The trio are back on the boards in Indianapolis, rehearsing the World premiere of Charles Smith’s latest work, The Gospel According to James, commissioned by Indiana Repertory Theatre and presented by Bingham McHale, which will have performances March 22-April 10, 2011.
Helmed by Chuck Smith, the cast also features Kelsey Brennan (Mary), Keith Gallagher (Claude), Marcus Hendricks (Tommy), Linda Kimbrough (Marie), Diane Kondrat (Bea), Christopher Jon Martin (Hoot), Anthony Peeples (Apples), and Tyler Jacob Rollinson (Abe).
The production team for The Gospel According to James includes scenic design by Linda Buchanan, costume design by Rachel Healey, lighting design by Kathy Perkins, compositions and sound design by Ray Nardelli.
Indiana Rep is located on 140 W. Washington Street in Indianapolis.Tickets are $29-$50 and may be purchased by calling the IRT Ticket Office: (317) 635-5252 or online.
After the run at Indiana Rep, The Gospel According To James will be produced by the Victory Gardens Theater in Chicago, from May 14-June 12, 2011. For tickets click here.
In a career that has spanned four decades, De Shields is best known for his electrifying performances in the original Broadway productions of The Wiz in 1975 (title role), Ain’t Misbehavin’ in 1978 (Drama Desk nomination), Play On! in 1997 (Tony nomination) and The Full Monty in 2000, for which he received Tony, Drama Desk and Astaire Award nominations, in addition to both the Outer Critics Circle and Drama League Awards. His other Broadway credits include an autobiographical revue, Haarlem Nocturne, and the world premier of two new American plays: Mark Medoff’s Prymate (Drama Desk nomination) and Michael Jacob’s Impressionism, with Jeremy Irons and Joan Allen. He is the recipient of the 2009 National Black Theatre Festival’s Living Legend Award, the 2007 Village Voice OBIE Award for Sustained Excellence of Performance and the 2009 AUDELCO Award for Outstanding Performance in a Musical/Male. He won an Emmy Award for Outstanding Special Achievement for his performance in the 1982 NBC broadcast of Ain’t Misbehavin’. New York theatre audiences have seen De Shields in productions as varied as Cato at The Flea, Neil Simon’s The Good Doctor at the Melting Pot Theatre, Let Me Sing at The George Street Playhouse, Lonnie Carter’s The Gulliver Trilogy at La MaMa e.t.c. and his solo work-in-progress Mine Eyes Have Seen The Glory: From Douglass to Deliverance at The Abingdon Theatre about abolitionist Frederick Douglass. At the Classical Theatre of Harlem, he has been seen as Makak in Derek Walcott’s Dream On Monkey Mountain, in the title roles of Archbishop Supreme Tartuffe, CALIGULA and King Lear, directed by Alfred Preisser. Regional audiences have witnessed him as Henry Drummond in Inherit The Wind, Willy Loman in Death Of A Salesman, Sheridan Whiteside in The Man Who Came To Dinner, Scott Joplin in Tin Pan Alley Rag, Vladimir in Waiting for Godot, Jacob Strand in Ibsen’s Ghosts (starring Jane Alexander), and the Stage Manager in Thornton Wilder’s Our Town. He recently appeared as the farmer Old Banks opposite Charlayne Woodard, in the Red Bull Theater’s Off-Broadway production of The Witch of Edmonton, at the Theatre at St. Clement’s. In August, De Shields will be a teaching artist at the 1st Annual La MaMa Umbria International Master Acting Workshops. A triple Capricorn, he is the ninth of eleven children born and reared in Baltimore, Maryland. www.andredeshields.com.
Playwright Charles Smith is a member of the Playwrights Ensemble at the Tony Award-winning Victory Gardens Theater in Chicago, alumni playwright of the Tony Award-winning New Dramatists in New York, and Head of the Professional Playwriting Program at Ohio University. His plays have been produced Off-Broadway and around the country by theaters such as Victory Gardens, The Acting Company, Indiana Repertory Theatre, People’s Light & Theatre Company, Goodman Theatre, Penumbra, Ujima Theatre Company, St. Louis Black Rep, New Federal Theatre, Seattle Repertory Theatre, and Berkeley Repertory Theater. His work has also been produced for the HBO New Writers Project, the International Children’s Theater Festival in Seattle, and the North Carolina Black Arts Festival. His play Pudd’nhead Wilson enjoyed a 22 city national tour and his plays Takunda and City of Gold enjoyed tours of the west coast. His other plays include Free Man of Color, which recently premiered in Australia after being awarded a Joseph Jefferson Award and John W. Schmid Award, both for Outstanding New Work. He is also author of two Emmy Award-winning teleplays, “Fast Break to Glory” and “Pequito.” A graduate of the Iowa Playwrights Workshop and recipient of the 2008 Ohio Arts Council Individual Excellence Award, Smith has received commissions from Victory Gardens, The Goodman, Seattle Rep, Indiana Rep, The Acting Company, and Ohio University. The Gospel According to James is the result of a Joyce Award.
Director Chuck Smith has had 25 years of experience in African-American theater. He is resident director of the Goodman Theatre, where he has directed Ma Rainey’s Black Bottom, A Christmas Carol, and Vivisections from the Blown Mind. Smith is a founding member of the Chicago Theatre Company, where he was artistic director for four seasons, staging plays including Sizwe Banzi is Dead, Fathers and Other Strangers, Suspenders, the Jeff-winning musical Po’, and The Meeting. He has also directed at Fleetwood-Jourdain, The New Regal, Kuumba, Pegasus Players, New Federal Theater, ETA Creative Arts, Columbia College, and Chicago Black Ensemble Theater. He is also artistic director of the Chicago Historical Society’s Voices in History program and an artist-in-residence at Columbia College Chicago, where he facilitates the Theodore Ward playwriting contest.
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Lia Chang is an actor, performance and fine art botanical photographer, and an award-winning multimedia journalist.
As a photographer and videographer, Lia collaborates with artists, organizations and companies in establishing their documentary photo archive and social media presence. She has been documenting her colleagues and contemporaries in the arts, fashion and journalism since making her stage debut as Liat in the National Tour of South Pacific, with Robert Goulet and Barbara Eden.
This year, selections of Lia’s archive of Asian Pacific Americans in the arts, fashion, journalism, politics and space will become part of newly created LIA CHANG THEATER PHOTOGRAPHY PORTFOLIO in the ASIAN PACIFIC AMERICAN PERFORMING ARTS COLLECTION housed in the Library of Congress Asian Division’s Asian American Pacific Islander Collection.
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Other Articles on Andre De Shields:
Photos: De Shields, McClendon, Elisa, Glasco, Nemser, Phillips, Thompson at The Sovereign State of Boogedy Boogedy Reading
Spend Valentine’s Day with André De Shields in The Sovereign State of Boogedy Boogedy at the Abingdon Theatre
André De Shields and Charlayne Woodard are featured in Red Bull Theater’s Off Broadway Production of The Witch of Edmonton
André De Shields leads cast of Charles Smith’s Knock Me A Kiss at Abrons Arts Center
Andre Dé Shields is having a Devilishly Good Time in Damn Yankees at The John W. Engeman Theater at Northport
Photos of André De Shields in Mine Eyes Have Seen The Glory: From Douglass to Deliverance
Achieving the American Dream, Professional Charmer Andre De Shields Sees Theater is a Way to Life
André De Shields Celebrates Black History Month Starring in The Working Theater’s Production of Mine Eyes Have Seen the Glory at The Abingdon in February 2010
Classical Theatre of Harlem’s Archbishop Supreme Tartuffe, MTC’s Ruined are Top Winners at 2009 Audelcos
Multimedia: Archbishop Supreme Tartuffe Opening Night Party Photos
Multimedia: Archbishop Supreme Tartuffe
André De Shields and Reg E. Cathey Star in Cato at The Flea
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Click here for the Lia Chang Articles Archive.
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