Scar in Disney’s The Lion King Las Vegas, Robert Lee and Leon Ko’s Heading East Starring BD Wong, David Henry Hwang’s Chinglish, and Samrat Chakrabarti and Sanjiv Jhaveri’s Bakwas Bumbug! on View Through August 2
Photos: “How To Succeed” stars Daniel Radcliffe, Rose Hemingway & John Larroquette at Lord & Taylor Fifth Ave
Photos: David Duchovny, John Earl Jelks, Amanda Peet, Tracee Chimo at Opening Night Party of Neil LaBute’s Break of Noon
Multimedia: Promises, Promises’ Stars Kristin Chenoweth and Sean Hayes at Lord & Taylor Fifth Ave
Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang Photo by Brianne Michelle Photography

Lia Chang is an actor, performance and fine art botanical photographer, and an award-winning multimedia journalist.
As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden. Lia currently plays Nurse Lia on “One Life to Live”. She has appeared in Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and “New York Undercover”.

Selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space are now in the newly created LIA CHANG THEATER PHOTOGRAPHY PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.

All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com.

Lia Chang Photos: On the Town with Rick Shiomi, Co-Editor of “Asian American Plays for a New Generation”, in Washington D.C. and New York

R.A. Shiomi's Yellow Fever. Photo by Lia Chang

On Wednesday, July 27, I reconnected with Rick Shiomi, the author of one of my favorite plays, “Yellow Fever,” when we were both in Washington D.C. at the Asian Reading Room of the Library of Congress in the Thomas Jefferson Building. The groundbreaking Asian-North American playwright, taiko troupe leader, and artistic director of Mu Performing Arts, was on a week long book tour to promote “Asian American Plays for a New Generation” (Temple University Press, June 2011), which he co-edited with Josephine Lee and Don Eitel.

Rick Shiomi with my display of photos “In Rehearsal”, drawn from the Lia Chang Theater Portfolio at the Library of Congress/AAPI Collection. Photo by Lia Chang

Reme Grefalda, the curator of the Asian Pacific Islander Collection, had put together a marvelous program which included his talk about the Anthology, and a week-long display in the Asian Reading Room of the Library of Congress.

Rick Shiomi looks at a glass case of the published works of his fellow Asian American Theater Pioneering peers including Frank Chin, Philip Kan Gotanda, David Henry Hwang, Velina Hasu Houston and Genny Lim. Photo by Lia Chang

The display featured 37 photographs drawn from the Lia Chang Theater Portfolio including Thom Sesma’s Makeup Transformation as Scar in Disney’s “The Lion King Las Vegas”; rehearsals of a staged concert of Robert Lee and Leon Ko’s musical “Heading East” starring BD Wong at the Asia Society in New York; of David Henry Hwang’s play, “ChingLish,” which premiered at the Goodman Theatre in Chicago this summer and is bound for Broadway this fall; and of “Bakwas Bumbug!,” a pop opera by Samrat Chakrabarti and Sanjiv Jhaveri, which recently made its off-Broadway debut.

Original scripts by Carlene Sobrino Bonnivier, Velina Hasu Houston, Christine Toy Johnson, Lani Montreal, Edgar Mendoza and Jeanne Sakata. Photo by Lia Chang

The Library of Congress’ goal is to establish a national Asian Pacific American holdings, with a nationwide outreach, and the focus of the display was in celebration of works by Asian American playwrights.

The published works by Asian American Playwrights at The Library of Congress. Photo by Lia Chang

Drawn from the Performing Arts Playwrights Series in the Asian American Pacific Islander Collection, original scripts by Carlene Sobrino Bonnivier, Velina Hasu Houston, Christine Toy Johnson, Lani Montreal, Edgar Mendoza and Jeanne Sakata are on view. The display also highlights works by Frank Chin, Philip Kan Gotanda, Jessica Hagedorn, David Henry Hwang, Genny Lim, Chay Yew and others.

Rick Shiomi, Julie Azuma and Tamio Spiegel. Photo by Lia Chang

Two days later, I joined Rick at Julie Azuma and Tamio Spiegel’s apartment in New York, where they hosted a swell book party for him.

Tisa Chang, Artistic Producing Director of Pan Asian Repertory Theatre, Carla Ching, Artistic Director of Second Generation, Rick Shiomi, Artistic Director of Mu Performing Arts, Jorge Ortoll, Executive Director of Ma-Yi Theater Photo by Lia Chang

The Asian American Arts scene turned out in this reunion of sorts, including Tisa Chang, Artistic Producing Director of Pan Asian Repertory Theatre, Carla Ching, Artistic Director of Second Generation, and Jorge Ortoll, Executive Director of Ma-Yi Theater; authors Henry Chang and Ed Lin; actors Raul Aranas and Henry Yuk; artist Tomie Arai, director Stann Nakazono; and Kentaro Ando and Masakazu Kigure, from the Consulate General of Japan. Cathie Hartnett of My Talk Radio in St Paul, Carol Connolly, the poet Laureate of St. Paul and Phil Nash from Washington D.C., stopped in as well.

Happy Valley playwright Aurorae Khoo and Rick Shiomi Photo by Lia Chang

Playwright Aurorae Khoo, whose play “Happy Valley” is in the anthology, talked about the process of developing her play with Mu Performing Arts, while actors Cindy Cheung, Fay Ann Lee, Amy Chang and Sean Tarjoto read excerpts from plays featured in the book.

Sean Tarjoto, Rick Shiomi, Cindy Cheung, Fay Ann Lee, Amy Chang Photo by Lia Chang

Rick took the time to answer some questions about “Asian American Plays for a New Generation”.

Rick Shiomi Photo by Lia Chang

How does this anthology live up to its title?
Rick: The plays in this anthology were all written and produced after 2004 and reflect a larger horizon of Asian American issues and communities while still dealing with existing challenges in playful and different ways. There is a play about the Hmong American community and experience which is just now receiving attention within Asian American theater world. There’s a play about Korean adoption which has been a major focus of attention in Minnesota but only now coming to wider national attention (including an upcoming forum on this
issue at the Library of Congress). But there are also plays about LGBTQI issues in Asian American families, transnational events such as the transfer of Hong Kong to China and the history of women in the media and performance. So I feel the anthology truly addresses the issues and conversational framework for Asian Americans in the 21st century.

Carol Connolly, the poet Laureate of St. Paul, Rick Shiomi and Cathie Hartnett of My Talk Radio in St. Paul. Photo by Lia Chang

How was Mu Performing Arts involved in the book?
Rick: Mu Performing Arts helped to develop and produce the world premiere of six of the seven plays in this anthology. Through programs funded by the Jerome and Ford Foundations, we have been able to focus on developing new work by emerging Asian American writers. With two of the three book editors on staff at Mu, we were able to look at over a dozen new plays produced by Mu in the past decade and other plays we felt were in the same realm, before we selected the ones in this anthology.

Rick Shiomi with novelist Ed Lin and his wife Cindy Cheung, an actress who read excerpts from the Anthology. Photo by Lia Chang

What’s your favorite story in regards to the plays in this book?
Rick: I have two stories and both reflect how initial problems in the development of plays can be deceiving and ultimately overcome. The first is about “Asiamnesia” by Sun Mee Chomet. It started as a group writing effort in our Jerome New Performance Program. Sun Mee had gathered a group of Asian American women writers to create the play but through several drafts we never thought it worked well because the writing was too disparate. Finally, we asked Sun Mee to write the play herself and she did with great success as the play was recognized by the Minneapolis Star Tribune critic, Rohan Preston, as the “best new script” of 2008, So in a way I feel Sun Mee failed her way to success, through talent and determination. The second story is about “Bahala Na,” by Clarence Coo. When we first read it, we felt it was too poetic to work on stage but when we actually did a reading of it, we all loved the style because it fit the epic nature of play. So we decided to work on it as part of our Ford Foundation, Emerging Writers of Color Program and eventually produced the world premiere of the play in 2007.

Rick Shiomi with Kentaro Ando and Masakazu Kigure, from the Consulate General of Japan Photo by Lia Chang

Rick Shiomi and Phil Nash Photo by Lia Chang

A Soh Daiko reunion for Peter Wong, Teddy Yoshikami and Rick Shiomi Photo by Lia Chang

“Asian American Plays for a New Generation” is available online at Amazon.com. http://www.amazon.com/Asian-American-Plays-New-Generation/dp/1439905169

Henry Chang, noted mystery/crime fiction novelist, surprised Rick with an original script of Yellow Fever for him to sign. Photo by Lia Chang

Mu Performing Arts Website
For more information about the division and its holdings, go to www.loc.gov/rr/asian/.

Other Articles on “Asian American Plays for a New Generation” & “In Rehearsal”
Temple Press: Rick Shiomi recounts his tour for “Asian American Plays for a New Generation”
Mu Blog: Rick Shiomi’s Book Tour Logbook
knightarts.org: Reading on the road inside the book tour
Broadwayworld.com Photo Flash: Library of Congress’ IN REHEARSAL Exhibit
Lia Chang Theater Portfolio at Library of Congress Features Photos of Thom Sesma’s Makeup Transformation as Scar in Disney’s The Lion King Las Vegas, Robert Lee and Leon Ko’s Heading East Starring BD Wong, David Henry Hwang’s Chinglish, and Samrat Chakrabarti and Sanjiv Jhaveri’s Bakwas Bumbug! on View Through August 2
Photos: Rick Shiomi Checks out Performing Arts Playwrights Series in the Asian American Pacific Islander Collection of Library of Congress; Attends “Asian American Plays for a New Generation” Book Signing in NY on 7/29
“Asian American Plays for a New Generation”, A New Anthology of Asian American Plays Is Subject of Book Talk
broadwayworld.com: Chinglish in Rehearsal
asiancemagazine.com: New Anthology of Asian American Plays Book Talk
Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.

Lia Chang Photo by Brianne Michelle Photography

Lia Chang is an actor, performance and fine art botanical photographer, and an award-winning multimedia journalist.

As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden. Lia currently plays Nurse Lia on “One Life to Live”. She has appeared in Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and “New York Undercover”.

Selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space are now in the newly created LIA CHANG THEATER PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.

Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.

All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com.