
Bev Umehara with daughters Tami Chang, Karina Umehara, Lia Chang and Marissa Chang-Flores in San Francisco c1998.
It’s been twelve years since my mother died and there isn’t a day that goes by that I don’t miss her. I wrote this article shortly after her death, highlighting her achievements as an Asian American Union Activist.
When the paramedics brought my mother to UC-California Medical Center on October 2 with a brain aneurysm, the doctors said she wouldn’t make it through the night. They didn’t know my mother. She hung on while my sister Tami and I rushed from New York to the hospital, and we were able to hold her hands when she finally slipped away. That was our mom, Beverly Umehara, a women warrior holding court even in the last hours of her 53 years of life.
My mother was a remarkable woman with an indomitable spirit and movie star looks. A social butterfly, she was the embodiment of energy, warmth, and vitality. Born in San Francisco on December 18, 1945, Bev (as her friends and family called her) was the eldest daughter of Nancy Chang, a beautician and Harry Kai Chong Chang, a merchant seaman. She grew up very poor in the vibrant SF Chinatown community.
Perhaps the most remarkable thing about her career was that calling came relatively late in life, at 47, when she made a sudden transformation from a humble, hardworking secretary and mother of four, into a labor activist, a respected union leader, and a role model for rank-and-file workers, women of color, and for all Asian Pacific Americans.
I was fortunate enough to sit down with my mother in 1998, to hear her share the roots of her activist drive: “In 1992, as a secretary and assistant to the head of the California Labor Federation, I attended a reception announcing the formation of the first organization of Asian American trade unionists, the Asian Pacific American Labor Alliance, AFL-CIO,” she said. “There was a steering committee composed of over 40 Asian Americans of different unions from all over the United States, some rank-and-file, and some in leadership positions within their unions. APALA’s emerging mission was to increase the number of Asian American leaders in the labor movement, to advance the rights of immigrants, and to help Asian Pacific Americans who were trying to organize into unions and gain a voice in the workplace. I didn’t know anything like this existed and was impressed. I had waited over 20 years for direction like this; I knew I had to be at APALA’s Founding Convention in Washington, D.C.”
Against all odds she made her way to that convention. She described how enthralling it was for her to be with so many Asian American union activists, like steering committee chair Katie Quan, a leading organizer of garment workers; Kent Wong, a brilliant young labor activist at UCLA; Guy Fujimura, Secretary-Treasurer of the powerful International Longshore and Warehouse Union Local in Hawaii; and Gloria Caoile, a leading Filipina activist and assistant to the head of AFSCME, a million-member union of government workers.
Bev returned to SF committed to APALA’s agenda, and helped establish the San Francisco chapter of APALA where she was elected Chapter Secretary. She told me her knees were knocking when she made her first speech to the California Workers Assistant Program, but her passion drove her on, pushing her to continue to take on leadership roles.
In 1995, she was elected to APALA’s National Executive Board, and was appointed as president of the San Francisco Chapter. As president, she led the San Francisco Chapter of APALA in forming lasting community-labor coalitions that worked against anti-labor, anti-affirmative action and anti-immigrant ballot initiatives on the California ballot. Under her leadership, the chapter recruited new Asian Pacific American union organizers, assisted workers seeking to form unions, participated in local community struggles, and engaged in non-partisan voter registration and “get out the vote” efforts.
Her colleagues on the National Executive Board were aware of Bev’s powerful work, and her evolution as a leader. At the APALA national convention in August, 1999, she was awarded the ART Takei Leadership Award, named after the pioneering Nisei activist who first became a union organizer in the 1950’s after learning about injustice in the internment camps.
As she stepped up to the podium to accept the award, she held the audience spellbound as she spoke from the heart saying, “I believe that I am currently living the vision. While growing up as a third-generation Chinese American, Chinese daughters were not taught to have vision. This award is proof that progress has been made. Not only am I a woman but I am an Asian American woman activist, and proud of it!”
Chatting with U.S. Representative Patsy Mink at the end of the evening, the congresswoman told my mother she should run for office; that she had what it took to be a true leader. I believe that Congresswoman Mink was right: whatever the future would have held for my mother, it would have been bright. And it would have involved workers, especially immigrants, who are exploited in the workplace. I have lost my mother but she enriched so many lives that the Asian American community and the labor movement lost one of its leading voices and spirits.
(Originally published in the March, 2000 edition of A Magazine.)
Other Articles by Lia Chang
Photos: Rick Shiomi Checks out Performing Arts Playwrights Series in the Asian American Pacific Islander Collection of Library of Congress; Attends “Asian American Plays for a New Generation” Book Signing in NY
Lia Chang Theater Portfolio at Library of Congress Features Photos of Thom Sesma’s Makeup Transformation as Scar in Disney’s The Lion King Las Vegas, Robert Lee and Leon Ko’s Heading East Starring BD Wong, David Henry Hwang’s Chinglish, and Samrat Chakrabarti and Sanjiv Jhaveri’s Bakwas Bumbug!
“In Rehearsal”: Lia Chang Theater Portfolio Features Rehearsal Photos of David Henry Hwang’s Broadway Bound Chinglish and Samrat Chakrabarti and Sanjiv Jhaveri’s “Bakwas Bumbug! on View in the Asian Division Reading Room at Library of Congress through 8/2
My portrait of “Thom Sesma’s Makeup Transformation into Scar in The Lion King” on view in HHC’s New York City: IN FOCUS, Vol. 2
Photos: Playwright David Henry Hwang in rehearsal at the Goodman Theatre for World Premiere of Chinglish
David Henry Hwang’s Chinglish is Broadway Bound this Fall; Goodman Theatre Photo Feature
Photos: Christmas in June w/ Samrat Chakrabarti and Sanjiv Jhaveri’s “Bakwas Bumbug” at The Wild Project in NY
Multimedia: Exclusive photos and video of Disney’s The Lion King Las Vegas -In the Makeup Chair with Thom Sesma
Photo Call: BD Wong and the Cast of Heading East at the Asia Society
2011 Asian American International Film Festival Kicks Off w/ John Sayles’ AMIGO on 8/10; AAIFF’11 Lineup, 8/10-14
Photos: André De Shields leads the cast of Charles Smith’s Knock Me A Kiss at The National Black Theatre Festival in Winston-Salem, NC, 8/2-8/4
Photos: “How To Succeed” stars Daniel Radcliffe, Rose Hemingway & John Larroquette at Lord & Taylor Fifth Ave
Photos: Phylicia Rashad, Michael McElroy, Marva Hicks in Broadway Inspirational Voices “Wondrous Grace” Concert in NY
Photos: Willie Reale, Frances McDormand, Lewis Black, Bela Fleck, Renee Goldsberry, Duncan Sheik, Lisa Benavides, Abigail Washburn, Tim Blake Nelson at The 52nd Street Project Benefit
Photos: David Duchovny, John Earl Jelks, Amanda Peet, Tracee Chimo at Opening Night Party of Neil LaBute’s Break of Noon
Multimedia: Promises, Promises’ Stars Kristin Chenoweth and Sean Hayes at Lord & Taylor Fifth Ave
Click here for the Lia Chang Articles Archive and here for the Lia Chang Photography Website.
All text, graphics, articles & photographs: © 2000-2011 Lia Chang Multimedia. All rights reserved. All materials contained on this site are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of Lia Chang. You may not alter or remove any trademark, copyright or other notice from copies of the content. For permission, please contact Lia at liachangpr@gmail.com.
Lia Chang is an actor, performance and fine art botanical photographer, and an award-winning multimedia journalist.
As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden. Lia currently plays Nurse Lia on “One Life to Live”. She has appeared in Wolf, New Jack City, A Kiss Before Dying, King of New York, Big Trouble in Little China, The Last Dragon, Taxman and “New York Undercover”.
Selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space are now in the newly created LIA CHANG THEATER PHOTOGRAPHY PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.
Lia’s portraits and performance photos have appeared in Vanity Fair, Gourmet, German Elle, Women’s Wear Daily, The Paris Review, TV Guide, Daily Variety, Interior Design, American Theatre, Broadwayworld.com, Life & Style, OUT, New York Magazine, InStyle, Timeout.com, Villagevoice.com, Playbill.com, Theatermania.com, thelmagazine.com, The Wall Street Journal, Financial Times, USA Today, The Boston Globe, New York Times and Washington Post. A former syndicated arts and entertainment columnist for KYODO News, Lia is the New York Bureau Chief for AsianConnections.com. She writes about culture, style and Asian American issues for a variety of publications and this Backstage Pass with Lia Chang blog.
1 Comment(s)





Bev was the most beautiful, fun, generous cousin and best friend.
I looked up to Bev growing up. I thought she was gorgeous and so very smart. She helped me with one of my first speeches during Junior High School and taught me the lastest dances, along with cousin Pauline.
I miss Bev and I shall always, always love her.
Bless Bev who is home and smiling with us all.
Love,
Jenny